The Sunday Show with Jonathan Capehart - (Mar 16th)
Snapped- Killer Couples - (Mar 16th)
Home Town Takeover - (Mar 17th)
90 Day Fiance - (Mar 17th)
Family Guy - (Mar 17th)
The White Lotus - (Mar 17th)
Naked and Afraid - (Mar 17th)
Tracker - (Mar 17th)
Grimsburg - (Mar 17th)
Tournament of Champions - (Mar 17th)
Evil Lives Here - (Mar 17th)
48 Hours - (Mar 16th)
Countryfile - (Mar 16th)
Tempting Fortune - (Mar 16th)
Worlds Busiest Railway - (Mar 16th)
The Great Celebrity Bake Off for Stand Up To Cancer - (Mar 16th)
MotoGP Unlimited - (Mar 16th)
Alex Witt Reports - (Mar 16th)
Lucky - (Mar 16th)
Forensics- The Real CSI - (Mar 16th)
In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.
Bear (10 minutes, 35 seconds) was Steve McQueen's first major film. Although not an overtly political work, for many viewers it raises sensitive issues about race, homoeroticism and violence. It depicts two naked men – one of whom is the artist – tussling and teasing one another in an encounter which shifts between tenderness and aggression. The film is silent but a series of stares, glances and winks between the protagonists creates an optical language of flirtation and threat.
Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.
A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.
An entire city has lost its voice. Mr. TV, the owner of the city's only television channel, is carrying out a sinister plan to control all of the city's inhabitants.
Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.
A motherless child has a tumultuous existence, but she eventually becomes a famous international opera singer. Past and present meet when she performs in her original home town.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.