Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
The CGI beasties were pretty cool to behold, unfortunately they were a pretty minute part of this movie, which is absolutely not what it was marketed to be. Now I've got no problem with a movie subverting expectations, but _I Kill Giants_ didn't offer up enough within its alternatives to come away with a whole-hearted recommendation from me. What it does have is intermitantly interesting, and although I was a little disappointed, it was very far from the worst film I've seen all year. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The moral of the story is deep down inside every interesting and unique individual is an emotionally damaged person who just wants to wear normal clothes when they are "fixed", I'm looking at you The Breakfast Club, The Faculty, This Must Be The Place... Could've been a better film, if there had have been more ambiguity and less fixing of creative people to make them normal. Seriously I was bummed when the lead girl turned up without her bunny ears. Cool creature design seemed relatively pointless, because it was an emotional drama rather than a monster film. Also they didn't blend the CG and live action well enough for it to seem realistic or fluid. All in all kind of a waste of time, even if it was an interesting monster to pick. Too much indie, not enough everything else. For a better emotional drama with literal monsters expressing figurative problems, choose the far better Colossal.
Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.
The terrible and trecherous Pendragon plans to gain the throne of Cornwall by getting the king to abdicate and to marry his lovely daughter. To help him he has his dreadful witches in his castle and his almost unstoppable sorcery. A giant under his control abducts the princess, but on the way home with her the giant meets farming lad Jack who slays him. This is only the beginning.
A knight framed for a tragic crime teams with a scrappy, shape-shifting teen to prove his innocence.
The invasion of a village in Byelorussia by German forces sends young Florya into the forest to join the weary Resistance fighters, against his family's wishes. There he meets a girl, Glasha, who accompanies him back to his village. On returning home, Florya finds his family and fellow peasants massacred. His continued survival amidst the brutal debris of war becomes increasingly nightmarish, a battle between despair and hope.
A young man living with his parents in Wisconsin comes face to face with a terrifying monster while searching for the elusive cryptic known as the Hodag.
Police daughters' bond tested in a heartfelt coming-of-age tale of love, friendship, and life's complexities.
Living in a crowded, multi-generational household in a small village in Kosovo, the quiet teenager Venera can rarely find privacy. However, when she befriends the rebellious Dorina, a new, liberating world opens up to her. Slowly, Venera begins to push against her conservative family’s expectations.
Each member of a family in Taipei asks hard questions about life's meaning as they live through everyday quandaries. NJ is morose: his brother owes him money, his mother-in-law is in a coma, his wife suffers a spiritual crisis when she finds her life a blank and his business partners make bad decisions.
Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.
A young boy tells three stories of horror to distract a witch who plans to eat him.