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**It's a matter of birth and death.** A simple film and its sensitive theme. German films usually impresses me and this is another under-noticed film, needs some uplift. Not like a must see, but totally worth it. While I was watching it, I thought the film's characters turned a simple thing as a too complicate event. But yes, it's not that simple when it's related to pregnancy. Of course, it's different from faith to faith, between believers and non-believers. Then my mind went to the very ancient age. How all the animals shared the earth equally. But humans, a very unique from all, not the same as of now. Today, every day the technologies upgraded to an even better level. So why do we obsessed with that! To make life easier? Yes. Then there's always something that stops us benefiting from them. It lies within us, none other than 'emotions'! Why I'm saying all this! There's a reason that this film's main purpose to highlight how humans act while there's a technology to thwart errors in its initial stage itself. But we're mentally struggling, since life and death or the purpose of the living being was not yet explained by the science. I'm not a person of god. I don't believe in souls. I do believe only in consciousness. In my world, it replaces the word soul. But from all, there's a big difference between pain with conscious and pain without consciousness. A baby born with an empty hard disk. Then it adds all the memories to it when he experiences the things using his five senses. That's the complicated one. The opposite to it is the abortion. That's what this film is about. I might have went a too far from the film, but happy to add some details. If you watch this film, definitely you would choose a side and back it till the climax. So one of the sections of people would get disappointed with the result of the story. In that case, I was neither. The film was not a thriller, though I felt edgy during the last few minutes. I did not know which way it's heading. Prepared for any unexpected twist. Then it came to an end, and I did not think whether it was any good or bad, except satisfied with the truth, the reality, a slice of life as I've seen through this flick. > ❝Great. One child's disabled, the other's a fascist.❞ A well designed story and the characters. It revolved around a celebrity. That was a perfect start. Adding a big star, who goes through a difficult time. She's at 24 weeks pregnant with her supportive husband and a young daughter. The life is so smooth, until one day when the couple discovers the baby could be born with a disability. They decide to have it by preparing for it in advance. Then another blow brings a fresh challenge for them as a couple, as a family and with a strong emotions. Now the life's upside down. From there where it all heads are the rest of the story to tell its viewers. Definitely a powerful theme. As I already mentioned, the people split over what the film characters fighting over. Hence it won't receive well in all the quarters. But there's a fact to consider, which this film mostly borrowed from for its ending. I would say a well done film. Filmmakers make films to make money, to make people laugh, to make see the truth and various other reasons. I'm not saying it was an awareness, a message film, but totally a fact based. Like how in the modern world, even compared to a couple of decades ago, they determine things accordingly. But remember this is not the first film to deal with such theme. We've seen similar films, and most of them were a sub-plots. One of the highlights of the story was, it was not about a single person. It is about a small family, and how each one reacted to what they have found was very accurately portrayed. Since it was a present era based, where thing are different from before generation, the story had some flaws. I mean not a bad writings or something, but the relationship between each others. Once again, what I meant was the woman empowerment. Directed by a woman filmmaker, told the story from a woman's perspective, I felt this was what lack in the real society as well, particularly in the developing countries and/or religiously obsessed ones. I liked everyone in the film. The pace was good. Overall an engaging storyline with a fine runtime. You could watch it for many reasons, or maybe none, but not a bad film to ignore. I don't think so they should have improved it a little more. In my eyes, it was a perfect little flick. One of the rare for sure. That does not mean I've rated it out of out. But who knows, what I'm saying could be overwhelming personal opinion, that once watched it you might realise that. _7/10_
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.
The trials and tribulations of a man diagnosed with colorectal cancer who refuses treatment and establishes a carnal fixation on the tumor that slowly siphons the life out of him.
The film, released on DVD in 2014 as part of a boxset also containitng Melancholie der Engel (2009) and Reise nach Agatis (2010), deals with the everyday life of a man, Carsten , who works on the set of the 2004 Ulli Lommel film Zombie Nation. At the same time, he is planning to realize his own film, a task he finds extremely difficult.
The film starts in the early evening of a normal day: Sophie, a 20 year old girl, is pregnant and wanders through the night to get sure about her future life. Does she want to be a mother or do an abortion? Does she love her friend or not? Who is the father of her unborn baby? Trying to figure out what to do Sophie encounters many people, and in the morning she has come to a decision. But this is not the movie's end...