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Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
Bangers and Cash - (Feb 20th)
Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
The big man bows out and leaves an indelible mark. Legendary gunfighter J.B. Books rides into Carson City, diagnosed with terminal cancer he has a short time to live. After taking a room at the widow Bond Rogers' house, he becomes something of a mentor to Bond's son, Gillom. Dignified, eloquent, perhaps even incredibly sad, The Shootist mirrors John Wayne's personal situation and closes his career (and life) with a poignant last hurrah. Based around the popular novel from Glendon Swarthout (Where The Boys Are), and directed by the astutely knowing Don Siegel (The Duel at Silver Creek), The Shootist begins with edited scenes from Books' (Wayne's) life, where he literally ages before us during this montage. Cut to his arrival in Carson City in 1901 and we are about to be witness to the end of an era. Wayne is backed up in his swansong by Lauren Bacall (Bond Rogers), James Stewart (Doc Hostelter) and an engagingly important Ron Howard (Gillom Rogers). While a big shout out has to go to Bruce Surtees' cinematography which perfectly captures the elegiac nature of it all. The message well and truly hits home and hard come the bloody finale, where with one nod of his head big John Wayne, alias J.B. Books, says more than words surely ever could. RIP - The Duke. 8/10
I publicly take back every negative thing I ever said about John Wayne. I was so far wrong in claiming that he was just a very famous, highly overrated actor, but I blame my misconceptions on the fact that I was probably introduced to him via some of his lesser movies, or perhaps just not the kind of movie I like or usually bother with. I never have been big on Westerns, but after viewing The Man Who Shot Liberty Valance, I thought he was okay. Now having just seen The Shootist, I apologize for everything I've said against him before. He was truly brilliant in this, his final movie, and it was a fitting ending for a memorable career that spanned three decades. Forget everyone else; his performance makes the movie! It really, really could've done without the unnecessary amount of bad language, but the story was great, being alternately tense and touching throughout. And, in the end, John Wayne really could say so much with just a single nod. Here's to the Duke!
John Wayne's final big screen role sees him playing a terminally-ill gunfighter determined to go out with his boots on - and to take as much local riff-raff with his as he goes. He settles down in a boarding house run by a slightly puritanical widow - Lauren Bacall, and her teenage son played by Ron Howard. Once his doctor, James Stewart, has confirmed the worst, he manipulates some of the local ne'er-do-wells into ensuring he gets the send off he desires. His relationship with Bacall thaws, somewhat, and we end with a gentle nod to both of their different sorts of humanity. Make no mistake, this isn't at all soporific, and Wayne and veteran sparring partner Richard Boone have the odd scene to remind us of both of their younger days (Boone only survived Wayne by 2 years). It is a great, fitting send off for a man who in 1976 was as enduring a legend as Hollywood had ever produced.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver
By the end of his illustrious career, Deputy U.S. Marshal Bass Reeves may well have been the preeminent lawman of the Old West. He brought upwards of 3,000 outlaws to justice and served in law enforcement for 32 years during Reconstruction after the Civil War. His story is one of an escape to freedom and the dangers of the West for a former slave who rose to become a legend of the law. Join us as we go in search of Bass Reeves.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.
Orphaned and left in the desert as an infant, Evil Roy Slade (John Astin) grew up alone—save for his teddy bear—and mean. As an adult, he is notorious for being the "meanest villain in the West"—so he's thrown for quite a loop when he falls for sweet schoolteacher Betsy Potter (Pamela Austin). There's also Nelson L. Stool (Mickey Rooney), a railroad tycoon, who, along with his dimwitted nephew Clifford (Henry Gibson), is trying to get revenge on Evil Roy Slade for robbing him.
Oregon, 1851. Hermann Kermit Warm, a chemist and aspiring gold prospector, keeps a profitable secret that the Commodore wants to know, so he sends the Sisters brothers, two notorious assassins, to capture him on his way to California.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.