Black Girls 2024 - Movies (Jan 29th)
Freelance 2024 - Movies (Jan 29th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
Wicked 2024 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - Movies (Jan 28th)
The Pushover 2024 - Movies (Jan 28th)
A Real Pain 2024 - Movies (Jan 28th)
The Tattooist’s Son Journey to Auschwitz 2025 - Movies (Jan 28th)
Tom Green I Got a Mule 2025 - Movies (Jan 28th)
Monster on a Plane 2024 - Movies (Jan 28th)
The Fire Inside 2024 - Movies (Jan 28th)
Den of Thieves 2 Pantera 2025 - Movies (Jan 28th)
Katy Tur Reports - (Jan 29th)
Four in a Bed - (Jan 29th)
The Real Manhunter - (Jan 29th)
Come Dine With Me- South Africa - (Jan 29th)
Andrea Mitchell Reports - (Jan 29th)
Chris Jansing Reports - (Jan 29th)
The Bidding Room - (Jan 29th)
Richard Osmans House of Games - (Jan 29th)
Tyler Perrys The Oval - (Jan 29th)
The Tucker Carlson Show - (Jan 29th)
Homes Under the Hammer - (Jan 29th)
Perfect Match - (Jan 29th)
Wild Cards - (Jan 29th)
Allegiance - (Jan 29th)
Family Feud Canada - (Jan 29th)
The Kelly Clarkson Show - (Jan 29th)
After Midnight - (Jan 29th)
Ishura - (Jan 29th)
Hard Quiz - (Jan 29th)
The Chase Australia - (Jan 29th)
Transformers with some thought actually put into it! Plus, the always scrumptious Scott Eastwood always welcome. Yowza!
This movie is, to me, a quite nice special effects extravaganza. In some ways I actually liked this movie more than the first one. Sure, the underlying story is totally ludicrous. Come one, fighting giant monster with big clumsy robots that requires two people in some strange mind melt to maneuver is just ridiculous. Just send in a couple of fighter jets with some suitable devices that go boom and be done with it. But then, the purpose of these movies are to show off giant robot special effects and on that note they certainly deliver. This installment in the franchise seems to be more geared towards the younger audience as far as the story and the cast goes. Some people like it, some don’t. Personally I’m fairly neutral. As with the previous movie the story is not really that much to write home about. It has plot holes big enough to drive I giant robot through. I just had to say that didn’t I? Still, there are some parts of this story that I liked better than the first one. It is a quite straightforward story with clear heroes, clear bad guys. It does not really have any of that lazy stupid plot twist where some dumb ass politicians are trying to shut down the program to save money. Sure the program is in some danger but this time it is due to a new program that actually sounds reasonable and could improve things. Of course said program gets sabotaged but hey, we, the audience, want our big silly robots right? The story is also mostly devoid of any stupid SJW crap or silly green preaching. The ridiculous crap about Dinosaurs being the first invasion and that we had terraformed the planet (global warming and all that stuff) so a second invasion was more likely to succeed was just an insult to the more intelligent among the audience and took off a star or two from the first movie for me. On the whole I quite enjoyed the movie. It delivered where it counts, that is in the special effects department. Loads and loads of special effects mostly involving giant robots and Kaijus slugging it out with massive property damage as a result. They are literally beating each other up with skyscrapers for Christ sake! The story, acting and everything else is adequate. Nothing more and nothing less. I do miss some colorful characters like Hannibal Chau (Ron Perlman) from the first movie. The characters in this one was more bland that has to be said. It seems like a lot of people on IMDb and elsewhere have their pants in a twist over this movie and rates it one or two stars out of ten. That’s just nonsense. A one star rating is for a movie that is truly awful in all aspects. The special effects alone elevates this movie above one star. You might not like the turn towards the younger audience or something else in the movie but it still does not make it a one star movie. Sure if you are not a science fiction or fantasy fan and do not care about special effects then I guess you could feel this is an awful movie but then why did you watch it in the first place? It is the second installment in the franchise so it should come as no surprise that the movie lives and dies by it’s special effects. I would say that if you like giant robots, monsters and special effects and don’t mind a fairly thin story aimed for the slightly younger audience then there is a fair change that you will find this movie entertaining.
Boyega makes for a slightly more engaging lead than Charlie Hunnam did in the original, (co-pilot Eastwood is merely **as** dull as Charlie Hunnam) but _Uprising_ has virtually the exact same ups and down as the first _Pacific Rim_. If you dig that movie, you'll probably dig this. If you hated it, you'll probably hate this. Me? I'm on the lower end of mixed, for both. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
The only thing that went wrong with this movie was Charlie Day turned out to be the surprise villain! But....the none-stop action was very awesome.
Reductive or not, there's a lot to be said for eye-candy, and luckily for Steven S. DeKnight he has recruited John Boyega and Scott Eastwood into this CGI-fest that picks up from the, dare I say, far superior enterprise from 2013. It's "Lambert" (Eastwood) who has to knock his new squadron into shape as they prepare to fight an even more deadly army of "Transformers" - nope, sorry, "Kaiju" - as the portal between our world and that occupied by this thing's writers becomes open and extremely dangerous. What now ensues does slightly surprise if only because Boyega already had "The Force Awakens" (2015) under his belt whilst Eastwood had "F&F 8" to pay his manscaping bills. What are they doing here then, you may well ask? At least Cailee Spaeny was still starting out! The story hasn't an original limb in it's shockingly derivative frame, the dialogue is an hybrid of the banal and the gung-ho and the whole look of the film seems aimed at Saturday morning kids television - there's isn't even the obligatory mixed shower scene! It's clearly had some production money thrown at it, and to be fair it does look good - in a repetitive and familiar sort of fashion, but quite why we wanted or needed this is anyone's guess. Straight to streaming, I'd reckon. Streams of what...?
When Dr Frankenstein decides to retire from the monster-making business, he calls an international roster of monsters to a creepy convention to elect his successor. Everyone is there including Dracula, The Werewolf, The Creature, Dr Jekyll & Mr Hyde and many more. But Frankenstein's title is not all that is at stake. The famous doctor has also discovered the secret of total destruction that must not fall into the wrong hands!
Steven Seagal stars in this gritty, no-holds barred action film as an elite ex-cop with a gambling problem and a mountain of debt. When a mysterious man offers to clear his debts in exchange for the assassination of the city's most notorious gangsters, he make s decision that will change his life - forever.
World War II, 1943. Mallory and Miller, the heroes who destroyed the guns of Navarone, are sent to Yugoslavia in search of a ghost from the past.
On a tragic night, a physicist challenges the limits of time travel to save the woman he loves, but soon discovers its inherent dangers are far greater than he expects.
G.I. Joe faces a new enemy as an ancient society of snake people known as Cobra-La try to forcefully take back the earth from those who drove them underground eons ago.
With only three weeks left in his three-year contract, Sam Bell is getting anxious to finally return to Earth. He is the only occupant of a Moon-based manufacturing facility along with his computer and assistant, GERTY. When he has an accident however, he awakens to find that he is not alone.
The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.
Forced to confront the death of his daughter following a fatal encounter with drugs, ex-military soldier Andy becomes hell-bent on finding those responsible. With nothing to lose, a violent criminal underworld unravels in his wake.
After his family is killed in Japan by ninjas, Cho and his son Kane come to America to start a new life. He opens a doll shop but is unwittingly importing heroin in the dolls. When he finds out that his friend has betrayed him, Cho must prepare for the greatest battle he has ever been involved in.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Journalists Ichiro Sakai and Junko cover the wreckage of a typhoon when an enormous egg is found and claimed by greedy entrepreneurs. Mothra's fairies arrive and are aided by the journalists in a plea for its return. As their requests are denied, Godzilla arises near Nagoya and the people of Infant Island must decide if they are willing to answer Japan's own pleas for help.