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The Girl with the Fork 2024 - ()
Black Girls 2024 - ()
Freelance 2024 - ()
Flight Risk 2025 - ()
Dark Night of the Soul 2024 - ()
Juror #2 2024 - ()
The Fish Thief A Great Lakes Mystery 2025 - ()
Wicked 2024 - ()
In Between Stars and Scars Masters of Cinema 2024 - ()
Loch Ness Monster Captured 2024 - ()
Echoes Of A Hermit Solitude Resilience and the Power Of Writing 2024 - ()
The Pushover 2024 - ()
A Real Pain 2024 - ()
The Tattooist’s Son Journey to Auschwitz 2025 - ()
Tom Green I Got a Mule 2025 - ()
Monster on a Plane 2024 - ()
The Fire Inside 2024 - ()
Den of Thieves 2 Pantera 2025 - ()
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After the second part focused on entirely different characters, Sarah Butler is back for the third part, "I Spit on Your Grave: Vengeance is Mine", to reprise her role as 'Jennifer Hills'. She had changed her name to 'Angela' though, and we pretty much see the aftermath of the events that took place in the first film. Of course just of the remake and not the first first one. Directed by R.D. Braunstein, with whose work I am not familiar with at all aside from this film here, I must say that I enjoyed this one as well. It is nowhere close to be as good as the first part, but here is some genuine character development to be found. Not only with 'Jennifer' but also with 'Marla' (Jennifer Landon) and 'Oscar' (Doug McKeon), whose character I absolutely loved and it is great he was included in this film. It gave it so much more depth. To amp up the gore, this film uses many fake outs though. Meaning, that you actually get a decent amount of cool bloody shots, but most of them turn out to be just in 'Jennifer's head. Like in an -what if- scenario. It kind of shows that mental state she is in at this point, but sometimes it feels, like there were scenes only included for the sake of having them in them. The last one we get to see, for example, makes no sense. Usually this film went for it in an understandable way. Someone says something offending to her, she bludgeons them as a response, then we cut back to reality and she walks away without having harmed anyone. As if these scenes showed her desire of what she'd love to do in that moment. in the end you see her getting attacked by two fellow prison inmates, which she deals with in the usual violent fashion. Then the therapist shows up to stop her and she just turns around and still on an adrenaline rush 'Jennifer' takes her out, too. And it was a fake out again. She walks away, not covered in blood... nothing actually happened. But she wasn't reacting to anything in that moment. So what? Does she now randomly fantasize -what if- scenarios? Becoming totally mental? I think, this scene hurt the movie actually a little, because it will not just leave me confused. But makes for a good start to theorize the hell out of it, just as I did after I watched it with my wife. It's cool when movies make you wanna talk about them afterwards. For a third part this was good, but nothing all too special. "I Spit on Your Grave: Vengeance is Mine" has some really good moments, especially when it comes to the character build stuff. But it isn't that thrill ride we're used to from previous parts.
So Sarah Butler came back and that was pretty cool to do a follow up...but it almost makes Jennifer Hills into the bad guy and, though it was unsettling, it doesn't seem right. She's a little too pro-active on the vengeance thing to really sit well. It kind of works as a continuation of a story...but it kills a lot of the overwhelming sympathy you had for Jennifer, even while she was extracting some brutal vengeance. And I kind of feel that the point of movies like this is to get the audience to sympathize with someone doing some absolutely horrible things.
"I Spit on Your Grave 3" is a failed attempt to create something unique within the franchise. It introduces a new storyline and a support group subplot but offers no depth to either, leaving the narrative feeling hollow and unengaging. The lack of attachment to the protagonist makes the movie even harder to connect with. The gruesomeness feels forced and contrived, stripping away any sense of impact or purpose. Sarah Butler's performance comes off as overly forced, failing to bring any authenticity or emotional connection to her character. A disappointing addition to an already controversial series.
In the wake of a career-ending scandal, disgraced lawyer Lawson Russell moves to Key West, where he befriends aging novelist Christopher Marlowe. After letting Russell borrow his latest manuscript, Marlowe dies of a heart attack. When Russell publishes the dead man's manuscript under his own name, he makes the best-seller list—and unwittingly becomes the prime suspect in the investigation of a grisly multiple homicide.
Steven Seagal stars in this gritty, no-holds barred action film as an elite ex-cop with a gambling problem and a mountain of debt. When a mysterious man offers to clear his debts in exchange for the assassination of the city's most notorious gangsters, he make s decision that will change his life - forever.
Seagal plays a man with a dark and violent past, who seeks revenge for the murder of his son.
There are three kinds of swindler. One, called the "WHITE SWINDLER", finds a mark and steals money. The "RED SWINDLER" preys on the other sex and steals a mark's body and soul. Then there is the "BLACK SWINDLER". Ignoring ordinary marks, targeting only the white and red swindlers, and preying on their flesh grown fat and corrupt with the money they have stolen, he is the worst of them all. There is a boy who once became a victim of a swindler and lost his family. Later, he turns into the most hideous "black swindler" to deceive only other swindlers. His name is Kurosaki. This time, he is requested by Reiko, whose daughter is sick, to hunt down a swindler named Ishigaki, who has defrauded her of money. But, behind Ishigaki, there is actually a bigger swindle which has even destabilized the Japanese economy…
Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.
Three American college students studying abroad are lured to a Slovakian hostel, and discover the grim reality behind it.
Two guys and a female hitchhiker are terrorized by a monstrous looking man driving a giant monster truck.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
After an accident, acclaimed novelist Paul Sheldon is rescued by a nurse who claims to be his biggest fan. Her obsession takes a dark turn when she holds him captive in her remote Colorado home and forces him to write back to life the popular literary character he killed off.
Newly-paroled former US Army ranger Cameron Poe is headed back to his wife, but must fly home aboard a prison transport flight dubbed "Jailbird" taking the “worst of the worst” prisoners, a group described as “pure predators”, to a new super-prison. Poe faces impossible odds when the transport plane is skyjacked mid-flight by the most vicious criminals in the country led by the mastermind — genius serial killer Cyrus "The Virus" Grissom, and backed by black militant Diamond Dog and psychopath Billy Bedlam.
A cop, his partner, and his father uncover a plot by city elders to smuggle drugs from Mexico into Phoenix, Arizona.