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'We're on a mission from God.' — "Joliet" Jake and Elwood Blues (Laughs) ... What a magnificent work of motion picture art The Blues Brothers is! This fun-filled musical is truly a must-see. The screenplay was co-written by Saturday Night Live alum Dan Aykroyd, whom, by the way also stars in the effort as Elwood Blues, one half of the Chicago-based R&B/Blues band, The Blues Brothers. Native Chicagoan and Aykroyd's fellow SNL grad, John Belushi (The late, great), also stars in this zany opus as "Joliet" Jake, Elwood's biological other half. And with an all-star supporting cast that includes the likes of Ray Charles, Aretha Franklin, James Brown, Cab (Minnie the Moocher) Calloway, John Lee Hooker, and Carrie Fisher, among quite a few others, The Blues Brothers is one tremendous cinematic force - in both the Musical film and Action film genres, respectively. John Landis, who co-wrote the screenplay with Aykroyd, also directs the high-leveled ensemble. In this feel-good tale, the plot revolves around the threatened foreclosure of a Catholic orphanage in which the two brothers were raised. The city has placed an unlawful detainer on the orphanage, and if members of its clergy fail to raise $5,000, the amount needed to stay the pending foreclosure, then it's eviction time for all of those needy children who still call the institution home. But before "Joliet" Jake and Elwood Blues see that happen, they'll tear a whole lotta Chicago up! With that, the crazy and over-the-top hilarious action begins ... And "laughing out loud" will truly be an understatement. Set in the Windy City, The Blues Brothers is jam-packed with action, adventure, great music, comedy, and deep, heartstrings-tugging emotion. It does its part in helping to define what a genuinely great and entertaining movie should be. And it is a CLASSIC in every sense of the adjective. My big brother (God love him) introduced me to this film, by way of a movie date, over three decades ago. And to this day, I continue to harbor for both him and it, a love beyond passion. Five stars!
OK, the title here is probably disingenuous. I live in Chicago, a city that doesn't allow you residence unless it can confirm that you love "The Blues Brothers" and "The Untouchables." So this review is coming with a fair amount of cultural bias out the door. So I'm just going to drop the honest part right now and tell you flatly that this is bias. It's likely the most bias review that you'll probably ever read. Franklin singing in a famous Maxwell street diner (now defunct) but still, that's pretty Chicago right there. And, of course, if you've ever lived by the L you get the joke about the trains running past you every couple of minutes at a deafening pitch. And there's the fact that I grew up in McHenry County when it was still a rural country podunk county and they still gave us the nod. It's all Chicago, and it's all Chicago with a line up of Blues cameo's that the world has never seen before and sadly will never see again, especially as the genre has faded to near obscurity with the generations after X. There's something splendid about it. It's a comedy that has never stopped reminding me of home. I can even sit down with my wife and watch this movie in our Chicago apartment and feel a nostalgia for the Chicago that used to be, for the Maxwell Street that used to be, and I can watch it when I'm out far from home and it acts as kind of a comfort piece. And, what I've found out in my life is that the love for it is international, or at least The Blues Brothers transcended borders and has a faithful following in Germany as well. It's a movie about The Blues and about Chicago, and don't listen to the nay sayers, even our home town boy Buddy Guy will tell you that the Blues aren't an exclusively Black thing, it's not an exclusively an American thing, they are an exclusively music thing. There is a reason, after all, why people say that they "appreciate" the Blues. And I don't think anyone is in a position to argue with Buddy Guy about this. So take this however you want. It's a funny musical with better music than musicals tend to have... or it's a beloved tradition that comes with your zip code. Either way it's something that only the most jaded and cynical among us won't enjoy and love.
**Remarkable.** John Landis was inspired when he decided to direct a film like this one. In addition to bringing us the excellent music that integrates the soundtrack, it brings us high doses of very good humor and a captivating, intelligent and well-written story, based on the desire of two brothers to reunite their former R&B band, dissolved after them getting into trouble with the police, and using music to raise the money needed to maintain the Catholic orphanage where they grew up. It's a plot that seems subscribed, but considering that it's a comic and quite unpretentious film, it seems within a very acceptable level. The cast is simply outstanding and is full of famous names. Each one of them does the best they can, and the result of it all, combined, is truly positive. John Belushi and Dan Aykroyd manage the two main characters with panache and enormous talent, in a way that it's really hard not to dedicate all your attention to them when they appear on the scene. I really liked the absolutely serious way they say the jokes. We can't guess what will come out of their mouths. Carrie Fisher also appears here, in a smaller but quality work. And we need to highlight the enormous contributions of a wide range of immortal names in music, such as Ray Charles, Cab Calloway, Aretha Franklin and James Brown. Until near the end of the film, I really thought that the actors were very similar to them, but no. On a technical level, it's a film that looks more understated than it actually is. There's a lot of money invested there, and we can see that in the special effects and the staggering amount of cars and things that are destroyed throughout the film, as the Blues Brothers leave their trail of chaos in their wake. I got to the point of thinking that the Portuguese police would be happy if they had half the cars destroyed in the film! I also got the impression that shooting outdoors, especially in an urban environment, needed to interrupt normal traffic on the streets, which is expensive. Well, I've already mentioned the soundtrack, but it's worth stressing this point again: the film has excellent music and songs, and Jazz, Blues, R&B and Soul lovers will probably love this.
Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.
Max Washington has just been released from prison after serving time for burglary. He returns to his old hangout, a hoofer club. His old girl friend, Amy, who still works at the club as a Tap instructor, is less than thrilled to see him. Her father, Little Mo, is happy to see him, because he has plans for a show involving Max. In addition, Max's old partners in crime have another job for him.
The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.
John H. Groberg, a middle class kid from Idaho Falls, crosses the Pacific to become a Mormon missionary in the remote and exotic Tongan island kingdom during the 1950's. He leaves behind a loving family and the true love of his life, Jean. Through letters and musings across the miles, John shares his humbling and sometimes hilarious adventures with "the girl back home", and her letters buoy up his spirits in difficult times. John must struggle to overcome language barriers, physical hardship and deep-rooted suspicion to earn the trust and love of the Tongan people he has come to serve. Throughout his adventure-filled three years on the islands, he discovers friends and wisdom in the most unlikely places. John H. Groberg's Tongan odyssey will change his life forever.
Any Given Thursday is a live CD/DVD by John Mayer, recorded in Birmingham, Alabama at the Oak Mountain Amphitheater on September 12, 2002, during the Room for Squares tour. The album quickly peaked at #17 on the Billboard 200 chart. It features mostly songs from Room for Squares.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
A single mother living in inner city Chicago, Brenda has been struggling for years to make ends meet and keep her three kids off the street. When she's laid off with no warning, she starts losing hope for the first time - until a letter arrives announcing the death of a father she's never met. Desperate for any kind of help, Brenda takes her family to Georgia for the funeral, but nothing could have prepared her for the Browns, her father's fun-loving, crass Southern clan. In a small-town world full of long afternoons and country fairs, Brenda struggles to get to know the family she never knew existed... and finds a brand new romance that just might change her life.
Richard Christopher "Rick" Wakeman (born 18 May 1949) is an English keyboardist, songwriter, television and radio presenter, and author. He is best known for being in the progressive rock band Yes across five tenures between 1971 and 2004 and for his solo albums released in the 1970s. Rick Wakeman - Journey To The Centre Of The Earth movie Recorded in Melbourne Australia with that city's Philharmonic Orchestra in 1975, a sell-out crowd of 30,000 saw Wakeman perform at the height of his career. Rick Wakeman - Journey To The Centre Of The Earth video It contains songs from his concept albums THE SIX WIVES OF HENRY VIII, KING ARTHUR AND THE KNIGHTS OF THE ROUND TABLE, and of course the record from which the concert takes its title. Rick Wakeman - Journey To The Centre Of The Earth film JOURNEY TO THE CENTER OF THE EARTH captures a seminal moment in the live performances of progressive rock.