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When a man's jawbone drops off it's time to reassess the situation. Peter Jackson's The Frighteners is an odd blend of outright comedy and supernatural thriller, if able to get onside with that then there's a whole lot to enjoy. Plot essential has Michael J. Fox as a psychic who really can see dead people, so much so in fact that he has befriended three ghosts and makes a living out of setting up hauntings and charging people to exorcise the spirits. However, things turn decidedly deadly when he encounters a grim reaper like spirit that is killing people and putting a number on their foreheads. It seems there is a serial killing spirit on the loose. Frank Bannister (Fox) is grieving from the death of his wife and he has become a conman, this is an interesting characterisation for Fox to play and he does so with relish. Initially the pic is all about the comedy, with Bannister's interactions with the three ghosts devilishly funny. Ok, the effects work now look a bit crude, but there's a vibrancy on offer both visually and orally. Come the second third the pic shifts into a serial killer investigation and the narrative gets dark. Oh there's still fun in the mix, but Jackson and his team are toying with the very real facet of a celebrity serial killer (ebulliently played by Jake Busey). Trini Alvarado (what happened to her?) is playing what ends up as Bannister's side-kick and love interest and the pair of them are thrust into a frantic final third of a life and death battle with Busey's psychotic spirit Johnny Bartlett. Bartlett in turn is aided by mentally ill Patricia Bradley (horror icon Dee Wallace Stone), while an outrageously over the top Jeffrey Combs is in the mix as a damaged FBI agent intent on destroying bannister and all he stands for. When you strip it down it's a live action horror comedy cartoon, which when you look in context to Jackson's early work is not surprising. It's also not surprising that The Frighteners has become a cult movie of some standing. The bonkers plot, the close to the knuckle humour and choice narrative threads make it a fascinating viewing experience. 7.5/10
Has maybe not aged flawlessly, but it's very silly and very involved in a good kind of way. Kind of feels like a spoof but I'm honestly not sure what of, so I think that it's maybe just a light toned take on some pretty dark subject matter. It's been about 20 years since I last watched The Frighteners and I think I could probably go about that long before I watch it again, but I still do think it's worthwhile. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.
Phil, a Vietnam War veteran and aspiring performer, stumbles upon a chest containing the spirit of a medieval jester and killer known as Chicot. After his death, Phil’s family is left to deal with the evil presence that haunted him, and the revelation of the terror caused by their beloved patriarch.
FBI agent Jack Talbot is having a rough week. While investigating a bloody trail of punctured corpses, he draws an unbelievable conclusion: there is an army of vicious vampires loose in Seattle! He is in hot pursuit of the cold bloodsuckers when his partner is killed by the head undead. Now Jack must raise the stakes and go after the bloodthirsty nightstalker in an intense, heart-stopping finale that will leave you drained!
A crooked producer makes money from Broadway flops by selling more than 100% interest to multiple parties. He only fails if it makes a profit.
We find con-man Ingraham Steward living by his wits by steering wealthy Paris visitors to sellers of fake paintings and other assorted dodges. He and his wife, Agatha, have been separated for 15 years, but he promises to give their daughter, Joyce, a lavish wedding at his "château" in France. The fact that he doesn't have a château in France is just a minor trifle. He induces the caretaker, Bill Cherau, of a large country estate to allow it to be used for the wedding. The wedding party arrives and Bill falls madly in love with Joyce and she with him, but a gal has gotta do what a gal has gotta do, and her intended marriage to stuffed-shirt Horace Miller stays on the books. But Steward has a change of heart and he tells one and all that he and his friends, Von Gersdorff, Lefevre, Iznamof, Clifton Summitt and Sasch, are all frauds and crooks. Horace and his family stalk out, which is just fine with Joyce as her true love, the caretaker, is waiting on the grounds.
Sara, Lucía, Sofía and Claudia are sisters, 4 modern women with very different personalities, who come together at their mother's funeral, after which they discover the man they've all called "dad" throughout their lives is not really their father. They embark on a quest to discover who their real fathers are, discovering more about themselves, their mother, and their lives.
A young couple awakens a terrible force when they attempt to socialize their reclusive neighbor.
A reporter unearths an urban legend about a home being constructed from rooms where horrific tragedies have occurred.
Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.
Long before he even met Shrek, the notorious fighter, lover and outlaw Puss in Boots becomes a hero when he sets off on an adventure with the tough and street smart Kitty Softpaws and the mastermind Humpty Dumpty to save his town. This is the true story of The Cat, The Myth, The Legend... The Boots.
