A great Korean kaiju movie from 1967. The camera work was average, but the special effect was great of course not up to par of today's effects but for the time it was good. I didn't like the design of the monster much but the way the actor acted in it made it look natural and not cringy like some kaiju movies look. The story was bland though, generic kaiju story. But when they got to destroy the building it felt epic and awesome. It ain't no Godzilla movie, but it's a great one for when you want some kaiju/Godzilla action that isn't Godzilla. The music is good too nothing to write home about though.
Ryoo Seungwan, Han Jiseung, Kim Taeyong got together to make a 3D omnibus film. It's a 3D vision of terrible realities never far from popular culture today. The stages of its episodes are different with one another. Tragedies and fantasies unfold in the city, the woods, and the future. The 3D technique is used in scenes where the characters have fancies to get over suffering in reality. It's interesting to watch 3D scenes directed by representative directors of Korea, and it's noteworthy in terms of industry that this try displays the possibilities and realities of 3D film in Korea, as well. It's the new vision of KAFA's project, KAFA+
In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.
Dan is a former geisha, now working as an ace pilot for the Earth Defense Troops. Her fiance was killed by the space monster Bemurasu which consumes nuclear waste. To save Planet Earth, Dan attacks Bemurasu, but whenever she does, she feels ecstasy. Can she save Planet Earth?
The TARDIS materialises not far from Paris in 1794 — one of the bloodiest years following the French Revolution of 1789. The travellers become involved with an escape chain rescuing prisoners from the guillotine and get caught up in the machinations of an English undercover spy, James Stirling — alias Lemaitre, governor of the Conciergerie prison.
Two young boys sneak aboard a spaceship and find themselves whisked away to the mysterious planet Terra. There, they encounter Gamera's old foe Gyaos and two female aliens with a taste for human brains. Gamera must save the children and battle the new monster Guiron, whose entire body is a deadly living weapon.
Two members of Greenpeace discover that a local factory sheds radioactive waste into an active volcano, which has created a terrifying creature that wreaks havoc in the area.
It has been ten years since The Battle of the Breach and the oceans are still, but restless. Vindicated by the victory at the Breach, the Jaeger program has evolved into the most powerful global defense force in human history. The PPDC now calls upon the best and brightest to rise up and become the next generation of heroes when the Kaiju threat returns.
Ultraman Zoffy explains to the audience about the history of the ultra series alongside Pigmon, while having to fight off with various seijin foes.
The film centers around Ultraman Taro growing up, and wanting to join the Ultra Brothers in battle. His family, however, thinks he is too young. Taro eventually proves himself after saving the 5 Ultra Brothers from the evil Grand King, created by Juda.
A V-Cinema tokusatsu movie released by TOEI and Bandai Visual. Creature design by Keita Amemiya. It was originally planned to include Space Sheriff Gavan, but those plans fell through.