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I can't help but wonder if this might not have worked better in black and white? As it is, it's a rather sterile and distinctly unsexy treasure hunt with a scantily clad, but off-form Sophia Loren in the role of sponge diver ("Phaedra"). On one such dive, she discovers a statue of a young boy riding a dolphin, nestled amongst the weeds. Desperate for some cash, she soon has the interest of the honourable "Dr. Calder" (Alan Ladd) and the unscrupulous "Parmalee" (Clifton Webb) vying for her attention - and for the location of this legendary work of art. It's not that it's a bad film, this - its just that there is way too much dialogue and nowhere near enough action. Webb's manoeuvrings are the highlight, but Ladd just looks like he is here (Greece) for a suntan. Geoffrey Keen turns in quite an engaging performance as the dipsomaniac doctor "Hawkins" and it has a pleasing soundtrack with the odd dance from Miss Loren before an ending that though right and proper, I found a bit, well, twee! Anyway, the cinematography looks nice and there is some good underwater photography to admire, but it's still all a pretty forgettable adventure with nobody really firing on all cylinders.
Such a soul torments young composer Georg von Wergenthin, around whom the author creates a precise picture of the fin de siècle, its neuroses and its politics. Georg starts a relationship with a young singer, but does not confess to her in front of his friends, even when she becomes pregnant by him.
Out of love, young Corinna follows the plantation owner Mannsfeld to the Far East - where she has to realize that he is already married. A small consolation for her is the fact that Mannsfeld is not about a womanizer, but that he is serious about his love for Corinna. The only thing standing in the way of this love is his wife, who, despite the broken marriage, does not want to let Mannsfeld go. When the wife is murdered, this crime seems to bring dubious happiness to the two of them - but it doesn't last long.
Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.
A young man moves from Montana to Florida with his family, where he's compelled to engage in a fight to protect a population of endangered owls.
Lovestruck conservatory student Ariane pretends to be just as much a cosmopolitan lover as the worldly mature Frank Flannagan hoping that l’amour will take hold.
When Joshua moves to the outskirts of Auburn, he awakens the curiosity of the sleepy town. They don’t know who he is or where he came from, but no one can shake the feeling they’ve known him for years. Despite his benevolence and selfless work in the community, some remain suspicious. Just what exactly is Joshua up to?
In 1930s Prague, a Czech cremator who firmly believes cremation relieves one from earthly suffering is drawn inexorably to Nazism.
France, 17th century, under the reign of Louis XIII. Dogtanian is an impetuous and innocent peasant from Gascony, as well as a skilled swordsman, who travels to Paris with the purpose of making his dream come true: to join the Corps of Muskehounds of the Royal Guard.
