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Monstrous - but not a total monstrosity. Antartica, and an expedition is about to uncover a battleground for Aliens and Predators. Whoever wins, we lose! So ran the tag line for Paul W. S. Anderson's prequel (?) to two fanatically worshipped franchises. Little was Anderson to know that it was the majority of cinema goers who would feel that they had "lost" their cash on coming out after watching this miss-matched effort. Though in truth nobody could seriously have expected a film to rival the best of both serials (Alien, Aliens & Predator), it's still right that us fans should expect the formula to be respectfully adhered too. We want character build up, we expect a group dynamic to function, and we definitely want the baddies to stay just that, as baddies. It's not a total loss, though, even as Anderson all too quickly hurtles towards his "humans caught in a cube like puzzle box" blood bath, there is just enough back story and anticipation to tickle the tongue. In fact, when it all goes pear shaped and Xenomorphs, Pred-Rastas and humans are all lined up for slotting, it's damn near exciting stuff. While the pyramid/cube/maze design is pretty awesome. However, then the plus points are vanquished as the film quickly becomes kiddie friendly as gloop gives way to strawberry jelly, featuring a turn of events with our "heroine" that's so clumsy I'd be surprised if Anderson sleeps at night. Still, it's obvious that Anderson loves both franchises and he in no way would have wanted to make a stinker. But he has made a very average movie, one that's got two things in its favour. One being that is the neat middle section, the other that it's not half as bad as the messy hack job that was AVPR: Aliens vs Predator - Requiem in 2007. 5/10
I can honestly say, that this is one of the most under-rated films of 2004. Not because it was good, just because it was panned so fucking hard by critics! I think this is mostly due to the fact that it was being compared to both the Alien and Predator series, which is fair enough, but it was never going to be what either of those films was. Ultimately it's downfall came from some poor dialogue, and trying to reach a larger audience. Where Predators was a film that you didn't need to have watched all the others in order to follow, it was still fundamentally a Predator film, aimed at the Predator-loving market. AVP on the other hand used references to the older films, but then completely threw the canon out the window and went for a larger fanbase. And whilst it worked to some degree (my grandma liked it) it wasn't enough of a step in either direction. AVP was complicated as a stand alone, and disastrous when compared to anything else in the franchise except perhaps its sequel Requiem (and maybe Predator 2 or Alien3). Honestly I think the film works as an archetypal film in the realm of both Alien and Predator, just not a sequel or prequel to either. The lead protagonist is a woman by the name of Alexa Woods, portayed by Sanaa Lathan (Blade, Contagion) who was clearly meant to be a modern day Ripley, and catastrophically failed at doing so. The Predators were as cool as ever, and people complained that in the latter half of the film they weren't as ghostly as in Predator/Predator 2, but we've already had two whole films of that, and these were juvenile Predators, so it sort of made sense that they were a tad more restless. Bringing Lance Henriksen (Damien: Omen II, Piranha II: The Spawning, The Terminator, Aliens, Alien 3, Pumpkinhead, The Quick and the Dead, Mind Ripper, Scream 3, The Lost Tribe) back was an awesome decision, one that was probably lost on the audience who had not seen the Alien series. Tommy Flanagan (Smokin' Aces 1 and 2, Sin City, When a Stranger Calls [2006], Gladiator, Braveheart) is another an actor I love, it was a shame his character (Mark Verheiden) was so underused. Ultimately, the film is a good one to pick up and put down, don't think about it too much, don't compare it to the others, go in with your only expectation being that it's a monster-movie, then you won't come out too disappointed. 59% -Gimly
If Paul WS Anderson had just taken a moment longer to look at the casting here, he might have had a decent property. A solid conflict between the ultimate ninja "Predator" and the ultimate killing machine from "Alien". Why didn't he? Instead, we find a truly C-list bunch of acting fodder exploring a temple wherein, aeons ago, these two titans of terror battled it out. On arrival in the sacrifice room, they inadvertently release some eggs, and some "Predator" creatures, and soon some of them are on the menu for both as a battle royal looms. The special effects are good, and the action elements work fine too. I even found myself taking sides - just not with the humans, who deserved every tortuous chewing, stabbing and nasty involuntary caesarians that they got. It's paced well, it looks eerie and sinister, and the ending is quite exciting - it's just a real shame the writing and the acting are really mediocre. Teed up for a sequel too - I can only hope it ups it's game for that!
Did they actually make this!? Wait, did I actually buy this!?
Finally got around to watching this crossover between the two titular characters. It's pretty good! I'm not someone who has a keen interest in either franchise, though. I'm kinda surprised both have as many flicks made as they do and as many still on the way. I admittedly I do like all of the 'Alien' films, whereas I found 'Predator' to be rather uninteresting - until 'Prey' anyway, that's the only one from that series that I'd say I like. With all that, I wasn't too sure what to expect from 'AVP: Alien vs. Predator' - a movie that I've actually heard of since I was a kid, I remember people at my school referring to it quite often; I probably knew of this before I knew that they were a crossover from separate releases. Pleasingly, i did find the required enjoyment from this 2004 movie. None of the cast are particularly outstanding, though all work really nicely as a whole. Sanaa Lathan gives a good showing as the main human character, in what is my first real experience of seeing her onscreen. Same can be said for most of the acting talent, with only Ewen Bremner being someone I could say I recognised; and Lance Henriksen, only after thoroughly racking my brain from the original 'Alien' films though. That final scene leaves good intrigue ahead of the sequel. After viewing that, I can finally say I've seen all of this most abundant franchise. No mean feat, eh? At least there aren't any more coming any time soo... *Alien: Romulus releases in two days* ffs.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
In 1938, an art collector appeals to eminent archaeologist Dr. Indiana Jones to embark on a search for the Holy Grail. Indy learns that a medieval historian has vanished while searching for it, and the missing man is his own father, Dr. Henry Jones Sr.. He sets out to rescue his father by following clues in the old man's notebook, which his father had mailed to him before he went missing. Indy arrives in Venice, where he enlists the help of a beautiful academic, Dr. Elsa Schneider, along with Marcus Brody and Sallah. Together they must stop the Nazis from recovering the power of eternal life and taking over the world!
When an asteroid threatens to collide with Earth, NASA honcho Dan Truman determines the only way to stop it is to drill into its surface and detonate a nuclear bomb. This leads him to renowned driller Harry Stamper, who agrees to helm the dangerous space mission provided he can bring along his own hotshot crew. Among them is the cocksure A.J. who Harry thinks isn't good enough for his daughter, until the mission proves otherwise.
A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
A secret military project endangers Neo-Tokyo when it turns a biker gang member into a rampaging psychic psychopath that only two teenagers and a group of psychics can stop.
A hard-nosed cop reluctantly teams up with a wise-cracking criminal temporarily paroled to him, in order to track down a killer.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.