Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Day the Earth Blew Up A Looney Tunes Movie 2024 - Movies (Feb 19th)
The Forgotten Coast 2024 - Movies (Feb 19th)
Controlling My Husband 2024 - Movies (Feb 19th)
Rosebud Baker The Mother Lode 2025 - Movies (Feb 18th)
We Beat the Dream Team 2025 - Movies (Feb 18th)
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The Repair Shop on the Road - (Feb 20th)
The Kelly Clarkson Show - (Feb 20th)
NCIS- Sydney - (Feb 20th)
Dimension 20 - (Feb 20th)
The Nature of Things - (Feb 20th)
Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
The Chase Australia - (Feb 20th)
Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Half body horror and half lesbian romance, Lucky McKee's Sick Girl is bursting at the seems with underappreciated cinematic talent. While much of McKee's filmography is dedicated to the lowly weird girl, his best-known work being May (2002), I think Sick Girl is where his cinematic skills come together best. Let's start with the talent, because I have a lot to say that's contrary to popular opinion. Erin Brown, while constantly being brought into the conversation to say she cannot act, is nothing if not committed to her role. If you've ventured into her filmography, you'll see that she isn't afraid to get weird (have y'all seen Dickshark), and so she jumps into bug posession and lesbianism with such conviction. She also has features that are actors on their own. Her piercing blue eyes shift from endearing to freaky depending on what the scene requires, and her long hair is both mesmerizingly elegant, and reminiscent of the girl from the ring. When combined, they work the horror comedy to their advantage. Then you pair her with Angela Bettis, who is one of the most under-appreciated actors I've ever seen on screen (her horror scream at the end of this movie is one of the best), and it only amplifies Brown's performance. Bettis transforms into the awkward, socially inept Ida, and in her deliberate choice to play her character this way, makes Misty's more awkward line deliveries look like they're intentional too. Together, the two play off each other perfectly and, outside of their obvious chemistry, that shines even beyond their characters' clumsy natures, enhance each other's performances. (Also, sorry, but sometimes bad acting just adds to the autism coding,,, Oh, you don't speak how people expect you to? Girl, same. This, however, is a bias I am not including in the argument, no matter how comforting it is to me, personally.) Then McKee comes in with his directoral flare. Combining his distinctly 2000s style with the influence of 40s powerhouses Emeric Pressburger and Alfred Hitchcock, he creates a unique visual experience that should not work as well as it does. It is this deep understanding of what makes a movie good that truly earns him his place as a Master of Horror. I will also add that going into a lesbian film directed by a man is almost always scarier than any horror movie will ever be, but McKee handles Ida and Misty with so much respect. Their romance is soft and silly, and while there is a particularly steamy scene, it is within reasonable bounds, and feels so far from exploitative. This is the reasonable progression of a drunk, lustful, first night together, not the director's sick fantasies. And any other moments they have together, we don't see. They're mentioned off hand, or we fade to black, which is again in the spirit of the 40s films McKee is trying to emulate. And this doesn't even include McKee's script, which is simply FUN!!! The humor is certainly for a specific type of person, but that type of person is me. It's very unserious, which makes the cheesier portions fit right in. In fact, McKee wrote in a lot of Hlubik's scenes while the two were drunk, which totally checks out when you watch them back with this knowledge. Besides that, though, McKee creates a very thoughtful metaphor about the dangers of moving in with someone too quickly, suggesting that, while it isn't inherently bad, it WILL have its road bumps, but with patience and kindness, these things can be worked through, and two people can live together in harmony. He is also very clever in how he subverts expectations. Horror movies like this typically end rather devastating (see Cronenberg's The Fly), and lesbians in horror tend to get the short end of the stick on top of this (bury your gays), but McKee gives Ida and Misty a happy, comfortable ending, following in the footsteps of other horror anthologies like Tales From The Crypt, which usually concluded its stories in the last way someone would expect. As a final point, I love the practical effects. The bug design and transformation are so simple but so effective. And Misty's gooey ear!!! Beautifully yucky!!!
First-time father Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.
When his best friend and podcast co-host goes missing in the backwoods of Canada, a young guy joins forces with his friend's girlfriend to search for him.
Rose, a desperate mother takes her adopted daughter, Sharon, to the town of Silent Hill in an attempt to cure her of her ailment. After a violent car crash, Sharon disappears and Rose begins a desperate search to get her back. She descends into the center of the twisted reality of a town's terrible secret. Pursued by grotesquely deformed creatures and townspeople stuck in permanent purgatory, Rose begins to uncover the truth behind the apocalyptic disaster that burned the town 30 years earlier.
Dawn is an active member of her high-school chastity club but, when she meets Tobey, nature takes its course, and the pair answer the call. They suddenly learn she is a living example of the vagina dentata myth, when the encounter takes a grisly turn.
When the residents of a luxury apartment complex outside Montreal are infiltrated by parasites and transformed into violent, sex-crazed maniacs, it's up to Dr. Roger St. Luc to contain the outbreak from spreading to the city.
When Callie's dreams of running away to a perfect future with her girlfriend go horribly wrong, she finds herself facing the scariest, strangest transition into the terrifying real world in one infinite New Jersey night.
When Seth Brundle makes a huge scientific and technological breakthrough in teleportation, he decides to test it on himself. Unbeknownst to him, a common housefly manages to get inside the device and the two become one.
A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.
Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.
In Arborville, California, three high school students try to protect their hometown from a gelatinous alien life form that engulfs everything it touches.