Heightened 2023 - Movies (Oct 2nd)
Sebastian 2024 - Movies (Oct 2nd)
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Knox Goes Away 2023 - Movies (Oct 2nd)
Sweethearts 2024 - Movies (Nov 28th)
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Anthony Jeselnik Bones and All 2024 - Movies (Nov 26th)
Ballistic 2024 - Movies (Nov 26th)
Letters at Christmas 2024 - Movies (Nov 26th)
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Here 2024 - Movies (Nov 26th)
Watchmen Chapter II 2024 - Movies (Nov 26th)
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Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
NOVA - (Nov 28th)
Dateline- Secrets Uncovered - (Nov 28th)
Love Is Blind- Argentina - (Nov 28th)
Anna Comes Home - (Nov 28th)
American Pickers - (Nov 28th)
Aussie Shore - (Nov 28th)
Fugitives Caught on Tape - (Nov 28th)
Forged in Fire - (Nov 28th)
Mysteries of the Abandoned - (Nov 28th)
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) As a huge fan of the sci-fi genre, especially when it involves alien invasions of some kind, movies like this always leave me excited. It doesn’t matter what the audience or critics have been saying (in fact, it never does) because it won’t affect my enthusiasm (in fact, nothing does). By knowing who the cast, director, writers, and producers are, I instantly know how high or low I need to set my expectations. Having this in mind, I was hoping that Captive State could be one of 2019’s surprises. It has an unusual concept that can provide a very unique story if it’s well-told, so the big question is: did they execute all of their ideas successfully? Unfortunately, no. Not even close. Honestly, the screenplay is so convoluted and messy that I felt “lost” several times. I admire the amount of work that they put into this because they actually did and it shows. The overall concept and its ramifications are all there, the story is indeed interesting. It’s just the way that it’s told that ruins the entire thing. However, the first sentence I heard after the film’s conclusion, came from someone who said: “here I was expecting massive action and …” If you go into your movie theater expecting a straightforward, action-heavy, alien-invasion-type flick and you leave disappointed, that’s on you! From the trailers to its marketing, there was never a message of “hey, this is pure action, humans vs. aliens!” It tried its best to give the world a different take on this “sub-genre”, let’s call it that. I mean, they had it all: a good cast with the always astonishing John Goodman (William Mulligan) as one of the protagonists, beautiful visual effects that elevated the set design, and the aliens actually have an intriguing physical shape. Sadly, there’s barely any aliens throughout the runtime. There’s hardly … anything. I don’t know what happened post-production, but it feels like they were pushed to deliver something different, so they cut all of the other scenes with extra-terrestrial stuff (I’m certain that they had more to show). The main issue here is that you can never have a 100% ambiguous story. Arrival is probably the best non-typical alien-invasion movie ever, not because it scarcely shows any aliens or action, but due to its twistful and thought-provoking script. Nevertheless, it still shows a lot! You don’t leave that film disappointed because you didn’t see the inside of a spaceship or an actual alien. You leave perplexed and with your mind blown. Captive State just leaves you confused and wishing for more. A lot more. There’s really not that much more to say on this review without getting into spoiler territory. Sadly, this is one of those movies that come out every year showing tremendous potential, an innovative and intriguing premise, but that in the end, it just isn’t able to succeed. It doesn’t structure its story and ideas in the most efficient way possible. Its execution is sloppy, filled with hollow characters, no real flow (it feels like it’s just a scene after another scene), too vague, and it profoundly hopes that you didn’t figure out a pretty obvious twist so they can shock you seconds away from the end. It’s not horrible, but it’s definitely frustrating and disappointing. John Goodman delivers a great performance as always, and the visual effects are striking, to say the least. The production quality is undeniable, they really worked hard to provide the audience with an environment that actually feels real. The first act is pretty good, but it’s downhill from there. Ashton Sanders shares the lead with Goodman, and he’s also pretty good, no doubt about it. However, and this sums up the film pretty well: if I have to check online what the name of the main character was (Gabriel Drummond), then something went terribly wrong. It’s not going to end up being one of the worst movies of the year, but so far, it’s the biggest letdown. Rating: C-
Honestly don't really know what I just saw. It's like if _The Battle of Algiers_ had no nuance, or if _District 9_ you know... sucked. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
The superhero Starman is sent by the Emerald Planet to protect Earth from belligerent aliens from the Sapphire Galaxy. The Sapphireans (or "Spherions") kidnap Dr. Yamanaka and force him to use his spaceship against the Earth.
A desperate alien, last survivor of a once infamous race of galactic invaders, is lonely. Only accompanied by a warrior robot it discovers a new planet with pretty strange beings on it: Earth. Earth is under control of a global dictatorship by the world president. So there's lots of space for a new dictator. The alien takes on the fight and soon sees itself in the middle of a revolution by the people for the alien.
Stanley Putterman installs a state-of-the-art satellite dish in his backyard, soon unleashing a strange monster that leaps off the screen and needs to feed on humans for survival.
In the future, chaos is rampant as 'information terrorists' threaten to destroy order in society. Alex is a part-man, part-machine LAPD cop who is the best at what he does. When one of the terrorists calls him a machine, Alex questions his humanity and decides to leave the force. His final assignment is to apprehend an old colleague who has stolen some data. However, there is more than meets the eye and Alex must question his allegiance.
Tommy Kirk leads his fellow Martians to Earth on an interplanetary quest for females. Kirk proves that Martians have impeccable taste when one of his first conquests turns out to be sexy scientist Yvonne Craig.
A chief mechanic at a factory, haunted by apocalyptic nightmares, becomes a hero when Earth is invaded by a mysterious army bent on destruction.
When drones arrive in a flash, slaughtering humanity and stripping the Earth of its resources, a small team of scientists hiding in Los Angeles works to expel the drone menace once and for all.
A film adaptation of the 1606 satirical tragedy by Thomas Middleton, relocated to a post-apocalyptic Liverpool. Christopher Eccleston plays the revenge-obsessed Vindice, who has sworn to kill the evil Duke (Derek Jacobi) who murdered his one true love.
After a nuclear war society breaks down into two groups, the evil Euraks, and the rebel Federation. A mercenary named Parsifal is hired by the Federation to infiltrate New York City, which is controlled by the Euraks, to rescue the only fertile woman left on Earth.
The second installment of Australian maverick filmmaker Richard Wolstencroft's adaptation of the poem by W.B. Yeats continues to delve into the underbelly of occultism, physics, and political paranoia, as it travels over multiple continents, and across the lives of an eclectic group of characters, none of whom will remain unscathed from the impending apocalypse... and some of whom work to hasten the arrival of the chaos...