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Republic Pictures take on the Alamo legend. Forget any adherence to historical facts, directed by Frank Lloyd and with a Warren Duff screenplay, The Last Command is a slow moving piece that uses Jim Bowie as its focal point. Starring Sterling Hayden (Bowie), Richard Carlson (William Travers), Arthur Hunnicutt (Davy Crockett), Ernest Borgnine (Mike Radin), J. Carrol Naish (Santa Ana), and Anna Maria Alberghetti (Consuela), the piece was a project long courted by John Wayne. However, Republic refused to sanction the type of budget the Duke wanted for his vision. So after offering him a nominal fee for a part, he refused and Republic promptly went on to make the film anyway. The final result is an interesting film that finally pays off for those having the patience and tolerance for patriotic flag waving. The story follows the battle of the Alamo in San Antonio in 1836, where brave Texans gave their life to become free of the Mexican rule, by defending the former mission station against overwhelming odds as the Mexican army of Santa Ana closed in for victory. The final battle is very well staged by Lloyd, and the acting, though not making the earth move, is very competent, particularly Hayden who does a nice line in tortured ruggedness. Max Steiner provides a zippy score and the low budget use of Trucolor doesn't affect the work of cinematographer Jack Marta. Safe and enjoyable as a story telling piece, if ultimately far from being a rousing spectacle fit for that particular part in history. 6/10
The legendary true story of a small band of soldiers who sacrificed their lives in hopeless combat against a massive army in order to prevent a tyrant from smashing the new Republic of Texas.
Based on the 1836 standoff between a group of Texan and Tejano men, led by Davy Crockett and Jim Bowie, and Mexican dictator Santa Anna's forces at the Alamo in San Antonio, Texas.
Six female POWs lead an escape from a North Vietnamese prison camp, then join the local rebel forces to plan an attack to wipe out the camp and free the rest of the prisoners.
In pre-Revolutionary America, the efforts of a Colonial officer trying to broker a peace deal between Indian chief Pontiac and British and American settlers are threatened by the commander of a Hessian mercenary unit who embarks on a campaign of extermination against the Indians.
After his wife dies, a blacksmith named Balian is thrust into royalty, political intrigue and bloody holy wars during the Crusades.
Alexander, the King of Macedonia, leads his legions against the giant Persian Empire. After defeating the Persians, he leads his army across the then known world, venturing farther than any westerner had ever gone, all the way to India.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?
After destroying a Seminole fort, American soldiers and their rescued companions must face the dangerous Everglades and hostile Indians in order to reach safety
Arms dealer Yolaf Peterson aims to make a sale to guerilla Mongo, but the money is locked in a bank safe, the combination known only to Professor Xantos, a prisoner of the Americans. Yolaf agrees to free Xantos, accompanied by reluctant guerilla Basco, but a former business partner of Yolaf's- John 'The Wooden Hand', has other ideas.
A lone gunman hunts the fearsome Apache Satago across the plains of the Wild West. When Satago's marauders ambush a stagecoach, the gunman rides to the rescue of the trapped passengers and helps them in their last stand against the deadly Indians.
Docudrama telling the story of a building with a breath taking career that began in the empire, flourished in the Weimar Republic, perished in the Nazi dictatorship, and was rebuilt after its partial destruction.