War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
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The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Reports of unidentified flying objects near Mars intrigues the Japanese based "FAFC" which decides to send a ship to investigate. The American and Japanese crew do, indeed, encounter what one describes as a "giant fried egg" before landing on the planet and discovering what looks like a breakfast roll. Rudimentary tests suggests it's inert, and they decide to bring it home for further investigation. Now there's their first mistake... Once back home and in the lab, our baking starts to, well, hatch - and what emerges is a monster that feeds on energy. It doesn't care how it gets it, or who or what gets in the way and so is soon rampaging through the obviously cardboard sets of cities and industrial complexes growing ever larger by the charge. Can the boffins find a way to stop it before it reaches an huge nuclear power plant and consumes the entire nation? The beastie itself has something of Egyptian mythology to it - the head of a snail, then some chicken, then some lizard - with bulging eyes and it can breathe fire! The acting and dialogue? Well both are bland and forgettable, but they don't really matter. This is all about the perfectly acceptable gizmo/gadget effects, some warplanes and missiles on piano wire, plenty of mini-pyrotechnics and, of course, a creation straight out of "Dr. Who". No, it's not good. It's far too long and you will never remember watching it, but if you like this kind of cheap and cheerful sci-fi horror, then you ought to enjoy it - just aim low.
Two magazine reporters are sent to Texas to investigate a string of UFO sightings. As two distinct theories begin to develop. Both reporters are driven to prove their own theory, but in the end, only one can be right.
Colonel Pete Moore (Glenn Ford) is commander of the Whitney Radar Test Group, which has been experiencing electrical difficulties aboard its aircraft. To ferret out the problem, he sends a four-man crew on Flight 412. Shortly into the test, the jet picks up three blips on radar, and subsequently, two fighters scramble and mysteriously disappear. At this point, Flight 412 is monitored and forced to land by Digger Control, a top-level, military intelligence group that debunks UFO information. The intrepid colonel, kept in the dark about his crew, decides to investigate the matter himself.
An Okinawan prophecy that foretells the destruction of the Earth is seeming fulfilled when Godzilla emerges to return to his destructive roots. But not all is what it seems after Godzilla breaks his ally Anguirus's jaw. Matters are further complicated when a second Godzilla emerges, revealing the doppelgänger as a mechanical weapon.
An American journalist stationed in Japan is given a mysterious injection by a mad scientist, turning him into a murderous, two-headed monster.
A 1956 alien invasion tokusatsu film directed by Shinichi Sekizawa, the screenwriter noted for his immense contributions to Toho's Godzilla series by providing the screenplays/stories for the majority of the original Showa films.
The people of a small village believe they have an evil creature called an Impaktita living among them.
The heat of a meteor crashing into the lake incubates a prehistoric egg, which grows into a plesiosaur-like monster that terrifies the community.
A giant monster sends a town's citizens into a panic, except for a girl named Yuki and her schoolmate Tetsu. Tetsu happens to have his own strange creature named Cenco as a pet. Another boy named Shuu controls the monster threatening the town, and the stage is set for a battle.
In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.
When a space probe crash-lands on a far-flung Pacific atoll, the craft's alien stowaways decide to take over their new world one creature at a time. Soon, the parasitic life forms latch onto three indigenous critters - a squid, a crab and a snapping turtle - and transform them into colossal mutant monsters.
The most dangerous criminals in the universe escape from the Off-World Penitentiary and stow away to the quiet Moonbase Waste Disposal Plant. Hidden beneath the lunar surface lies an arsenal of nuclear warheads- the inmates' passport home to earth. Moonbase Commander John Russell launches a desperate fight to save his crew from a force capable of laying waste to an entire planet.