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A man has to be what he is Joey, can't break the mould. Shane is a weary gunslinger, one day he happens upon a homesteader family and begins to do chores for them, he finds an inner peace that he long thought was behind him. Sadly his peace is short lived because a strong arm cattle baron is determined to drive all the small farmer families off their land, and Shane finds himself drawn into the escalating conflict. Taken from Jack Schaefer's popular novel, Shane holds up today as one of the most popular revered Westerns because it has mass appeal to the watching public. The main plot strand may be of a simple good versus evil type scenario, but it's the surrounding veins that enthuse the films heart with maximum results. The story plays out through the eyes of a young boy, Joey Starrett, he worships Shane for the guns he can sling, whilst simultaneously not recognising his own father for the honest hard working man that he is, this of course is not lost on the mother of the piece. The family axis then comes to the fore as Shane quickly becomes aware of his moral fortitude, and this gives us a fascinating inner picture to run alongside the outer evil cattle baron versus farmers story. Within this warm family environment Shane hopes to find redemption, but sometimes a man has to do what a mans got to do, and this leads us to the films crowning glory. Alan Ladd is Shane, wonderfully attired and playing the character with just about the right blend of gusto and tenderness, perhaps dangerously close to stiffening up at times, Ladd however nails it and gives the Western genre one of its ever lasting icons. Van Heflin, Jean Arthu, and Brandon de Wilde play the Starrett family, all of whom come out with much credit, whilst Jack Palance leaves a lasting impression as the dark knight deadly hired gun, Wilson. Brutal yet sweet, and seeping positive morality into the bargain, Shane is a film for the whole family to enjoy, oozing fine work from all involved, it is a smashing and permanently engaging film. Sometimes when one revisits the film it feels like it is the prototype Western, all the genre characters are so vividly evident, but it's a testament to director George Stevens and his crew that Shane holds up to the iconic status it has garnered. Loyal Griggs won the best colour cinematography award at the 1953 Oscars, within three minutes of the opening credits he well and truly deserved it, as good an opening sequence as genre fans like me could wish for, and of course the rest of the fabulous Big Bear Lake location in California is sumptuously filmed. Both as a technical piece of work and as a shrewd story of some standing, Shane deserves every bit of praise that has come its way over the years, oh yes!. 9/10
I first watched this movie decades ago, probably when I was I’m my teens, and possibly when I was spending some summer vacation time with my grandparents, who seemingly were always watching western shows. I read my first Zane Grey western, Riders of the Purple Sage, in that old house. I am not a student of film history, but I wouldn’t be surprised to learn that this 50s era movie came to be a template of sorts for westerns. Our hero is by no means an anti-hero like Eastward’s Man with No Name, but he does plays things close to the vest early on in his attempt to leave his past behind. The plot is basic and rather predictable, but if it was an trendsetter as I just alluded, then maybe it set some of the western movie cliches that emerge. It is quite watchable and well-made, though perhaps not quite on the same level in my mind as a film like High Noon, which steadily builds up suspense through the townspeople refusing to help the hero, while this film doesn’t aim for suspense as much as it relies upon action: elaborate fistfights and gunplay. (Though it has tension only we viewers are aware of with its implied romantic extra-marital tension.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
A ticking-time-bomb insomniac and a slippery soap salesman channel primal male aggression into a shocking new form of therapy. Their concept catches on, with underground "fight clubs" forming in every town, until an eccentric gets in the way and ignites an out-of-control spiral toward oblivion.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
When beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.