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The One Show - (Jan 18th)
Someday at a Place in the Sun - (Jan 18th)
Lopez vs Lopez - (Jan 18th)
Gold Rush - (Jan 18th)
The ReidOut with Joy Reid - (Jan 18th)
All In with Chris Hayes - (Jan 18th)
The Beat with Ari Melber - (Jan 18th)
Happys Place - (Jan 18th)
Deadline- White House - (Jan 17th)
The Bidding Room - (Jan 17th)
Bargain-Loving Brits in the Sun - (Jan 17th)
Cruising with Susan Calman - (Jan 17th)
The Traitors- Uncloaked - (Jan 17th)
Travel Man- 48 Hours in... - (Jan 17th)
The Bold and the Beautiful - (Jan 17th)
The Traitors - (Jan 17th)
Love During Lockup - (Jan 17th)
Love Island- All Stars - (Jan 17th)
For the Love of DILFs - (Jan 17th)
8 Out of 10 Cats Does Countdown - (Jan 17th)
I like the idea of bringing back Tommy Doyle as an adult. I don't like every other idea this movie had. But Mikey's got some decent kills, so it's bearable at a stretch. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._
***A mess of a sequel*** Six years after Michael Myers previously terrorized Haddonfield, Illinois, ‘the Shape’ returns in pursuit of his niece, Jamie Lloyd, who has escaped some shadowy Druid cult with her newborn. Marianne Hagan and Paul Rudd play the main protagonists while Donald Pleasence returns for his last portrayal of Dr. Loomis. Mitchell Ryan and Kim Darby are also on hand. “Halloween: The Curse of Michael Myers” (1995) is also known as “Halloween 6,” but it’s actually only the fifth movie featuring Michael Myers seeing as how “Halloween 3: Season of the Witch” (1982) is totally disconnected from the Michael Myers story arc. I’m a fan of “Halloween 4” (1988) and “Halloween 5” (1989), especially the former, as it was actually better than the original movie (1978) and is one of the finest examples of 80’s slashers. Naturally I was expecting a quality sequel but, wow, this installment lacked any sense of cinematic finesse whatsoever. The entire opening act is a tortuous mess and the story didn't even start to get interesting until past the 50-minute mark. Unfortunately, it failed to build on what little interest it mustered, trading it in for conventional horror thrills at a hospital à la “Halloween 2” (1981). But the characters are too weakly developed to care about; it’s like the ‘writer’ had no concept of how to establish characters or even tell a compelling story. Meanwhile the sudden-shock scares that kept surfacing were eye-rolling hackneyed and anything but scary. This installment was the equivalent of Conan the Barbarian picking up an expensive guitar and trying to play for a classy prog band like Opeth. The movie runs 1 hour, 27 minutes and was shot in Salt Lake City, Utah. GRADE: C-
The all female crew of the transport ship Muse is on a mission in deep space. They pick up an SOS signal and discover a derelict space cruiser where all the women have died mysteriously. They take the only survivor, a young woman named Flair, and detonate the ghost ship. However, the danger is just beginning. With Flair on the Muse, the romances between the women begin to take a new turn. One by one, the crewmembers are attacked by a mysterious alien presence, desperate to find a way to reproduce with human women!
An obsessive young woman begins to believe that she's being haunted by the ghost of her recently missing best friend.
After undergoing radical surgery for injuries from a motorcycle accident, a young woman develops a strange phallic growth on her body and a thirst for human blood—the only nourishment that will now sustain her.
The discovery of a perfectly preserved caveman prompts a mad scientist to attempt a daring brain transplant.
Bruiser is the story of a man who has always tried to fit in. He keeps his mouth shut, follows the rules, and does what he's supposed to do. But one morning, he wakes up to find his face is gone. All the years of acquiescence have cost him the one thing he can't replace: his identity. Now he's a blank, outside as well as in, an anonymous, featureless phantom. Bent on exacting revenge, he explodes. He isn't going to follow the rules anymore.
A woman communicates with a houseplant that was the only witness to a recent murder.
The wealthy patriarch of the Sinclair family lives in mortal fear of being buried alive because he suffers from a rare condition that causes him, at times, to appear lifeless. So, when he dies, his relatives learn that his will stipulates that nobody will see a penny unless they follow a strict set of orders which would allow for him to "return from the dead." When the relations refuse to comply with his wishes, he returns from the grave and proceeds to exact his revenge on his insubordinate kin, killing each of them in precisely the ways they most fear.
A sociology instructor finds her new teaching duties at a private college interrupted by the presence of a killer.
After his young son dies from the negligence at a hospital, Harry Fertig takes matters into his own hands and kills the doctor, nurse and clerk responsible. Slick lawyer Roy Bleakie, looking only to win a case and not caring of the matters involved, is asked by Fertig's boss to defend him. Shocked to hear that his client wants to plead guilty, the case causes Bleakie to question his own morals by defending an honorable man.
A group of thieves attempt to rob an art gallery, but when plans backfire and one of the men winds up dead, the group head down south, running afoul of the law. Along the way, they meet up with a seductive con artist with ideas of her own.
Betty has a crush on her tennis instructor Mike. He promises to call her for a date, but never does – she doesn’t know he sells drugs on the side. After botching a deal on someone else’s turf, Mike has to disappear for a while. He contacts Betty – then he’s killed before they can meet. Betty tries to find out what happened, leading her straight into a hornet's nest of vice.