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A very good early silent with both exquisite direction and a fine acting performance by John Barrymore. Well-worth checking out for cinephiles with a heightened interest in the origins of American horror cinema.
I'd have to admit that John Barrymore was certainly no oil painting. Unlike so many silent-era film stars, he could actually act, rather then just look longingly into the camera and/or the gal's doey eyes. Here he portrays Robert Louis Stevenson's eponymous characters with quite some menace and skill. The story of the eminently respectable "Jekyll" who is fascinated by the human psyche and who experiments with mind/body altering drugs, discovering his inner and pretty unpleasant id in "Mr Hyde" in the process. There now follows a battle royal between the two personalities, the decent and the monstrous, and it rapidly becomes unsafe for those around him - including "Millicent" (Martha Mansfield), whom "Jekyll" loves, and even music hall girl "Gina" (Nita Naldi), the object of the desires of his alter ego. Barrymore is great, here - though some of his transformation scenes did remind me of a rather crazed Richard III playing an invisible piano. Using some dark and dingy locations, the clever use of shadow and Barrymore's own ability to create a considerable sense of menace, this really does have the hairs on the back of your neck paying attention. The visual effects are effective and John Robertson gives us a good solid, adaptation of an eerie, provocative story that still captures the imagination now, but without the characterisations being compromised or overly relying on CGI and the like to distract us from the on-screen antics. Whilst I wouldn't say it was the best - the 1931 version was a cracker too, it is one of those stories that resonates now, as it did then, and this is a terrific interpretation.
Second-hand car sales man Willenbrock has everything that he could ever wish for. He is married, has two lovers, a cottage in the German city Grünen, and a BMW. Yet one day while at his cottage he gets mugged and his life is drastically changed. Little by little the world he once felt safe in falls apart around him.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
Henry IV usurps the English throne, sets in motion the factious War of the Roses and now faces a rebellion led by Northumberland scion Hotspur. Henry's heir, Prince Hal, is a ne'er-do-well carouser who drinks and causes mischief with his low-class friends, especially his rotund father figure, John Falstaff. To redeem his title, Hal may have to choose between allegiance to his real father and loyalty to his friend.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.
