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The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
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Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
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Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Good Danish black humor.
Adam's Apples is simultaneously a deconstruction and a satire of the Book of Job; the former because it recognizes and highlights the underlying black humor in the biblical text, and the latter because it rightly points out that more than Job’s patience, we should talk about his madness. Danish priest Ivan (Mads Mikkelsen) is both jobian and quixotic (the costume department deserves a pat on the back for making him look, in his priestly garb, like the subject, thought to be Cervantes, of a portrait attributed to Juan de Jáuregui), his insanity the only thing that makes his crappy life bearable. In a stroke of genius, the film explains Ivan’s pollyannish disposition with the pythonesque “Ravashi Syndrome” (“Ravashi was an Indian footballer who lost both feet in a go-karting accident in 1957. In shock from the accident he ran home on the stumps of his legs. His brain blocked out the fact that he had no feet. For two months he went to practice. He kept his midfield position”; “With no feet?”; “It was a bad team. They were in the fifth division or something like that”). Mikkelsen is pitch-perfect as the clueless Ivan, deadpanning his way through outlandish dialogue and somehow making it sound earnest (in one the film’s funniest moments, he tells the titular Adam – a neo-nazi sent to Ivan’s rehabilitation program for parolees –, in reference to a picture of Hitler: “handsome man. Is he your father?”). Ulrich Thomsen is also very effective as the perplexed and ambivalent Adam, of whom Ivan brings out the best and the worst – for example, taking Ivan to the hospital every time Adam beats the crap out of him. In general, Ivan takes more physical punishment than any normal human being could survive, but then we’re not meant to take the movie literally (making it easier to laugh at the character’s sundry hardships and tribulations). Like the biblical book from which it draws inspiration, Adam’s Apples is a parable, though not of the ‘in God we trust’ variety. It'd be tempting to dismiss Ivan as a victim of fanaticism if the filmmakers didn't offset him with the equally fanatical Adam. It’s clear that Ivan's pathological faith is not the answer to life’s problems, but the solution does not lie in Adam’s misanthropic nihilism either. The ideal is to find common ground, which Ivan and Adam do when they visit and comfort a dying old man haunted by the memory of his days as a guard in a concentration camp.
What a strange film... a very good one, mind you. The cast do great work in this 2005 release. Mads Mikkelsen being the obvious standout - top performance! Ulrich Thomsen doesn't really do all that much necessarily, yet still manages to make a big impact with his showing - amusing, by the way, how much hair can change the way you see someone, that ending is quite the mild cranium contort*! I'm not really all that sold on what the film attempts to tell, but I can't deny that I had a pleasant time watching it all unfold. I wouldn't actually say it features that strong humour, perhaps some of it was lost in translation (Viaplay's subs were iffy in patches), but all that's there is enough. There is one joke at the death that is probably one of the most insulting, hitting both racist and ableist, that I've ever heard - black comedy, I know, I know. Aside from all that, final notes: sound and cinematography - super atmospheric in parts. Would I recommend 2005's 'Adam’s Apples'? Ja. *did i find that phrase on google for a more polite way of saying mindf#k - maybe
A documentary crew travel to a remote village in England to capture the lives of notorious cult 'Friends at the End'. F.A.T.E were once a growing religion but, after a miscalculated doomsday prediction in the 1950s, membership has dwindled. In recent years F.A.T.E have been linked to disappearances of former members, the leader Daniel Love has gone into self-imposed exile, and this year their crops are failing. Except the potatoes. In need of money, the gang recruit new member Rachel, at a local rehab facility. Rachel breathes new life into the group and, when she turns the head of lifelong member Comet, old relationships begin to fracture. As the comet that F.A.T.E believe will bring with it the end of the world approaches, the group's beliefs are tested. New secrets emerge which threaten everything the cult has been working towards.
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
A 19-year-old searches for her twin brother after he runs away from home, following a fight with their father.
A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.
Disappointed with humanity, God wants to revoke his contract with humanity and wants to take back the stone tablets containing the ten commandments. To this end an angel is sent out to affect the personal lives of three humans so an appropriate child may be conceived.
A seventeen year old sex-positive YouTuber starts a social media war against her Christian abstinence program.
Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville, where Prospero can now fully realize his ultimate vengeance.
In this black comedy set in small-town Bavaria, 11-year-old Sebastian thinks you can never be too young to be a murderer. He's convinced that he killed his mother on the day he was born and is certain he's already been condemned to purgatory. Deciding he might be able to knock off a few years of his sentence by doing good deeds, Sebastian sets out to find a wife for his father Lorenz. When Lorenz and Sebastian's schoolteacher Veronika fall madly in love with each other, it seems the heavens must be smiling. There's just one hitch: Veronika is married.
17 year old Nói drifts through life on a remote fjord in Iceland. In winter, the fjord is cut off from the outside world, surrounded by ominous mountains and buried under a shroud of snow. Nói dreams of escaping from this white-walled prison with Íris, a city girl who works in a local gas station. But his clumsy attempts at escape spiral out of control.