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RELEASED IN 1977 and written & directed by William R. Stromberg, “The Crater Lake Monster” details events in the high country of central California after a meteor strikes the eponymous (fictitious) lake and incubates a prehistoric egg, which hatches a plesiosaur-like creature that terrorizes the locals. Despite the title, the story does not take place in Crater Lake, Oregon, and the filmmakers don’t hide this fact in light of (1.) the California plates of the vehicles and (2.) the lake is clearly snake-like in shape and not round like Crater Lake in Oregon. Speaking of the lake they used for establishing shots, it’s located roughly 425 miles southeast of Crater Lake in central California. The movie is akin to modern Syfy flicks, but shot on a low-budget in the mid-70s. It lacks the production quality of 70’s creature features like “Jaws” (1975) and “Prophecy” (1979), but isn’t even up to the production level of TV flicks like “Snowbeast” (1977) and “Kingdom of the Spiders” (1977). The second-rate acting of the principles in particular distinguishes “The Crater Lake Monster” from these movies. But the Ray Harryhausen-like stop-motion effects are effective, although whenever the creature is shown emerging from the lake the contrast between the two (the monster and the lake) looks decidedly fake. Kacey Cobb shines on the female front and looks great in tight jeans, but her role is too small. There’s some goofy slapstick provided by Arnie and Mitch, which is only a notch or so above the antics of Skipper and Gilligan. Other than that, the tone is serious and there are some highlights, like the excellent locations, the 70’s atmosphere (styles/décor/etc.) and the surprisingly moving close. I should add that I never perceived the plesiosaur as a particularly scary or formidable dinosaur, but this flick gave me a different perspective. THE FILM RUNS 1 hour & 25 minutes and was shot in Huntington Lake and Palomar Mountain, California. ADDITIONAL WRITER: Richard Cardella. GRADE: C
Now then - where to start. It would be easy to just rip it to shreds. It's rubbish - on just about every level. For reasons that are not immediately clear, it was digitally remastered (if, indeed, it was ever "mastered" in the first place) in 2011 which, if anything, seems to have merely exacerbated the already dreadful production standards. A meteor lands in the remote "Crater Lake" and before we know it, "Nessie" arrives for a summer vacation from Loch Ness and - getting peckish on the way - decides to feast on the residents of the local town. The story is routine, but fine, it is the manufacture that is abysmal. The stilted acting might not have seemed quite so bad were it not for the staccato assemble-editing done in such an amateur fashion that really draws attention to the silly script, a soundtrack straight from the basement of a 1960s ad agency and to the risible visual effects that owe a lot more to plasticine than to Ray Harryhausen. There are far too many characters to distract from the dodgy narrative, the attempts at humour are cringingly contrived and at 85 minutes, it is far, far too long! It is worth a watch just to calibrate your senses, and put true dross in proper perspective!
When a man is eaten alive by an unknown creature, the local Game Warden teams up with a paleontologist from New York to find the beast. Add to the mix an eccentric philanthropist with a penchant for "Crocs", and here we go! This quiet, remote lake is suddenly the focus of an intense search for a crocodile with a taste for live animals...and people!
Japan is thrown into a panic after several ships are sunk near Odo Island. An expedition to the island led by Dr. Kyohei Yamane soon discover something far more devastating than imagined in the form of a 50 meter tall monster whom the natives call Gojira. Now the monster begins a rampage that threatens to destroy not only Japan, but the rest of the world as well.
Two fishing scout pilots make a horrifying discovery when they encounter a second Godzilla alongside a new monster named Anguirus. Without the weapon that killed the original, authorities attempt to lure Godzilla away from the mainland. But Anguirus soon arrives and the two monsters make their way towards Osaka as Japan braces for tragedy.
Upon arriving at the Digital World after the "reboot", the Digidestined are hunted by a new villain. Meanwhile, Sora is troubled by her partner Digimon's indifference towards her.
In the near future Nassim, terrorist leader, storms computer company headquarters. His aim is deadly computer virus that could bring him world domination. Nick, company janitor and ex-cop, will get in his way.
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
Hunters go to a mine in the country looking for a treasure and discover rumors that the mine is cursed are all too true.
A modern day, tongue in cheek thriller inspired by Universal’s classic monster legacy.
As the ancient king OOO continues his onslaught on humanity, Kougami gathers his former employees to create a resistance... and introduce a new weapon in the fight!
A quarantine hotel where overseas travellers stay in isolation to curb the spread of a contagious virus, but they soon become prey to a strange breed of a 100-legged monster.
A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises.