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Outnumbered - (Jan 30th)
The Challenge- All Stars - (Jan 30th)
All Elite Wrestling- Dynamite - (Jan 30th)
The Thundermans- Undercover - (Jan 30th)
Expedition Bigfoot - (Jan 30th)
Dark Side of the Cage - (Jan 30th)
NOVA - (Jan 30th)
School Spirits - (Jan 30th)
The Last Word with Lawrence ODonnell - (Jan 30th)
The Real Housewives of Salt Lake City - (Jan 30th)
Chicago Med - (Jan 30th)
Chicago Fire - (Jan 30th)
The Rachel Maddow Show - (Jan 30th)
Guys Grocery Games - (Jan 30th)
Someday at a Place in the Sun - (Jan 30th)
Kirstie And Phils Love It Or List It - (Jan 30th)
The One Show - (Jan 30th)
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Just as awful as I had anticipated. With that said, it's nothing so bad that it offended me - it's simply totally and utterly bad, to the point I kinda find it hard to hate on it because I just don't have any thoughts on it. It is, without question, undoubtedly worse than 1994's 'The Mask' in every conceivable way though. Jamie Kennedy's version of this Dark Horse Comics character is truly dreadful, especially visually, though thankfully the film doesn't actually give that much air time to Kennedy as The Mask; like, he's there but it's predominantly the dog and the son that get much of the screen time alongside Alan Cumming's Loki - to slightly better effect too, the way the kid is animated kinda nearly works... it doesn't, but almost. Ryan Reynolds, according to Kennedy himself, possibly wanted this role. It's lucky Reynolds didn't get his way, or he'd be stuck with a green ghoul in his past. Oh, wait! 4/10 is probably generous on my part, though there are far worse films out there that actually annoy me - 'Son of the Mask' honestly doesn't. It kinda just exists and I'm almost nonplussed about it.
**A film made to make money off the success of its predecessor, but which has nothing to do with it.** Anyone who saw the movie “The Mask” with Jim Carey, from 1994, cannot remain indifferent. It's one of those family comedies that marked the 90's and that strongly contributed to the meteoric rise of the comic actor's career. It was a film that, in my opinion, did not need a sequel, but that, if it came to exist, would have to have the same crew and a similar cast (that is, keeping, at least, Carey and some other actors). Unfortunately, this movie does everything it shouldn't have done. In fact, any comparison between the first movie and this crap is pointless. It is not the first time that I see that there are sequels made to profit from great successes and that have virtually no connection with the preceding films. This is just one more example. Jim Carey was right not to want to associate himself with a project that failed at the outset, not least because most of the cast that associated with the film did not manage to take advantage of it beyond the financial inflow. The film is clearly expensive and stupid. It had a high budget, which was invested in a range of CGI assets and massive and sometimes impressive visual effects, but everything else is lacking. And the film's biggest flaw couldn't be any other: the script is so amateurish and idiotic that it seems to have been written by ten-year-old children. Ideas are bad, there are a number of situations in which we feel that the public is being mocked, and our intelligence is being mocked too. Another problem with this film is the total lack of humor. The movie was supposed to be funny and make us laugh, but we couldn't find anything funny. Much of what is shown was already done – and better – in the first film, and what has been introduced as new is a series of scatological or gross jokes that, I think, could have been cut. Even children's audiences might not be very interested in seeing this, if you think about it. The cast does what they can, but they can't do much. Deep down, the actors end up being the least to blame for the fact that the film is rubbish. Alan Cumming turns out to be the best actor present and is the only one worth seeing work. He's an effective villain and his comedic streak is interesting, but totally wasted here. Bob Hoskins makes an appearance, but it is innocuous and adds nothing to the film. Jamie Kennedy is bad, he does a bad job, and surely he must be sorry he got into this movie. The rest is basically a bunch of extras, even when they have to talk.
After his wife's death, Jon remembers the good days he spent with her. However, his cat will remind him that not everything was rosy and will try to reveal Jon's darkest secret.
A group of misfits encounter a young Yeti named Everest, and they set off to reunite the magical creature with his family on the mountain of his namesake.
Four carolling children meet Jesus and Santa Claus and learn the true meaning of Christmas.
Somewhere in New Jersey, a group of masked rollerblading children "save the universe" by training to fight the evil Cobra Khan through a series of action-packed montages. Along the way they hypothesize some slapstick hijinks in a balloon factory, and save the day through a hypothetical Sonic Virtual Reality battle. A real treat!
Set in the futuristic Metro City, Astro Boy (Atom) is a young robot with incredible powers created by a brilliant scientist in the image of the son he had lost. Unable to fulfill his creator's expectations, Astro embarks on a journey in search of acceptance, experiencing betrayal and a netherworld of robot gladiators, before returning to save Metro City and reconcile with the father who rejected him.
The Big Bad Wolf stalks Little Bo Peep and steals one of her sheep. She enlists Little Boy Blue and a dancing scarecrow to assist her and her mischievous black sheep in rescuing it. Singing, dancing, hilarity and impalement ensue.
This short begins with the star canine and his owner Penny in peril from "The Man with the Green Eye", trapped within his fortress protected by overwhelming defenses, tied up and suspended high above a bottomless pit that's surrounded by fire. So Penny's father transforms Rhino into a super hamster to save the day.
A brother and sister move into an old seaside house that has been abandoned for many years on the Cornwellian coast only to soon discover that it is haunted by the ghost of the mother of their neighbor's granddaughter, with whom the brother has fallen in love.
When Hanky Pranky (alias Schucks), star of a candid camera TV show, loses his job to affirmative action, he applies for a job at a stress academy. It´s not long before Schucks discovers his new boss, Jack Paddaman, is as crooked as they come, but it´s too late: the employment contract is signed and sealed.A year passes, and Schucks is no better off. However, his candid camera videos, which poke fun at all sectors of post-1994 South Africa, prove a big hit with stressed-out government ministers. When the president asks Paddaman to make a movie to benefit street children, Schucks and his pals do all the hard work while Paddaman plans how he can get hold of the profits from the video sales. Add a scatterbrained secretary, a lovelorn traffic cop and a cunning street child and you have a roll-in-the aisles comedy with a distinctly South African flavour.
Two South African boys, one white, Rhino, and one black, Zulu, go their separate ways after an incident. Many years later, they meet up again as adults, when one, after living for years in the United States, is now a wanted criminal. The two end up being a part of a madcap chase involving a check for a large amount of lottery money, pursued by Gen. Diehard and Rhino's ex-wife Rowena, who was the cause of the rift between the two protagonists.