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Though not my very favourite movie about the infamous vampire, this is quite beautiful, well-told and gorgeously photographed (I really can't wait to see the blu!) and is most probably Bela Lugosi's finest hour (though I love his work; and it's also right up there with the greatest-ever vampiric depictions on celluloid), and it has genuine scares. Lugosi not only growls and snarls but also delivers the succulent seductive power of both evil itself and immortality--no matter what devastating consequences that immortal life may truly mean. Essential for both horror fanatics and fans of early (up to and including the 30's) cinema to own on the highest-possible quality, and regular re-watches. It's simply THAT GOOD. The fact that its American release date was Valentine's Day (its New York City premiere was two days earlier) only further hits home the fact that its immortality is due to the fact that it isn't simply a cornerstone of Gothic horror but with a vibrant love story at its very heart.
Probably my third or fourth time seeing this and while the story is simple, still really entertaining and Bela Lugosi, who even as a favorite of mine acknowledge was never the strongest actor, is in his element. Also has some decent effects and nice set design for the era. **4.0/5**
"The blood is the life, Mr. REINFIELD" At three years old this was my first horror movie. My great-grandmother is the one who sat me down and showed me great Bela Lugosi as Dracula. This entire movie is timeless and classic. The very best of all the Universal horrors. No one could be a more perfect Dracula than Bela Lugosi. To accomplish so much with just a stare. No special effects. No fangs... yet he chilled you to the bone and enthralled all. One of my all-time favorites. Classic Cinema perfection.
**_A tall, dark and mesmerizing vampire comes to London from Transylvania_** “Dracula” (1931) was based on the play rather than the novel, but the basic Bram Stoker tale is there with alterations. In its time, this was great. Talkies had only been around for a handful of years. Don’t expect the nudity, violence or gore of Coppola’s “Bram Stoker’s Dracula” (1992). If you want a modern take on the tale, I suggest that one (which adds a well-done love story). The focus here is on the handsome & intimidating Count’s calm charisma and hypnotic powers within a Victorian milieu and cobwebbed, crumbling Gothic architecture. It’s somehow relaxing despite the horror trappings. You have to accept this going in to appreciate it. There’s a Spanish-speaking version with a different actor in the eponymous role shot simultaneously, which many say is superior. Also, a score was added by Philip Glass in 1999. There’s also a colorized version. I viewed the original B&W film with Bela Lugosi. His iconic take on the king of vampires is worth the price of admission. The climax is weak though. The movie runs 1 hour, 15 minutes, and was shot at Universal Studios and Agua Dulce, which is in the desert high country north of there. GRADE: B-
I saw this with a marvellous piano accompaniment that really did showcase the delights of silent cinema and the talents of a pianist who can play, non-stop, for seventy five minutes. Though Bela Lugosi takes top billing as the eponymous character, I felt the film really belonged to his assistant "Renfield" - enjoyably portrayed here by Dwight Frye. He is just an innocent estate agent who arrives at Castle Dracula only to find himself quickly enthralled to his new boss who is determined to come to "Carfax Abbey" in England with his trio of wives, and to wreak some good, old-fashioned, havoc! It's poor "Mina" (Helen Chandler) who is soon on his radar and it falls to her paramour "Harker" (David Manners) and accomplished vampire-hunter "Van Helsing" (Edward Van Sloan) to try and save the day before they are all transformed into blood-suckers. Lugosi is a wooden as a washboard in this film, but the constant shining of the light onto his eyes does manage to convey quite a potent sense of menace as his meticulously dressed count munches his way through the wee small hours. The flying bat on a string is not as daft as you might expect, indeed the whole visual impact of this film - though certainly basic - proves quite effective when the score does most of the heavy lifting. This is a story that has always benefitted from being shot monochrome, and ninety-odd years on, is still a cracking watch in a cinema.
The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a strange phallic growth on her body and a thirst for human blood—the only nourishment that will now sustain her.
The discovery of a perfectly preserved caveman prompts a mad scientist to attempt a daring brain transplant.
Manhattan socialite begins to fear for her troubled younger brother when he starts behaving bizarrely and he seems to have been friends with a backstreet murderer.
In a 19th century village, a young aristocrat suffering from a terminal disease finds herself being drawn to the underground world of vampires and their strange rituals.
In this Chinese version of The Phantom of the Opera, the mysterious Song Danping terrorizes the newly rebuilt opera house and its young star.
A vampire hunter in southern California discovers that his son has been murdered by a gang of the undead and thus goes on a quest for revenge.
An offbeat comedy with a quirky twist on the vampire tale set in modern day corporate America.
A quarantine hotel where overseas travellers stay in isolation to curb the spread of a contagious virus, but they soon become prey to a strange breed of a 100-legged monster.
Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims?
After Lord Archibald Marion is brutally murdered by an unknown assailant, his bitter and feuding family members gather for a reading of the will, setting into motion an increasingly chilling series of deaths when their arrival is marked by a second grisly killing.
