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_**Dracula-in-the-modern-day parody with George Hamilton**_ The Communist regime in Romania forces Dracula from his castle (George Hamilton), so he and Renfield (Arte Johnson) fly to New York City to meet a model who has caught the Count’s eye (Susan Saint James). Richard Benjamin plays her therapist and Dick Shawn an officer that tries to help solve the vampire happenings. “Love at First Bite” (1979) spoofs Dracula flicks and was AIP’s most successful film up to that point (an honor that would only last three months, after which “The Amityville Horror” took the crown). It surged Hamilton’s career and remains his most profitable movie. If you like other classic monster satires, such as “The Vampire Happening” (1971) and “Young Frankenstein” (1974), you should appreciate this one. It puts Dracula in the modern day Big City and milks it for fun. While it’s rarely laugh-out-loud funny, it’s consistently amusing (or eye-rolling) in a quiet smirks kind of way. There are several cameos of celebs that were popular at the time. Although it has been accused of being “racist,” it pokes fun of people across the board, whatever their skin color or socioeconomic status. For instance, the beginning makes fun of Romanian Communists followed by superstitious rural villagers (all white people). The film runs 1 hour, 36 minutes, and was shot in Manhattan and The Langham Apartments, Los Angeles. GRADE: B-
A seductively lethal vampire sect leader has been battling famed vampire hunter Van Helsing's descendent for decades. But now she and her bloodthirsty followers face extinction unless they can find a willing victim who will ensure their future survival. It's up to Van Helsing to stop the blood from flowing in this thrilling, action-packed duel to the death!
Three elderly distinguished gentlemen are searching for some excitement in their boring borgoueis lives and gets in contact with one of count Dracula's servants. In a nightly ceremony they restore the count back to life. The three men killed Dracula's servant and as a revenge, the count makes sure that the gentlemen are killed one by one by their own sons.
In the shadow of Castle Dracula, the Prince of Darkness is revived by blood trickling from the head-wound of an unconscious priest attempting exorcism. And once more fear and terror strikes Transylvania as the undead Prince of Darkness stalks the village of Keineneburg to ensnare victims and satisfy his evil thirst.
After a psychoanalyst unsuccessfully tries to convince four sisters that they are not 200 year old vampires, the Queen of the Vampires promulgates the cause of the Undead.
Sir Borotyn, a prominent Prague resident, is discovered murdered in his home, with all indications pointing to a vampire assault. The victim's friend, Baron Otto, and the physician who analyzes the body are certain that the vampire is the mysterious Count Mora, or perhaps his daughter, but receive little help from the law. Professor Zelen, an expert in the occult, is called in to assist with the investigation.
A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.
A duo of bisexual female vampires prey on passing motorists, whom they seduce and murder in the English countryside.
Saturnino, a young archaeologist, bourgeois and wealthy, lives in a luxurious mansion. He receives a visit from his old teacher, Don Felipe, accompanied by his daughter and a monumental mummy he has just discovered in one of his excavations in the Upper Nile. The Mummy, was in his time a princess and has on his bandages a curse, that when it breaks ... it will be dedicated to chasing and raping all the men it finds in its path.
Zé do Caixão, the unholy undertaker, is back in town to continue his quest for the perfect woman, embarking on an even more brutal campaign of terror, aided and abetted by his hunchbacked assistant.
Rod Steele (aka Agent 0014) is anything but the world's greatest super spy, but when diabolical villainess Tangerina threatens the world again, he's the world's last and only hope.
Stuck on the side of the road on their way to a social distance party, two contact-starved millennials try not to connect on an intimate level in this Reform Jewish absurd comedy about grief, changing plans, and the lengths we'll go to avoid direct communication with the people we love.