Alexander's Ragtime Band

Witnessing the disparities and conflicts among a group of young adults, a clear-sighted 10-year-old boy triggers a series of musical, choreographic and culinary conversations. Drawing on the languages of music, narrative, dance and cinema, Beat explores the challenges of bringing together a diverse group of individuals without quashing their differences.

Eddie, the 40-year-old confirmed bachelor finally says "I do" to the beautiful and sexy Lila. But during their honeymoon in Mexico, the woman of his dreams turns out to be a total nightmare, and the guy who could never pull the trigger realizes he’s jumped the gun.

A novice con man teams up with an acknowledged master to avenge the murder of a mutual friend by pulling off the ultimate big con and swindling a fortune from a big-time mobster.

Pique Dame (or "The Queen of Spades") inspired by Alexander Pushkin, set to a music by Tchaikovsky; Passacaglia (or "Passacaille") set to a music by Anton Webern: two Roland Petit masterpieces brought together on one memorable evening at the Bolshoi Theater of Moscow. Recorded live, 19th of May 2005.

In this musical short, a man tries to woo the manager of a dance troupe.

One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.

Brave new steps put Scott's career in jeopardy. With a new partner and determination, can he still succeed?

Short dance film participating in the competition "Quand le son crée l'image 2023" and submitted to the Cannes festival "short film" selection, produced by a 16 years old students in cinema specialty group from the Lycée Pasteur Besançon

A funny, cruel exploration of the male psyche, Enter Achilles is set in a typical British pub, a shabby, nicotine-stained boozer. Pop songs tumble out of the jukebox, there is football on the TV, and the eight men lark around, pint glasses in hand. But their blokish fun is balanced on a knife-edge of tension, for beneath the mateyness lurks a disturbing undercurrent of paranoia and insecurity, where weakness is brutally exploited and violence covers up vulnerability.

Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.

Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.