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I’m sure that all of you can always spot a film with good acting, superb plot and great cinematography easily but when it comes to a thriller that possesses all those above quality, it would be such a rarity. OldBoy here, second installment from The Vengeance Trilogy directed by Park Chan-wook (Sympathy for Mr. Vengeance, OldBoy, Sympathy for Lady Vengeance) really have them all, good story, powerful acting and the most horrifying and clever end twist if not genius. In fact no matter how many times you see this, the twist would still be awesome. The theme of revenge here is taken to the next level, to its supremacy for it’s really carefully-planned. OldBoy has a mind-bending assortment of drama, thriller, romance and beautifully spiced up with sadistic plot, shocking elements, ultra violence and clever psychological twist. Imagine yourself captured, locked in a room for 15 years, not knowing why and who did it and when you finally escaped and thought it’s all over, you were wrong and here’s the punching line, the direct punch to your stomach. Min-sik Choi as Oh Dae su really acted well, he really got us carried away by dragging us into the mystery that surrounds his life, into the depression he’s been feeling and into the deep well of his curiosity. Once again, OldBoy is a way too remarkable, when “revenge” isn’t merely knife-chopping or gun-battling. Enough said.
This is definitely one of the films to see before you die. It's seat-squirmingly unsettling, shocking and very violent. It's a journey into a truly disturbed mind; a mind, which - like yours will be - is unable to cope with what it discovers. This film is brilliantly twisted. It has a thread of the most wonderful, blackest humour running through it, a sense of complete disorientation and enough plot twists and turns to sustain your interest. Not one of the best revenge thrillers I've seen - simply THE best!
Just about everyone I’d spoken to about this film recommended it to me. I watched this film with the original Korean-language soundtrack, with English subtitles. Oh Dae-su (Chi Min-sik) is a bit of a flirt (whether he is a womaniser is not made clear) with a wife and young child, who has turned two years old on the day we start the film. Dae-su is in a prison waiting room having insulted a woman he was flirting with. A friend comes and eventually gets him out, but while he’s making a call to his wife to explain he will be home soon, he is kidnapped. Incarcerated in a small room, with only a TV for company, he is fed and looked after, but not allowed his freedom. He unsuccessfully attempts suicide several times. He keeps himself fit by doing exercise programmes he sees on TV and he starts to dig his way out with chopsticks. He sees a TV report that shows he’s been framed for the murder of his wife. Fifteen years later, without a word of explanation, he is released. The rest of the film follows his attempts to find out why he was imprisoned, who did it, and where his daughter is. The film is frenetic, highly charged, and very emotional on several levels. It is also bloody in places, but Dae-su’s obsession for seeking revenge on whomsoever imprisoned him and on finding out where his daughter is drives this film along. There are psychological aspects to the film as well, and the film does eventually resolve itself – it is not one of those open-ended “I wonder who did it” type films. Follow the film through and you will get all the answers. I would recommend it, but I wouldn’t call it light entertainment.
An Asian-American high school football player is forced to confront his deepest fears after a strange encounter with a mysterious figure.
In the second installment of the Death Note film franchise, Light Yagami meets a second Kira and faithful follower Misa Amane and her Shinigami named Rem. Light attempts to defeat L along with Teru Mikami (a Kira follower) and Kiyomi Takada (another Kira follower) but in the end will Light win? or will a Shinigami named Ryuk make all the difference in Light's victory or his ultimate death?
In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio's childhood exploits, the memories capture the mood and nostalgia of the '80s era.
The Katakuri family has just opened their guest house in the mountains. Unfortunately their first guest commits suicide and in order to avoid trouble they decide to bury him in the backyard. Things get way more complicated when their second guest, a famous sumo wrestler, dies while having sex with his underage girlfriend and the grave behind the house starts to fill up more and more.
Charles, an attorney, and Helen, his devoted wife, seem to have everything – money, a beautiful mansion – the American Dream. However, as Helen prepares to celebrate their 18th wedding anniversary, her life takes an unexpected twist when she comes home to find her clothes packed up in a U-Haul van parked in the driveway. Charles is divorcing her and kicks her out. Helen moves in with her grandmother Madea, an old woman who doesn't take any lip from anyone. Madea helps Helen through these tough times by showing her what is really important in life. Helen is forced to rediscover love, life, and religion in her pursuit for happiness.
Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.
Various citizens of Toronto anxiously await the end of the world, which is occurring at the stroke of midnight on New Year's Day.
An overworked and arrogant lawyer describes the terrifying incident he has just experienced on his drive home from the office... but his night may not be over yet.
Celebrating Batman’s 75th anniversary, DC Entertainment and Warner Bros. Animation have debuted this new animated short for the cultural icon.
Akbar, a powerful name in the Mangalore underworld shares his business lead with Mani Menon and Uncle Sam. They share a good relationship until Anto, grandson of Uncle Sam, creates havoc.