Monsieur Vincent

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

Rizwan Khan, a Muslim from the Borivali section of Mumbai, has Asperger's syndrome. He marries a Hindu single mother, Mandira, in San Francisco. After 9/11, Rizwan is detained by authorities at LAX who treat him as a terrorist because of his condition and his race.

Claudio, a womanizer, contracts AIDS due to his promiscuous lifestyle, and, in the hospital, he meets Mauricio, a homosexual Evangelist who is also infected and will discover Jesus to Claudio.

Handsomely-mounted historical epic concerns the birth of the Islamic faith and the story of the Prophet Muhammad.

The Church of the Resurrection of Christ located in the Moscow district Sokolniki is one of the most remarkable churches in Moscow. Built a few years before the revolution, it has a history that reflects the fate of the Russian Orthodox Church in the 20th century. Its walls remember the First World War and two revolutions, the confiscation of church treasures and the restoration of the patriarchate. The film features the builder and first dean of the church of Resurrection, father Johann Kedrov who was persecuted and exiled under the Soviet regime. The parishioners of the church will always remember this man.

When a violent act kills her parents, Sita vows to debunk the idea of supernatural torment after death — a fixation that leads her on a dark quest.

Religious fanatics are barricaded in a building and surrounded by police. But they're not going to surrender; they prefer to die.

A sex and drug addicted young man who is forced into a Christian-run ministry in an attempt to cure him of his "gay affliction", where instead he is faced with the truth in his heart and spirit.

This film begins with the invocation of 'almighty god' at a river where several people are gathered. The child god Krishna rises out of the water astride the demon snake Kaliya. Then we see Yashoda as she rocks the sleeping Krishna's crib and imagines the god as Gopala. The next scene shows Kamsa fantasizing about Krishna threateningly duplicated many times around him. Kamsa then imagines himself dead as his severed head rises up and descends again. People of all castes pay obeisance to the deity with the title-card: 'may this humble offering be accepted by the Lord'.

Three moments in the life of Fray Bartolomé de Las Casas; his youth encounter with the natives; his resignation in maturity to lands and encomiendas to evangelize and defend justice and dignity against the cruelty of the Spanish and his reflections at the end of his life