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It'd be funny if life wasn't so sacred. The Fly is directed by Kurt Neumann and adapted to screenplay by James Clavell from the short story written by George Langelaan. It stars David Hedison, Patricia Owens, Vincent Price, Herbert Marshall, Kathleen Freeman and Betty Lou Gerson. Music is by Paul Sawtell and cinematography by Karl Struss. When science goes berserk, The Fly finds Hedison as scientist Andre Delambre, who after successfully inventing the ability to transmit matter from one place to another - falls prey to a cruel slice of horrific fate... Kurt Neumann would sadly pass away shortly after The Fly was released. Itself a terrible shame, it's doubly sad that he didn't get to see his film become a cult favourite with longevity assured. It's a film that smartly blends sci-fi with horror, and even managing to be fun into the bargain. It's sometimes by modern observers accused of being too slow, but really it's a lesson in fine story telling. For at the heart of the tragic tale is a bountiful love story, the loyalty of a great wife in full effect. Throw in Andre's stoic pursuit of a science to benefit mankind, and this is a film that needs time to lay the story foundations. Once we get to the horrors, and the surviving characters of the flashback structure play out this fateful tale, it simultaneously grips and fascinates. The effects work of course now looks a bit creaky, but those who first sampled them many decades ago have never ever forgotten the impact of the critical sequences. Two pretty poor sequels would follow, which in turn would see a brilliant remake by David Cronenberg some 28 years later. Neumann's film is still a great piece of 1950s sci-fi, clinically adapted from a genius piece of short story writing. Loop holes exist, of course, but who cares, dive in and be haunted by what transpires on the screen. 8/10
**_“Help me, help me”_** An inventor (David Hedison) creates an amazing teleportation device that leads to horrific problems. Patricia Owens plays his loving wife, Vincent Price his brother and Herbert Marshall an inspector. "The Fly" (1958) is classic 50’s sci-fi/horror that led to two B&W sequels (1959, 1965) and two remakes in the 80s (1986, 1989). Just so there’s no mistake, this is in full color and was never B&W, as some misremember. There are naturally dated aspects, but I find it more effective than the gory 1986 remake. Everything builds to the horrifying climax, which is iconic. There’s even some welcome human interest for those who watch closely. The film runs 1 hour, 34 minutes, and was shot at Fox Studios, Century City, Los Angeles. One source also includes Montréal, Québec, although I can’t figure out what scene(s) that would be. GRADE: A-/B+
When a singer is horribly disfigured in a car accident, a scientist develops a treatment which can restore her beauty by injecting her with a special serum. While performing the procedure, however, he falls in love with her. As the treatment begins to fail, he determines to save her appearance, regardless of how many women he must kill for her sake.
After the mysterious death of his Aunt, a confirmed skeptic lawyer, Bryan Becket, dismisses reports that her house is haunted and moves in. Immediately occurrences begin he cannot explain. And beyond the occurrences there is something about the house which gnaws at Becket - some strange connection he senses he has with the house's past. Soon, the haunting turns personal.
A San Francisco reporter and a lab assistant foil spies on an East-bound deportation train.
A team composed of an aerospace scientist, an ex-Air Force general, and an industrialist conceives an ambitious plan to land Americans on the moon. From their base in the Mojave Desert, they construct and successfully launch a spacecraft named "Luna" that contains a cargo of four astronauts. But a critical miscalculation of needed power to escape the moon's gravitational pull may put the astronauts' lives in danger.
Norma and Arthur Lewis, a suburban couple with a young child, receive a simple wooden box as a gift, which bears fatal and irrevocable consequences. A mysterious stranger delivers the message that the box promises to bestow upon its owner $1 million with the press of a button. However pressing this button will simultaneously cause the death of another human being somewhere in the world; someone they don't know. With just 24 hours to have the box in their possession, Norma and Arthur find themselves in the cross-hairs of a startling moral dilemma and must face the true nature of their humanity.
When a dead newborn is found, wrapped in bloody sheets, in the bedroom wastebasket of a young novice, psychiatrist Martha Livingston is called in to determine if the seemingly innocent novice, who knows nothing of sex or birth, is competent enough to stand trial for the murder of the baby.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
In this Canadian romance, Scott (David Selby) was so smitten by the looks of a pretty girl that he spends years looking for her. He keeps his searches a secret from his live-in lover, whom he stays with the entire while. When Scott actually meets the girl, he discovers that she has been similarly motivated, even though she is married and has had two children in the meantime. They share a romantic assignation and discover that the ideal figure they were each searching for is absent.
An evil scientist creates a device that controls humans. With a press of the button, the subject will explode. A special forces team called "Total Force" must seek out and destroy the scientist and his lab. Later on in the film they are supported by terrorist Jack O'Hara, played by Frank Stallone. 'Comic relief' is provided by a corrupt senator, whose character is not at all funny.
When four college students trek to the Everglades to conduct extra-credit research for their biology professor, they become prey to a huge man-eating eel with nasty incisors that’s been terrorizing a nearby Florida community, based on a true story concerning an exotic species of eels that are released in the southeast from Asia. They breathe air and can survive on land.