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Thinking as I have, upon seeing the two versions (on consecutive days) depicting the fourth (from April 22, 1889) of the five Oklahoma land rushes, I have to reconsider my initial impression that the 1931 film was marginally better than this, Mann's 1960 version. I realize I'm not a member of the Glenn Ford Fan Club by any stretch of the imagination, but his co-stars are WAY better, and in Anthony Mann, you find a master of both the Western and the epic format (his later 'The Fall of the Roman Empire' is one of my favourite films from the 60's). A jar of beeswax could have out-acted Richard Dix's performance in the original (it's a dirty rotten shame HE even got nominated for Best Actor, in a year when MANY outstanding actors were overshadowed, not being so honoured), but I have to admit Ford was good, even if IMHO he didn't deserve the honour of being front-and-center of a 2 1/2 hour epic, and you can't beat what Maria Schell, Anne Baxter, Harry Morgan and Vic Morrow--just to name a select few--brought to the picture. Some scenes in the 1931 original still work better, but overall I believe this is one case in which the remake is better than the original. I further would insist that had Mann not been fired and replaced by Charles Walters, it would have been a minor masterpiece.
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.
A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
In this short western, a gang of outlaws plots to gain control of the town of Tulsa, Oklahoma.
In early 20th-century Montana, Col. William Ludlow lives on a ranch in the wilderness with his sons, Alfred, Tristan, and Samuel. Eventually, the unconventional but close-knit family are bound by loyalty, tested by war, and torn apart by love, as told over the course of several decades in this epic saga.
An exhaustive historical account of the four decade struggle between the Comanche tribe and white settlers to control the American West.
The Durango Kid is a sort of Robin Hood of the West who helps the lovely Walters (who replaced Starrett's usual love-interest, Iris Meredith), the daughter of a homesteader, defeat the evil MacDonald who has been terrorizing the decent citizens with his gang of rustlers.
Two young survivors of a wagon-train massacre battle horse thieves as they take a prize stallion through Utah.
After blaming Britt for his wife's decision to stay with the Native Americans who captured her, an abusive husband organizes a party of vigilantes to accompany him into Indian territory.