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Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
You’re driftwood, floating underwater. The Enchanted Cottage is directed by John Cromwell and adapted to the screen by Herman Mankiewicz and DeWItt Bodeen from the play of the same name by Arthur Wing Pinero. It stars Dorothy McGuire, Robert Young, Herbert Marshall and Mildred Natwick. Music is by Roy Webb and cinematography by Ted Tetzlaff. Once a play it had been adapted to the silent screen previously in 1924, latterly it would also be adapted to radio plays and remade on the big screen in 2016. Pinero's literate leanings for message fantastical is ripe for transference to the visual form, and thus with a slight itch about moral standpoints, this filmic version is a pure heart warming delight. Story finds McGuire as a homely house maid type and Young as a disfigured and disabled GI, who meet at the cottage where McGuire works and in spite of their perceived ugliness see only beauty in each other. Could the romantic spirit of the cottage really make them see what others do not? Lets get over that itch to scratch first and foremost. Without doubt this is morally dubious when McGuire's character is believed to have a self-conscious handicap because she's dowdy? Really? Of course the daft irony is no matter how they dress her - clothes and hair - or how they light her (Tetzlaff does great work in this), McGuire is still beautiful. So you have to forgive this out dated piece of nonsense. That aside though... The story sells itself, pure of heart in pitching two people on a course of love, all set to a dreamy back drop of the quaint cottage which appears to have a magical glow to it. As the romantic majesty of Webb's musical score floats elegantly over the tale, we are given a story that's fantastical to the point where it could have ended up as a Twilight Zone episode later on down the line - which is definitely meant as a high compliment. This is escapist beauty, a pic for those who have ever loved, or in search of love, lost love and etc, but mainly for those who don't quite have the hope for human company to lift the spirits, those who feel for whatever reason they don't fit in society. This is wistful magic that's superbly performed by the four principal actors, each guided with skilled hands by Cromwell (The Prisoner of Zenda). Enchanting is in the title and that's exactly what this film is, so get in the right frame of mind and fall under its spell. 9/10
An artist bases a painting for a revealing lingerie ad on a photo of a girl he had found torn from a magazine, not knowing that the girl is in fact the daughter of the Finnish minister of finance. A scandal is about to erupt, and the artist is given 48 hours to find a strikingly similar-looking female model who could serve as his alibi. The minister's daughter decides to fool the artist by pretending to be a lowly girl of the streets, whom the artist then recruits as his "model".
Non-musical account of Puccini's opera: Tosca and Cavaradossi are in love, but the tyrant Scarpia desires Tosca and oppresses Cavaradossi who is fighting for freedom.
With the Wizard and the entirety of Oz framing her as wicked, Elphaba’s righteous crusade comes into conflict with Glinda’s struggle for power. As a mysterious cyclone brings in an unwitting young outsider, the former friends will soon discover how much their actions have changed each other, and all of Oz, for good. The second part of a two-part feature film adaptation of the Broadway musical phenomenon.
Socialite Judith Traherne lives a lavish but emotionally empty life. Riding horses is one of her few joys, and her stable master is secretly in love with her. Told she has a brain tumor by her doctor, Frederick Steele, Judith becomes distraught. After she decides to have surgery to remove the tumor, Judith realizes she is in love with Dr. Steele, but more troubling medical news may sabotage her new relationship, and her second chance at life.
Nora Moran, a young woman with a difficult and tragic past, is sentenced to die for a murder that she did not commit. She could easily reveal the truth and save her own life, if only it would not damage the lives, careers and reputations of those whom she loves.
After the PTA of a conservative high school in Indiana bans same-sex couples from attending the annual prom, a gang of flamboyant Broadway stars try to boost their image by showing up to support two lesbian students.
Margaret keeps her neighbours at a distance and avoids contact except with Cara. She enjoys her company just for making music since Cara plays the violin accompanying Margaret at the piano. Because of her arthritis she accepts the housemaid Robin who wants to become an actress. With this naive pretty girl her life gets suddently really exciting and she makes a lot of new friends.
A Gujarati housekeeper working in the United States, allows her ambitions to overpower her which leads her to get involved in the world of crime.
Helena loves the arrogant Bertram, and when she cures the King of France of his sickness, she claims Bertram as her reward. But her new husband, flying from Helena to join the wars, attaches two obstructive conditions to their marriage - conditions he is sure will never be met. Featuring Olivier-award winning actress Janie Dee as the Countess of Roussillon.
A young man returns home from Vietnam blind. He is very bitter about the war and alienates his family and friends. This movie deals with the aftermath of war and how people react to it both veterans and their families.
Paul, a rich English boy, and Michelle, an orphaned French girl, run away from home to a remote beach. Living on their own, their friendship grows into love.