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**It's a matter of birth and death.** A simple film and its sensitive theme. German films usually impresses me and this is another under-noticed film, needs some uplift. Not like a must see, but totally worth it. While I was watching it, I thought the film's characters turned a simple thing as a too complicate event. But yes, it's not that simple when it's related to pregnancy. Of course, it's different from faith to faith, between believers and non-believers. Then my mind went to the very ancient age. How all the animals shared the earth equally. But humans, a very unique from all, not the same as of now. Today, every day the technologies upgraded to an even better level. So why do we obsessed with that! To make life easier? Yes. Then there's always something that stops us benefiting from them. It lies within us, none other than 'emotions'! Why I'm saying all this! There's a reason that this film's main purpose to highlight how humans act while there's a technology to thwart errors in its initial stage itself. But we're mentally struggling, since life and death or the purpose of the living being was not yet explained by the science. I'm not a person of god. I don't believe in souls. I do believe only in consciousness. In my world, it replaces the word soul. But from all, there's a big difference between pain with conscious and pain without consciousness. A baby born with an empty hard disk. Then it adds all the memories to it when he experiences the things using his five senses. That's the complicated one. The opposite to it is the abortion. That's what this film is about. I might have went a too far from the film, but happy to add some details. If you watch this film, definitely you would choose a side and back it till the climax. So one of the sections of people would get disappointed with the result of the story. In that case, I was neither. The film was not a thriller, though I felt edgy during the last few minutes. I did not know which way it's heading. Prepared for any unexpected twist. Then it came to an end, and I did not think whether it was any good or bad, except satisfied with the truth, the reality, a slice of life as I've seen through this flick. > ❝Great. One child's disabled, the other's a fascist.❞ A well designed story and the characters. It revolved around a celebrity. That was a perfect start. Adding a big star, who goes through a difficult time. She's at 24 weeks pregnant with her supportive husband and a young daughter. The life is so smooth, until one day when the couple discovers the baby could be born with a disability. They decide to have it by preparing for it in advance. Then another blow brings a fresh challenge for them as a couple, as a family and with a strong emotions. Now the life's upside down. From there where it all heads are the rest of the story to tell its viewers. Definitely a powerful theme. As I already mentioned, the people split over what the film characters fighting over. Hence it won't receive well in all the quarters. But there's a fact to consider, which this film mostly borrowed from for its ending. I would say a well done film. Filmmakers make films to make money, to make people laugh, to make see the truth and various other reasons. I'm not saying it was an awareness, a message film, but totally a fact based. Like how in the modern world, even compared to a couple of decades ago, they determine things accordingly. But remember this is not the first film to deal with such theme. We've seen similar films, and most of them were a sub-plots. One of the highlights of the story was, it was not about a single person. It is about a small family, and how each one reacted to what they have found was very accurately portrayed. Since it was a present era based, where thing are different from before generation, the story had some flaws. I mean not a bad writings or something, but the relationship between each others. Once again, what I meant was the woman empowerment. Directed by a woman filmmaker, told the story from a woman's perspective, I felt this was what lack in the real society as well, particularly in the developing countries and/or religiously obsessed ones. I liked everyone in the film. The pace was good. Overall an engaging storyline with a fine runtime. You could watch it for many reasons, or maybe none, but not a bad film to ignore. I don't think so they should have improved it a little more. In my eyes, it was a perfect little flick. One of the rare for sure. That does not mean I've rated it out of out. But who knows, what I'm saying could be overwhelming personal opinion, that once watched it you might realise that. _7/10_
Two men share an odd friendship while they care for two women who are both in deep comas.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Kuhle Wampe takes place in early-1930s Berlin. The film begins with a montage of newspaper headlines describing steadily-rising unemployment figures. This is followed by scenes of a young man looking for work in the city and the family discussing the unpaid back rent. The young man, brother of the protagonist Anni, removes his wristwatch and throws himself from a window out of despair. Shortly thereafter his family is evicted from their apartment. Now homeless, the family moves into a garden colony of sorts with the name “Kuhle Wampe.”
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
Faced with an unplanned pregnancy, sixteen year old high-schooler, Juno MacGuff, makes an unusual decision regarding her unborn child.
Michael has a great job, has his 4 best friends, and is in love with a beautiful girl at 30. He loves Jenna but his life seems predictable until someone else enters his life. It seems that everybody's having relationship problems.
The story of Michael Berg, a German lawyer who, as a teenager in the late 1950s, had an affair with an older woman, Hanna, who then disappeared only to resurface years later as one of the defendants in a war crimes trial stemming from her actions as a concentration camp guard late in the war. He alone realizes that Hanna is illiterate and may be concealing that fact at the expense of her freedom.
A grieving doctor is being contacted by his late wife through his patient's near death experiences.