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For what seems like 13 hours the film misses classic genre status. For 13 days these brave men hold the fort... The Alamo is not the film it should be, even after the 2004 remake (a great film that takes a reflective and thoughtful stance) we find ourselves still waiting for a blood pumping and stirring take on the folklore tale of what happened at the small missionary known as The Alamo. It's San Antonio, 1836 and General Santa Anna is marching his mighty armies into the contested territory of Texas, all that stands in his way is a small band of heroes, Jim Bowie, Davy Crockett and their trusty men who are led by the inexperienced William Travis. They must buy time in order for General Sam Houston to get an army together in which to crush Santa Anna's imposing forces. There really is no simpler way of putting it other than to say that The Alamo is an overlong misfire. Various cuts have been made to try and create an epic classic out of what was actually filmed, but neither of the cuts can succeed in making it the flowing genre piece it could have been. John Wayne directs and clearly cared about the project (with his own cash invested that was to be expected), but rumours have persisted that Cliff Lyons had to take up directing duties later in the picture, it's not hard to see why if that was the case, but various sources do poo poo this rumour, and is mostly believed to be Wayne's own work throughout the film. Wayne (having learnt from his mentor John Ford) had a great vision for the picture, and the scope is rather impressive, the recreation of The Alamo building in particular is first rate, whilst the formations of Santa Anna's armies finally rouse the picture out of its slumber. However, the high points in the picture are few and far between, the acting leaves a lot to be desired, with Wayne himself unable to let the Crockett character be anything other than the John Wayne show. Richard Widmark as Jim Bowie steadily holds his own and manages to eek out a bit of bravado interplay with Wayne and Laurence Harvey (William Travers), but outside of that there is not much to write home about. The final third just about saves the film from being a stinker, with the Academy Award for best sound richly deserved, but sadly The Alamo remains to this day a plodding dinosaur that bores when it really should be igniting the spirit. 5/10
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
After losing everything, a stubborn, wounded man motorcycles across the beautiful but barren West Texas landscape in search of perspective. A dream trip meant for two, alone.
When half-breed Indian Yaqui Joe robs an Arizona bank, he is pursued by dogged lawman Lyedecker. Fleeing to Mexico, Joe is imprisoned by General Verdugo, who is waging a war against the Yaqui Indians. When Lyedecker attempts to intervene, he is thrown into prison as well. Working together, the two escape and take refuge in the hills, where Lyedecker meets beautiful Yaqui freedom fighter Sarita and begins to question his allegiances.
Two brothers discharged from the Confederate Army join a businessman for a cattle drive from Texas to Montana where they run into raiding Jayhawkers, angry Sioux, rough terrain and bad weather.
Rip-roaring big star, big budget semi-historical story about cattle baron Devereaux Burke, who is enlisted by an aging Andrew Jackson to dissuade Sam Houston from establishing Texas as a republic. Burke must fight state senator Thomas Craden, in the process winning the heart of Craden's newspaper-editor girlfriend Martha Ronda.
How US politicians and diplomats, over the past 25 years, have come close to achieving something almost impossible: securing peace between the State of Israel and its Arab and like-minded neighbors, mired in a struggle both dialectical and violent since the early 20th century, due to historical and religious reasons, entrenched offenses and prejudices, and the invisible and tyrannical hand of third countries' geopolitical interests in the area.
This MGM Passing Parade series short presents how separate events led to the creation of three provisions - freedom of speech, freedom of the press, and prohibition of the infliction of cruel and unusual punishments - in the U.S. Constitution's Bill of Rights.
A young woman inherits her father's large Texas ranch and plans to begin a cattle drive to Abilene, Kansas, 1000 miles away. The crooked State Treasurer plans to attack the cattle drive and steal all of the stock so he can gain control of her ranch.
During the war for Texas independence, one man leaves the Alamo before the end (chosen by lot to help others' families) but is too late to accomplish his mission, and is branded a coward. Since he cannot now expose a gang of turncoats, he infiltrates them instead. Can he save a wagon train of refugees from Wade's Guerillas?
Western - When football player Tex fletcher arives home he finds his father missing. Jim Davis has killed the father and learning of Tex's identity - Tex Fletcher, Joan Barclay, Ralph Peters
