Aftermath 2024 - Movies (Nov 28th)
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Smoggie Queens - (Nov 28th)
Second Chance Stage - (Nov 28th)
Holidazed - (Nov 28th)
Tyler Perrys Sistas - (Nov 28th)
Letters and Numbers - (Nov 28th)
The Chase Australia - (Nov 28th)
Taronga- Whos Who In The Zoo - (Nov 28th)
The Chase - (Nov 28th)
Return to Las Sabinas - (Nov 28th)
Rip Off Britain - (Nov 28th)
Love Island Australia - (Nov 28th)
Big Freedia Means Business - (Nov 28th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Entertaining drama with an amazing soundtrack and great performance from Jennifer Beals. Not the strongest story at times but still was enthralled through its reasonable 90-minute running time. **3.75/5**
Aside from the toe-tapper that was Irene Cara's title song, the rest of this film is really only notable because it shows the sheer determination of a young woman - "Alex" (Jennifer Beals) to make it. Initially, in a man's world as a welder more than holding her own, whilst at the same time she wants to swap her night-time dancing pole for a ballet school bar and prove that she has what it takes to become a top dancer too. Fortunately, her wealthy boss is also her boyfriend, and "Nick" (Michael Nouri) is keen to help her along - sometimes a little too keen, which can lead to the odd bit of tension as she finds herself with an audition that could change everything. It is a very positive-looking film with an upbeat theme and that helps carry what is otherwise a really rather poorly acted affair with some clunky dialogue and a narrative that follows a fairly predictable pattern - before the ending that we just know is coming. Laura Branigan and Giorgio Moroder had a hand in the rest of the soundtrack, which when you watch this film again after all but forty years proves remarkably memorable (if not great). Like it or not, this was a groundbreaking piece of cinema that though it struggles to exude much punch now, certainly did quite a lot - cinematically speaking - back then. Benefits from big screen audio, and is still worth a watch if you are of a certain age.
The radical new take on Dickens’ classic seeks both to exhume the original story’s gritty commentary on social inequality and the corrupting influence of greed, and to breathe new life into the lyricism of the original text by setting its scenes to extraordinary tableaux of modern dance.
A teenage girl living in Baltimore in the early 1960s dreams of appearing on a popular TV dance show.
Eddie, the 40-year-old confirmed bachelor finally says "I do" to the beautiful and sexy Lila. But during their honeymoon in Mexico, the woman of his dreams turns out to be a total nightmare, and the guy who could never pull the trigger realizes he’s jumped the gun.
A day in the European Parliament and surrounding area. This dance film is inspired by the work and lifestyle of the Eurocrats in Brussel’s EU district and features five dancers. The characters dance, run and glide through the empty spaces in an atmosphere beyond time, decontextualized, in an architectural non-site.
Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.
Spooky stuff is afoot in a French school. All of a sudden, 10-year-old Daniel finds himself alone with Marthe – their encounter is both tender and troubling, and it seems to take place in a sort of vacuum. In Marine Atlan’s dream-like feature film debut, children dance tango timelessly, recite poems and do the drill for an imaginary terrorist attack.
Best friends Deco and Naldinho co-own a cargo boat in Brazil's Salvador da Bahia. They give a ride to a sultry prostitute named Karinna, and soon both men fall prey to her considerable sexual charms, pushing the bounds of their friendship to the limit.
One night, near a cliff-to, a young woman receives a marvellous and unhoped for invitation of life.
Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Rani, a 24-year-old homely girl, decides to go on her honeymoon alone when her fiancé calls off the wedding. Traveling around Europe, she finds joy, makes friends, and gains new-found independence.