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_**A naïve lad goes through an awkward and quirky growth phase in Manhattan**_ A 19 year-old “boy” working as a low-level assistant at the New York Public Library (Peter Kastner) is encouraged by his strict curator father (Rip Torn) to move out on his own and so gets an apartment with a nosey landlady (Julie Harris). There’s a quality lass at work (Karen Black) who’s interested in Bernard (Kastner), but he sets his eyes on a temperamental go-go dancer (Elizabeth Hartman). “You’re a Big Boy Now” (1966) is a quirky coming-of-age comedy/romance set in the Big Apple based on the 1963 novel of the same name, except that the setting was switched from London to Manhattan along with changing the kid’s vocation. It was Francis Ford Coppola’s thesis project for UCLA, but this is far from a “student film” as it has the polish of professionalism. He had already directed a couple flicks for Roger Corman with this one including a couple snippets from his “Dementia 13” (1963). Coppola made $8000 on the gig with an $800,000 budget that spiraled into about $1 million. While critics say the movie rips off Richard Lester's “The Knack ...and How to Get It” (1965), Francis said his script was written before that one came out, but he did admit to being influenced by Lester’s “Hard Day’s Night” (1964). I couldn’t help think of “Village of the Giants” (1965), just without the goofy giant-formula, although there’s definitely some goofiness, like the amusing rooster on the fifth floor. “The Graduate” (1967) was obviously influenced by it, but I’d watch this over that iconic film any day. After viewing, I was reflecting on the art vs. entertainment conundrum because Coppola made a flick with obvious artistic flair that didn't forget to be entertaining. It’s nice seeing Julie Harris when she was 40 during shooting. You might remember her from Columbo’s “Any Old Port in a Storm” (1971). Elizabeth was from the Youngstown/Boardman area of Ohio. You might remember her from Eastwood’s “The Beguiled” (1973). She was shy in real-life and suffered from depression, which tragically ended with her ending her life by jumping from the fifth story of her apartment in Pittsburgh at the age of 43. The movie runs 1 hour, 37 minutes, and was shot at various Manhattan locations, including the New York Public Library, Times Square and Central Park, as well as Chelsea Studios in New York City. GRADE: B
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
Two sailors on shore leave head out for four days of partying – only to become involved in the affairs of an aspiring singer and her precocious nephew.
A clairvoyant woman thinks that she's met her future husband because she's seen him in a dream. They marry and he takes her back to his butcher shop in New York city, where her powers tend to influence everyone she meets while working in the shop. Through her advice, she helps others and eventually finds the true man of her dreams.
Gladys Glover has just lost her modeling job when she meets filmmaker Pete Sheppard shooting a documentary in Central Park. For Pete it's love at first sight, but Gladys has her mind on other things, making a name for herself. Through a fluke of advertising she winds up with her name plastered over 10 billboards throughout city.
Two planes almost collide after a blinding flash of light paralyzes air traffic controller Dylan Branson for a few seconds. Suspended from his job, Dylan starts to notice an ominous pattern of sounds and events that repeats itself in exactly the same manner every day, ending precisely at 2:22 p.m. Also drawn into a complex relationship with a woman, Dylan must figure out a way to break the power of the past and take control of time itself.
In 1988, Richard Conley (Joe Estevez) and Curt Wade (Rod McCary) reminisce about June Michels, the love of their lives. In flashback scenes originally filmed in 1971, June is played by Alexandra Hay and Richard is played by Martin Sheen.
Sophie, a writer of racy romance novels, is working on one of her stories in the library, when Eddie overhears her. Sophie, embarrassed by her paralyzed leg from childhood polio, spurns his advances, but when Sophie breaks her leg, she has the perfect way of hiding her disability from Eddie. As Sophie struggles to win over Eddie and hide her disability, Eddie's jealous fiance and a police officer investigating a jewel heist threaten their relationship.
A beautiful, wealthy widow leaves New York to find herself a husband in the Italian village in which she was born. After many tries she...chooses the village blacksmith.
Dracula and Renefield relocate to 70's era New York in search of Cindy Sondheim, the reincarnation of Dracula's one true love, Mina Harker. "Trouble adjusting" is a wild understatement for the Count as he battles Cindy's psychiatrist, Jeffrey Rosenberg, a descendant of Van Helsing, who may almost certainly, possibly, may be in love with Cindy too.
Two championship rodeo partners travel to New York to find their missing friend, Nacho Salazar who went missing there.
Mel Edison has just lost his job after many years and now has to cope with being unemployed at middle age during an intense NYC heat wave.
