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**_Cult flick with Peter Cushing as a dubious doctor in swinging 60’s England_** A surgeon in London (Peter Cushing) is dating a much younger woman, a model (Sue Lloyd), who becomes dependent upon him after a tragedy. How far will he go to prove his love for her? "Corruption" (1968) takes its plot from “Eyes Without a Face,” aka “The Horror Chamber of Dr. Faustus” (1960), which can be traced even further back to Bela Lugosi’s “The Corpse Vanishes” (1942). Yet it’s different enough to stand on its own, mixing in elements of the quirky “Cul-de-sac” (1966) with a groovy glimpse of England's ‘hip’ counter-culture, as witnessed in the future "Dracula A.D. 1972." Like that Hammer film, Cushing appears in the modern day rather than a gothic setting. (While this isn’t a Hammer flick, it’s comparable). You could say it mixes the basic Frankenstein story with the legend of Countess Bathory and places the story in mod 60’s London. Speaking of which, there’s an early scene wherein the doctor (Cushing) is invited to a ‘rad’ party and it’s amusing how uneasy he is. Cushing was 54 during shooting while the girlfriend (Lloyd) was 28. Also on the female front is Kate O'Mara (Val), Wendy Varnals (Terry) and Vanessa Howard (the blonde at the party with the annoying voice). There are a couple of others (Valerie Van Ost and Alexandra Dane) but, for me, the top whoa-man is the redhead in the red corset at the swinging bash. I like the fact that the film isn’t set-bound. There’s some nice location photography, like the vacation home by the shore. I also favored the unexpected turn in the last act (not talking about the twist at the very end) that is thoroughly comic booky, but energizes the climax with colorful eccentricity. Don’t take the ending in a negative way. The filmmakers wisely leave open what’s going to happen next. It all comes down to what a certain character is going to do with the dubious knowledge he now has. The movie runs 1 hour, 31 minutes, and was shot at Isleworth Studios, which was just west of London; with stuff done in the city and the greater London area, including the beach sequence at Seaford, East Sussex, which is on the coast about a 45-minute drive south. Lastly, there are two versions of the film: The UK version and the international version; I saw the former, which features the negligee-wearing Jan Waters as the Soho prostitute. The other features topless Marianne Morris. GRADE: B-/B (6.5/10)
"Sir John Rowan" (Peter Cushing) is an accomplished surgeon who is dating the rather vain and flighty "Lynn" (Sue Lloyd). When the latter is involved in a disfiguring accident, he decides to try to find a way to restore her beauty. He quickly discovers that by extracting fluid from the pituitary gland into the affected area, the skin recovers miraculously. What they equally swiftly realise is that this treatment isn't just an one-off. It needs to be repeated - ergo, he needs more glands and that needs volunteers! From here on in it loses it's way as it marries "Frankenstein" themes with a bit of murder and bodysnatching before leaving us with a final half hour that is just silly. Cushing is really just going through the motions and neither the wooden Lloyd nor an early appearance from the always unremarkable Kate O'Mara really add very much to this increasingly hysterical drama. Not one of Cushing's films he'd want you to remember, I don't think.
Six years after being kidnapped by a cult, Jamie tries to escape the clutches of her serial killer uncle, Michael Myers.
A couple agree to have their deceased son cloned under the supervision of an enigmatic doctor, but bizarre things start to happen years after his rebirth.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
When Dr. Frankenstein is killed by a monster he created, his daughter and his lab assistant continue his experiments.
When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly teams with ambitious Department of Health researcher Terry Huston to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging onto a website called feardotcom.
A grieving doctor is being contacted by his late wife through his patient's near death experiences.
A terrified toy salesman is mysteriously attacked, and at the hospital, babbles and clutches the year's most popular Halloween costume, an eerie pumpkin mask. Suddenly, Doctor Daniel Challis finds himself thrust into a terrifying nightmare.
Once an architect, Frank Bannister now passes himself off as an exorcist of evil spirits. To bolster his facade, he claims his "special" gift is the result of a car accident that killed his wife. But what he does not count on is more people dying in the small town where he lives. As he tries to piece together the supernatural mystery of these killings, he falls in love with the wife of one of the victims and deals with a crazy FBI agent.
The village of Odenton is cursed. Every month, for three nights as long as days, the sky turns purple, and the moon red. Doors lock, curtains close, and Odenton falls silent...as beasts arrive to hunt. Not a soul is heard...except for a Doctor determined to cure the curse, and end the BLOODHAVEN.
Johnny Smith is a schoolteacher with his whole life ahead of him but, after leaving his fiancee's home one night, is involved in a car crash which leaves him in a coma for 5 years. When he wakes, he discovers he has an ability to see into the past, present and future life of anyone with whom he comes into physical contact.