The Bad Shepherd 2024 - Movies (Jan 17th)
The Bouncer 2024 - Movies (Jan 17th)
Tuesdays Trash 2024 - Movies (Jan 17th)
Balloonerism 2025 - Movies (Jan 17th)
The Girl Who Cried Her Eyes Out 2024 - Movies (Jan 17th)
Clear Cut 2024 - Movies (Jan 17th)
You Gotta Believe 2024 - Movies (Jan 17th)
Wolf Man 2025 - Movies (Jan 17th)
My Divorce Party 2024 - Movies (Jan 17th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Back in Action 2025 - Movies (Jan 17th)
Henry Danger The Movie 2025 - Movies (Jan 17th)
Alarum 2025 - Movies (Jan 17th)
Ed Hill Stupid Ed 2024 - Movies (Jan 16th)
Alien Rubicon 2024 - Movies (Jan 17th)
Smile 2 2024 - Movies (Jan 16th)
Gabriel Iglesias Legend of Fluffy 2025 - Movies (Jan 16th)
The Substance 2024 - Movies (Jan 16th)
Unstoppable 2024 - Movies (Jan 16th)
Here 2024 - Movies (Jan 16th)
Shark Tank India - (Jan 18th)
On Patrol- Live - (Jan 18th)
The Last Word with Lawrence ODonnell - (Jan 18th)
WWE SmackDown - (Jan 18th)
Diners, Drive-Ins and Dives - (Jan 18th)
My Lottery Dream Home - (Jan 18th)
The Young and the Restless - (Jan 18th)
Gold Rush - (Jan 18th)
Lets Make a Deal - (Jan 18th)
Listen to the Earth - (Jan 18th)
The Price Is Right - (Jan 18th)
Alex Wagner Tonight - (Jan 18th)
The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
This is a monster horror movie that really tries, to the point where they don’t give a clear view of the creature in the previews, presumably not to ruin the initial shock moment for the viewer. It is in Korean with English subtitles, with a few bursts of English with Korean subtitles when the speaker is American. The movie focuses on one family’s ongoing battle: not merely against the monster but also struggling against the authorities who want to capture them, suspecting they have been infected with a virus by coming in contact with the creature. The dialogue is pretty ordinary. I seem to recall a few unintentionally funny moments, though I cannot say for sure that it wasn’t due to the translation. I don’t intend to be hyper critical here: I sort of let the movie wash over me to get to the end, and you may or may not need to do the same. I found I was a little confused as to the final fate of one of the family members at the end. Perhaps I was inattentive and it would have been cleared up if I backed it up and watched again, but unfortunately I wasn’t quite inversted in the movie enough to do that. I put in my time and that was sufficient unto the day.
These sites all missed the point. It's farce, it's funny. I actually liked the creature! He's kinda gruesomely-cute! Don't expect drama. It's all tongue-in-cheek, reminiscent of the old Godzilla creature films.
The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!
Ned Kendall is asked to return to the remote and isolated family home by his sister, to say goodbye to his father who is dying. Ned also brings his young aspiring actress fiancee who struggles with the isolation. When home he starts having memories of his childhood many involving his beautiful twin sister and his older brother. These memories awaken long-buried secrets from the family's past.
Eiji Hino returns to Japan and delivers some shocking news to Hina...
As the ancient king OOO continues his onslaught on humanity, Kougami gathers his former employees to create a resistance... and introduce a new weapon in the fight!
A quarantine hotel where overseas travellers stay in isolation to curb the spread of a contagious virus, but they soon become prey to a strange breed of a 100-legged monster.
The owner of a coal mining operation, falsely imprisoned for fratricide, takes a drug to make him invisible, despite its side effect: gradual madness.
A mad scientist unleashes his master plan: to transform himself into a mutated walking catfish, and gain revenge on those who have spurned him. His plans go wrong, and he becomes tempted to kidnap a nubile young woman to similarly transform her so that he can breed.
Bian & Hanif have to go to Grandma’s funeral. When night comes, they have to sleep in her room. That’s when strange things happen.
Mr. Park raises his children by repairing charcoal pits. Although ignorant and stubborn, Mr. Park has a good heart. He is displeased, however, with his eldest daughter, Yong-sun (Jo Mi-ryeong), because of her close relationship with Jae-cheon (Hwang hae), who is a scamp in his eyes. He is also unsatisfied with his second daughter, Myeong-sun (Eom Aeng-ran), for liking Ju-sik (Bang Su-il). Only his eldest son, Yong-beom (Kim Jin-gyu), is the apple of his eye, as he approves of his son's wife, Jeom-rye (Kim Hye-jeong). When Yong-beom is sent to a foreign branch office, Mr. Park is against it at first but approves of it, as he knows what it means for his son's future. Eventually, too, he begins to approve of his two daughters' relationships.
An oriental doctor Kim Hak-gyu is a cantankerous man who is the longest-term householder in a small village in Seoul. He often causes domestic trouble by being nasty to his wife and his children. Kim Hyeon-ok, a daughter of a young widow who runs Nahana Beauty Shop, is in love with Choi Du-yeol, an obstetrician across the street. Kim Hak-gyu has great distaste for western medicine, and at the same time, is jealous of the obstetrician. He always gets in the way of Choi Du-yeol. Kim's son, Hyeon-gu, dates Jeom-ryae, a daughter of a bar owner.