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Well.. This is my 1st review. In fact I prefer to keep my opinions to myself but this.... well here ya go... my opinion, I'm a big fan of sea faring and navy movies but I was dissapointed by this one. There is really only about 18 minits of plot and story, the rest is filled with rotten, poor music, and mind numbing time wasing singing. It's musically driven by a recipe of bad entertainment that folks used to be afraid to say "It sucked!" for fear of the old 'If you don't say it's not great, then you must be a communist' era. I wish I could get my money back but I opened the box so I'm screwed. Score one for the movie industry happilly selling another piece of crap with no consumer protection required. I suppose there are other ways to try puchases first but....
When aspiring filmmaker David is mandated by a judge to attend a social program at the Jewish Community Center, he is sure of one thing: he doesn't belong there. But when he's assigned to visit the Brooklyn Bridge with the vivacious Sarah, sparks fly and his convictions are tested. Their budding relationship must weather Sarah's romantic past, David's judgmental mother, and their own pre-conceptions of what love is supposed to look like.
One day Karen, Kristel and Kathleen receive an invitation from a king and queen from a distant fairytale kingdom. They ask if they want to sing on their daughter's birthday. But the princess behaves like a spoiled brat, because an evil wizard placed a curse on her, freezing her heart in the process. In an exciting race against time, K3 try to solve the mystery surrounding the little princess. But this turns out not to be as easy as they thought. Because even though they encounter all kinds of well-known fairytale characters, they do not receive any help. Will the brave singers manage to lift the curse?
A young Canadian woman who sings in Kreuzberg in a rock band, and her boyfriend, who lives in a politically active flat-sharing community. Due to the new capital situation, demolished buildings suddenly become sought-after buildings. The living and working situation of the musicians and other scene-people deteriorates massively.
On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.
The plot centers on students involved in the Soweto Riots, in opposition to the implementation of Afrikaans as the language of instruction in schools. The stage version presents a school uprising similar to the Soweto uprising on June 16, 1976. A narrator introduces several characters among them the school girl activist Sarafina. Things get out of control when a policeman shoots several pupils in a classroom. Nevertheless, the musical ends with a cheerful farewell show of pupils leaving school, which takes most of act two. In the movie version Sarafina feels shame at her mother's (played by Miriam Makeba in the film) acceptance of her role as domestic servant in a white household in apartheid South Africa, and inspires her peers to rise up in protest, especially after her inspirational teacher, Mary Masombuka (played by Whoopi Goldberg in the film version) is imprisoned.
When the Pfeffermans face a life-changing loss, they begin a journey hilarious and melancholy, brazen and bold. As they face this new transition, they confront grief and come together to celebrate connection, joy, and transformation.
The madcap life of eccentric Mame Dennis and her bohemian, intellectual arty clique is disrupted when her deceased brother's 10-year-old son Patrick is entrusted to her care. Rather than bow to convention, Mame introduces the boy to her free-wheeling lifestyle, instilling in him her favorite credo, "Life is a banquet, and most poor sons of bitches are starving to death."
In Ancient Polynesia, when a terrible curse incurred by Maui reaches an impetuous Chieftain's daughter's island, she answers the Ocean's call to seek out the demigod to set things right.
John Rosow drinks to forget. He is a former New York City cop turned Chicago-based private investigator. At the last minute, he is hired by someone he's never met to follow a middle-aged male subject on the soon-departing California Zephyr train to Los Angeles.
Desperate for a breakthrough as she nears the big 4-0, struggling New York City playwright Radha finds inspiration by reinventing herself as a rapper.
Although Mary has little income, she still finds ways to spend her nights at clubs. After being arrested for throwing an illegal rave, she asks her aunt Judy for bail money. Judy then finds Mary a job at her library so that Mary can repay her. Initially, Mary finds the job as a clerk boring and stifling, and prefers to get to know a street food vendor whom she likes. However, Mary must refocus her life once she loses her job and apartment.