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This is for the misfits the freaks and the runts. Tod Browning's Freaks is as infamous today as it was back in the 30s when it shook film watchers to the core. Of course time has diluted some of its impact, you can imagine that a modern day horror fan drooling over torture porn et al being completely bemused by the reputation afforded Freaks. Yet it still remains a unique and nightmarish piece of film making, the sort of picture that if someone like David Lynch had made it in the modern era it would be heralded as a masterpiece of daring and genius like artistry. Browning pulls us the viewers into this bizarre carnival society of oddities who are genuinely portrayed by real people. Their codes and ethics are laid bare, but not in some sort of yearning for sympathy, but in a factual way of life. Browning toys with his audience, planting suggestive images of sexual dalliances and role reversals, then he completely pulls the rug from under us to deliver his flip-flop finale. The messages aren't deep, but they need to be thought about. For even as the freaks of Browning's play terrifyingly pursue their quarry through the rain and mud, as the blood freezes and the macabre imagery strikes the senses, it would be a shame if themes such as love and loyalty be forgotten. 9/10
If I have to be honest, I'd say that I have uncertain opinions concerning this film on the whole. On the one hand, I can't say that I didn't enjoy 'Freaks', mainly because of its nice display of bizarre cast members. On the other hand, I can't help feeling slightly at fault, considering that these were real people who probably suffered a lot in their lives because of their malformations, something they obviously couldn't help. Here's a movie that basically became popular precisely because it's about real life 'freaks' (?) and here's the audience that somehow takes pleasure from a film that consciously makes profit out of unfortunate human beings. Being aware of this, I can't lie and say that I didn't enjoy this movie, because… I honestly did!. I'm not going to say that 'Freaks' fascinated me because of the plot, or the locations or the unspoken moral, because even though all those things were fine too, I mostly wanted to see the film because of its characters, that's the reality. However, I suppose it is not so bad to enjoy this movie because of this reason, considering that these people actually agreed to appear in the movie and the fact that they appeared here, didn't make their lives any better or worse, so in the end… it's not really a crime, but I can't help having vague ideas about it. As the movie begins, we see a scrolling prologue, which pretty much encourages the audience to root for the side-show performers and incite us to feel terrible for them, since people with deformities has been always predestined to the most awful chastisements and degradations… which worked for me!. I felt really bad at first, but in the end, it was comprehensible that this film clearly tries to give a message in a far-reaching and yet hideously pleasurable approach. Therefore, my personal opinion, is that the title 'Freaks', doesn't necessarily have to be a reference to the side-show performers with malformations and perhaps, it may be an allusion to the fully grown characters who were the real freaks because of their wicked hearts. In 'Freaks' the story revolves around a circus that offers all kinds of shows, including the exhibition of people with malformations as if they were exotic animals. Cleopatra, a beautiful and promiscuous trapeze artist from the circus, maliciously deceives an innocent midget named Hans and makes him believe that she is in love with him. On the other hand, Frieda, Hans' former fiancée, hopelessly tries to warn his beloved one and make him realize that Cleopatra is just making fun of him deliberately and that she's only with him because of his money. Ignoring Frieda's friendly warning, Hans eventually marries the trapeze artist, only to realize that she was indeed poking fun at him from the very beginning and that her only business with him is to poison him to inherit his wealth later. However, the rest of the side-show performers become aware of this and decide to rise up against the vicious Cleopatra and her lover Hercules. Like I said, the film is remarkably engaging and regardless of the unassuming plot and the short duration, it still doesn't leave the audience with a feeling of disappointment. For the contrary, during that short hour and four minutes, the movie pretty much develops all the necessary conflicts, situations, beautiful music, nice scenarios and perfect interaction between the characters. Tod Browning managed to achieve a highly compelling drama flick with some of the finest and most atypical actors, who captivate the audience with their charm and innocence. Give this movie a chance and decide which ones are the real freaks and which ones aren't.
Thomas Jerome Newton is an alien who has come to Earth in search of water to save his home planet. Aided by lawyer Oliver Farnsworth, Thomas uses his knowledge of advanced technology to create profitable inventions. While developing a method to transport water, Thomas meets Mary-Lou, a quiet hotel clerk, and begins to fall in love with her. Just as he is ready to leave Earth, Thomas is intercepted by the U.S. government, and his entire plan is threatened.
David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate, and two of the locals rape Amy. This sexual assault awakes a shockingly violent side of David.
Precocious teenager Juliet moves to New Zealand with her family and soon befriends the quiet, brooding Pauline through their shared love of fantasy and literature. This friendship gradually develops into an intense and obsessive bond.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Threats from sinister foreign nationals aren't the only thing to fear. Bedraggled college professor Michael Faraday has been vexed (and increasingly paranoid) since his wife's accidental death in a botched FBI operation. But all that takes a backseat when a seemingly all-American couple set up house next door.
In the winter of 1982, a twelve-man research team at a remote Antarctic research station discovers an alien buried in the snow for over 100,000 years. Soon unfrozen, the form-changing creature wreaks havoc, creates terror... and becomes one of them.
A rule-bound head butler's world of manners and decorum in the household he maintains is tested by the arrival of a housekeeper who falls in love with him in post-WWI Britain. The possibility of romance and his master's cultivation of ties with the Nazi cause challenge his carefully maintained veneer of servitude.
The story of the early, murderous roots of the cannibalistic killer, Hannibal Lecter – from his hard-scrabble Lithuanian childhood, where he witnesses the repulsive lengths to which hungry soldiers will go to satiate themselves, through his sojourn in France, where as a medical student he hones his appetite for the kill.
In the late 1940s, a murderous couple known as the 'The Lonely Hearts Killers' kills close to a dozen people. Two detectives try to nab the duo who find their targets via the personals in the paper.
When Nina and her high school friends receive eerie text messages declaring that they will all die within three days, they dismiss it as a hokey prank - until one by one, the pals start turning up dead in the alpine countryside. With the cops stymied, Nina and her remaining friends must scour their past for clues to identify the madman before he kills them all.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
