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Not one of my favourite Bond films by a country mile but still so much fun. The recent complete-James-Bond-on-blu boxed set that was released has been my ONLY time seeing Sean Connery's last 'official' outing as 007 not edited for television and full screen, so it's basically my first-time REALLY seeing it. Decent. Even at his worst, horribly toupeed, and albatrossed with a script that's simply OUCH, it still oozes and smashes from the fact Connery's still the best Bond ever.
_**The series gets silly as James Bond goes to Las Vegas**_ Agent 007 (Sean Connery) is sent to Las Vegas to uncover a smuggling ring and suspects Blofeld (Charles Gray) is masterminding the nefarious operation; meanwhile a gay duo of assassins threatens the investigation. Jill St. John plays a smuggling contact while Lana Wood is on hand as a casino opportunist. "Diamonds are Forever" (1971) marks Connery’s return to the series after four years absence and missing out on the previous movie featuring George Lazenby. This one’s entertaining throughout, but it introduced a silly, cartoonish element more glaring than anything up to this point. Then there’s the fact that the storyline is almost impossible to follow unlike the previous installments which were easy to grasp, like “Dr. No,” “Goldfinger,” “Thunderball” and “On Her Majesty’s Secret Service.” You just have to kick back and enjoy the madness of it all. Beautiful Lana Wood stands out on the female front, but her role is too brief (her apparel too, lol). Meanwhile Jill St. John is lots of fun, not to mention alluring. Needless to say, Vegas makes for a great setting for a James Bond flick. There are neon lights, highrise hotels, casinos, swimming pools, deserts, circuses, showgirls, tourists and thrills galore. The film runs 2 hours and was shot in Las Vegas & the Nevada desert; Netherlands; Pinewood Studios near London; Palm Springs, Ca (Willard Whyte's Desert House); French Riviera, France (pre-credits sequence); and the Pacific Ocean. GRADE: B-
MOST of the bad reviews on a lot of the Connery era 007 movies are... political. They don't like classic 60s 007 because of contemporary Woke six decades later politics. But.... this one just sucks. And, keep in mind, I say this with Connery being my favorite 007 and 4 out of his 5 (6 should NOT be counted) outings are my favorite 007 films. However, this is Connery playing a goofy Roger Moore era 007 and that doesn't work. This is Connery in a film that had all the coming Moore tropes. And that doesn't work. Had Diamonds are Forever been a Roger Moore 007, it wouldn't have been that bad. This was Moore's Bond film... only it had Connery in it, so it just didn't work.
007 follows a blood trail of diamond smuggling. Of course it leads to a dastardly villain. This one has a lot of the Bond elements. There is a lot of action, almost non stop, a lot of nice scenery, though not as great as the great Bond films. And there is wit. Also lacking, due to the women's lib era being at its height, is the beautiful women. There is one super hot babe who quickly drowns to appease the women's lib. The director seemed to want to make the point he was appeasing women's lib by presenting Jill St John (who isn't as homely as she appears in this movie) in a woman's lib fashion. A young boy even asks a mature man if Tiffany Case (Jill St. John) is his mother. Oops. There is also a major problem with the "non pro" character who is supposed to be likable. The tycoon who is kidnapped is not likable at all, and that's a major weakness. The saving grace is a very humorous (dark humor) pair of gay assassins. Their goofy quips are meant to be "groaners". They raise this a notch or two from me. Not the best Bond, but far from the worst, because later in the series, we really saw the hate pouring out from Hollywood.
Sean Connery returned as Ian Fleming's "007" in this caper about a megalomaniac with a fiendish plan to use diamonds to blackmail the world. Shirley Bassey belts out Don Black's lyrics as we set off on a fun, action adventure that, from the outset, makes your political correctness hairs stand to attention! Charles Gray is super as the malevolent "Blofeld"; Jill St. John a brassy "Tiffany Case" and the sexually ambiguous Messrs "Wint" and "Kidd" as the assassins all help to make this an engaging hour and a half with it's tongue firmly planted in it's cheek and a fun denouement from "Bambi" and "Thumper" that might make Walt Disney blush!
Diamonds Are Forever is a film I used to sight as one of the worst Bond films but on a recent watch I found it very funny and witty.
A female attorney learns that her husband is really a marine officer awol for fifteen years and accused of murdering fifteen civilians in El Salvador. Believing her husband when he tells her that he's being framed as part of a U.S. Military cover-up, the attorney defends him in a military court.
Andy is a new teacher at an inner city high school that is unlike any he has seen before. There are metal detectors at the front door and the place is basically run by a tough kid named Peter Stegman. Soon, Andy and Stegman become enemies and Stegman will stop at nothing to protect his turf and drug dealing business.
In rural Westphalia, Franz Berger struggles to keep his inn open. On this day, a bluff, overbearing bully, Hermann Walzer, has booked the dining room for a wedding banquet for his son Mark. There's bad blood between Berger and Walzer, so when the first course, shrimp cocktail, is off, Hermann storms out with the wedding party vowing not to pay. Franz locks the loo door, taking prisoners of the bride and Hermann's wife while he also locks the estate's outer gates, leaving Hermann and the rest outside. Walzer, a pheasant hunter, lays siege; shotguns, rifles, grenades, a shovel, and other weapons leave no one safe. Will it take death to bring these men to their senses?
When Simon awakens in the hospital after surviving a near-fatal accident, amnesia has erased the last two years from his memory. He learns that his brother was killed, he has married a woman he doesn't remember and he's haunted by strange visions of the woman he loved.
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the Ice Man. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.
After being hypnotized by his sister-in-law, Tom Witzky begins seeing haunting visions of a girl's ghost and a mystery begins to unfold around her.
Jason Kemp is a quadriplegic who passes the time spying on his neighbors from his window. By chance he catches one of them, Julian Thorpe, beating his wife and reports it to the police. He becomes certain that Julian has killed her, but fails to convince his nurse or his friends of any foul play.
A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
Susan has chosen a hermit's life on a dilapidated farm over the shallowness of her previous jet set modeling life. When Anton, a hunky courier, comes along to pick her up for an assignment on the French Riviera, he's so fascinated by Susan's odd assortment of house guests that he decides to stay with them for a couple of days.
Frank Morrison is a divorced father with a 12-year-old son, Danny. His ex-wife Susan and son Danny now live with Rick Barnes, Susan's new husband. Danny, who has a reputation for telling lies, accuses his stepfather of committing a murder. Initially, no one believes his accusations, but then Frank becomes convinced and is the only one who believes him. Now, the father Danny trusts must protect him from the stepfather he fears.
After the murder of his beloved wife, a man in search of redemption is set adrift in a world where nothing is as it seems. On his journey, he befriends slacker Jimmy "The Finn", becomes involved in rescuing his neighbor Colette from her own demons, and gets entangled in a web of deceit full of unexpected twists and turns.
