War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Lighthearted and enjoyable comedy featuring two wonderful and charismatic performances by Gregory Peck and Audrey Hepburn in her first major role. Last saw this 12 years ago and still fun to this day. **4.5/5**
Audrey Hepburn is the visiting princess "Ann" whose whistle-stop tour of Europe reaches Rome. Put to bed, as usual, she decides to don some ordinary clothes and venture out for a bit of exploring. Now, initially I thought she was going to hook up with some swarthy, tousled, Lothario but nope - she meets American journalist Gregory Peck - quite the epitome of the ordinary "Joe"! Full of the sedatives that her people gave her before she snuck out, she ends up crashing at his apartment and next morning he realises whom she is, and that his boss wants an exclusive! Just about penniless, she leaves and tries to make her way home - but again "accidentally" bumps into "Joe" and together with his photographer pal "Irving" (Eddie Albert), the three embark on some fun and engaging escapades in the Eternal City where this young woman finally manages to escape her cosseted life - she even gets an haircut - before reality gradually starts to reimpose itself on them all. There is a smashing chemistry between Hepburn and Peck; the script and the scenarios allow to us to follow as they gradually fall in love. There is an engaging innocence about Hepburn's performance; she manages to convey a great sense of a woman who is finally free - but knows it can only be temporary, and the scenes with Peck and Albert are entertaining as their cunning plans are continually being altered. Georges Auric's score is classy and mischievous, and the whole stylish look of the film makes it quite delightful to watch. A classic class of less is more!
**Considered by many to be the first and greatest film of Audrey Hepburn's career.** What is special about this film? Really, little. The story is very simple: it is the almost adolescent escape of a young princess who, tired of the responsibilities and visibility inherent in a crown, decides to distract herself and live her youth for a few hours. The problem is that she ends up, inadvertently, at the home of an American news journalist in charge of interviewing her, and who wants to take advantage of the situation. Of course, anyone hoping for an interesting dalliance between the princess and the commoner will be rewarded, to some extent. Predictable? Cliché? Of course, but it was with illusions like these that cinema fed the magic of the monarchical universe, somewhat to its own advantage. If the story told is not particularly brilliant and stands out for its simplicity and a range of obvious choices and solutions, what are we left with? Scenarios? Costumes? Effects? Sound? Cinematography? In part, yes. The sets are very well done, and the film, which is actually filmed in Rome, is one of the first and best cinema postcards of this city. I still know people who have been to Rome, and been where the characters in the film have been too, such as the Trevi Fountain or the Mouth of the Truth, tourist landmarks that this film helped to popularize. Without major effects, it has a nice and atmospheric sound and soundtrack, and the cinematography, in black and white, is very good. The scenes of the two main characters riding a Vespa through the streets of the city center are particularly anthological. We can also say that the film was wonderfully edited, and the story moves at an elegant and pleasant pace. But what would this movie be without Audrey Hepburn? I don't think it's possible to imagine the character in the skin of another actress. She had the nobility and dignified serenity required of royalty, and imbued the character with authenticity, credibility, and friendliness. It's impossible to watch the film and not feel a certain sympathetic affection for her character, who simply wants a few hours to distract herself from the institutional routines and duties for which she was educated. Gregory Peck was a clear choice to be the journalist who helps her and creates a certain romantic affection for her.
Alex Owens, a young woman juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.
Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.
During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.
New York Times reporter Sydney Schanberg is on assignment covering the Cambodian Civil War, with the help of local interpreter Dith Pran and American photojournalist Al Rockoff. When the U.S. Army pulls out amid escalating violence, Schanberg makes exit arrangements for Pran and his family. Pran, however, tells Schanberg he intends to stay in Cambodia to help cover the unfolding story — a decision he may regret as the Khmer Rouge rebels move in.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.