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Juno is a girl, a totally cool girl who don't take shit from anyone and do whatever she likes. She is not like disrepectful or anything, she just knows who she is and what she likes, even though she thinks that she haven't figured it out yet. She totally has. Juno gets pregnant with Bleeker. She thinks about getting an abortion, as it will be the responsible thing to do, but can't get herself to do it (I mean, the kid already has fingernails!), instead she finds a cool couple to adopt the child (Jennifer Garner and Jason Bateman). Juno is a movie about being a kid and growing up, about taking responsibility for your life and doing the right thing, even though it's damn hard. I mean, imagine being a pregnant teen on your school... you think people would talk about you? Well, they do... a lot. Also, imagine how your parents would react and how you would react to giving it up, whether its abortion or adoption. Anyways, Juno is cool and takes everything as it comes. She'll figure it out eventually, we know this the minute we see her. Nothing will break Juno. Ellen Page is amazing as Juno, and the rest of the cast is so carefully casted that it's not even funny. Everyone understands their part and while the dialogue is a little movie-ish all the way through, it is also terrible believeable. These people speak this way because they... know themselves and don't give a damn what anyone else thinks. _Last words... if you haven't yet, go watch this movie. You don't even need to be a teenager to get it... this is a movie for everyone, boy or girl, man or woman, age 12 or 68. Don't miss out on Juno, she is worth every minute._
This features a strong and characterful performance from Elliot Page in the title role. She is a young girl who somehow manages to convince her rather naive and drippy boyfriend "Bleeker" (Michael Cara) to have sex. When she becomes pregnant, she decides against an abortion and so offers the baby up for adoption to "Mark" (Jason Bateman) and his rather obsessive wife "Vanessa" (Jennifer Garner). The remainder of the gently entertaining film follows this young woman as she gradually deals with her pregnancy, her relationship with her parents and starts to bond with "Mark". It's this latter storyline that begins to illustrate to her not just the cracks in that marriage, but also her own feelings about herself, her unborn child and it's father. The film offers a witty and sometimes quite emotionally effective observation of how she evolves as a person and though the denouement itself is rather flat, it's still quite a fun outing for all concerned. Allison Janney and JK Simmons work well together as her parents who inject a certain amusing realism to the fact that their daughter is expecting a baby, not doing heroine! The dialogue is well written with an enjoying degree of sarcasm and plausibility to it that quite frequently raises a smile.
A writer returns home to his estate after service in World War I. He has developed a very bad case of depression due to a war wound concerning his genitalia. He contemplates suicide, but recovers after becoming interested in his caretaker's 12 year-old war orphan niece, who now lives in the manor.
Set in 1934 Siam, the story involves a young pregnant woman named Nualchan who's searching for her missing husband. She comes to stay in the spooky rural mansion of a widow, Runjuan.
Family members struggle to heal their emotional wounds after an incident of sexual abuse.
In underworld terms, Chas Devlin is a 'performer,' a gangster with a talent for violence and intimidation. Turner is a reclusive rock superstar. When Chas and Turner meet, their worlds collide—and the impact is both exotic and explosive.
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself.
A troubled journalist is joining the club which promotes healthy lifestyle.
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.
Michael Morda, a young sculptor living in San Francisco, is madly in love with Elinor Hunter, and they plan to be married. When Elinor becomes jealous of Julie Stressman, an old friend of Michael's and one of his models, Michael reluctantly asks Julie not to visit him at his studio. They agree to meet only at the construction site where he is working on a sculpture for which Julie is modeling. When Elinor also shows up at the site, Julie leaves so as to avoid a confrontation, but she is killed by some falling materials. Julie's dying request is that Michael adopt her daughter Mitzi, whose father died years earlier. In order to prevent Mitzi from being taken to an orphanage, Michael lies and says he is her father. Elinor hears this, and without asking questions, leaves him and marries another man the same night.
An accidental meeting between a French woman who goes to South America to adopt a baby and an Argentinian woman who with her small son leaves their hopeless village in search for a better life changes both of their lives forever.
After failing to find success as a writer in New York City, Jim slinks back to his family's home in the Midwest to lick his wounds. But his visit is quickly complicated when his angst spreads to his brother, Tim, who promptly decides to drive his car straight into a tree. Under the shadow of his sibling's injurious actions, Jim strikes up an unlikely friendship with Anika, whose centered small-town wisdom gradually rubs off on him.