A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Emmas Big Adventure 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
A Quiet Place Day One 2024 - ()
Cabrini 2024 - ()
The Bad Shepherd 2024 - ()
The Bouncer 2024 - ()
Tuesdays Trash 2024 - ()
Emmas Big Adventure 2024 - ()
Balloonerism 2025 - ()
The Girl Who Cried Her Eyes Out 2024 - ()
Clear Cut 2024 - ()
You Gotta Believe 2024 - ()
Wolf Man 2025 - ()
My Divorce Party 2024 - ()
Back in Action 2025 - ()
Henry Danger The Movie 2025 - ()
Alarum 2025 - ()
Ed Hill Stupid Ed 2024 - ()
Alien Rubicon 2024 - ()
Smile 2 2024 - ()
Gabriel Iglesias Legend of Fluffy 2025 - ()
The Substance 2024 - ()
Bit of an odd one, though it does end up leaving a mark. 'Driving Miss Daisy' perhaps skirts around the larger picture in regards to the discrimination it alludes to, but all in all it's a charming tale about unlikely friendships. I do like when movies follow characters across an extended amount of time, in this case we see events stretch across 25 years; seeing characters grow and develop as they age is a cool thing. Morgan Freeman is terrific, as is Jessica Tandy. Dan Aykroyd and Esther Rolle play their part too. Hans Zimmer is on music and to be honest (as much as I rate that guy) I'm not convinced the score, which is good, fits particularly well here. By the end it probably does, though at the beginning the in-your-face nature of it feels a bit out of place.
Hell and Mr. Fudge is an 2012 American drama film directed by Jeff Wood and written by Brian Phillip Stoddard. Based on a true story, the film stars Mackenzie Astin as Edward Fudge, an Alabama preacher who has been hired to determine the existence of hell.
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
Maria marries a young soldier in the last days of World War II, only for him to go missing in the war. She must rely on her beauty and ambition to navigate the difficult post-war years alone.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
A death row inmate turns for spiritual guidance to a local nun in the days leading up to his scheduled execution for the murders of a young couple.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.