Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 24th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Gladiator II 2024 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
Monster Mash 2024 - Movies (Feb 23rd)
Kraven the Hunter 2024 - Movies (Feb 23rd)
Azrael 2024 - Movies (Feb 22nd)
Swimming Home 2024 - Movies (Feb 22nd)
Sugar Mama 2025 - Movies (Feb 22nd)
Ghost Rite Here Rite Now 2024 - Movies (Feb 22nd)
The Bayou 2025 - Movies (Feb 21st)
Old Guy 2024 - Movies (Feb 21st)
Millers in Marriage 2024 - Movies (Feb 21st)
Inheritance 2025 - Movies (Feb 21st)
Daytime Revolution 2024 - Movies (Feb 21st)
Assassins Guild 2024 - Movies (Feb 20th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
Ishura - (Feb 26th)
Sort Your Life Out - (Feb 26th)
PopMaster TV - (Feb 26th)
Escape to the Country - (Feb 26th)
Lets Make a Deal - (Feb 26th)
The Price Is Right - (Feb 26th)
The Young and the Restless - (Feb 26th)
Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
The Dog House Australia - (Feb 26th)
After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
Married at First Sight - (Feb 26th)
Hard Quiz - (Feb 26th)
Australian Survivor - (Feb 26th)
Now there are a few rather daft plot holes here, but in the main this is a really strong prison drama anchored well by Luis Tosar and Alberto Ammann. The latter man ("Juan") is on an orientation visit to a high security prison were he is shortly to begin work when a full scale riot breaks out. That is being led by "Malamadre" (Tosar) and it's only by luck - he had had an earlier accident and was recovering in cell 211 - that he isn't taken hostage like two of his soon-to-be colleagues. He's quite a quick thinker and thanks to him being slightly bloodstained, manages to convince their new boss that he's just another new inmate. Make no mistake, though - he is treading a very fine line as not everyone believes him, and as the negotiations begin in earnest he knows it is going to prove increasingly more difficult to help diffuse this scenario and stay in one piece. Meantime, the authorities are making quite an hash of things on the outside - and that rather shambolic operation leads to a tragedy that causes "Juan" to completely rethink his loyalties! What's actually more effective here is the dialogue and quite intense style of photography. Violent and angry it is, yes - but these prisoners are victims too. Their protests against a brutal regime of solitary confinement have long since fallen on deaf ears, so this action is quite literally their last resort - just ask the previous occupant of cell 211! Tosar is impressive as the slightly more sophisticated thug and as the two men work together, a bond - of sorts - begins that might ultimately be the only thing that keeps any of them breathing.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
In 18th century France, Marquise de Merteuil asks her ex-lover Vicomte de Valmont to seduce the future wife of another ex-lover of hers in return for one last night with her. Yet things don’t go as planned.
Pras felt something is wrong with his first wife, Arini. Arini asked Pras to fight for his second wife Meirose to return Indonesia and live together.
When a psychiatric doctor researches a young girls' diary to find out why she murdered her entire family, he begins to fall into the same state of insomnia and confusion that led her to lose her mind.
Edyth Fellows is a nurse recruited for an research project with a time travel device that can snatch any being from any time and bring it to the present. The first such test brings an Neanderthal child to the project and Fellows is responsible for his care for the interim. As she manages this task, Fellows is increasingly revolted at how the scientists dismiss him as little more than an animal, especially when his real intelligence shows. This growing moral dilemma comes to a head when Fellows realizes what they plan to do with him and she cannot stand by and let it happen.
A veteran actress comes face-to-face with an uncomfortable reflection of herself when she agrees to take part in a revival of the play that launched her career 20 years earlier.
Eden Philpotts' "provincial" comic novel and play The Farmer's Wife was first filmed in the silent era by Alfred Hitchcock. The 1940 talkie version was directed by Leslie Arliss, son of stage star George Arliss. The story remained the same: A middle-aged widower attempts to select a wife from his rural district's eligible females (Basil Sydney). Three unsuccessful dalliances later, the farmer settles for his housekeeper, whom the audience has been rooting for all along. The Farmer's Wife is a prime example of the sort of fare that struck a proper chord with British filmgoers, but whose appeal would be lost to any other nationality.
When his young daughter's beloved companion — an android named Yang — malfunctions, Jake searches for a way to repair him. In the process, Jake discovers the life that has been passing in front of him, reconnecting with his wife and daughter across a distance he didn't know was there.
Working-class waitress Slim thought she was entering a life of domestic bliss when she married Mitch, the man of her dreams. After the arrival of their first child, her picture perfect life is shattered when she discovers Mitch's hidden possessive dark side, a controlling and abusive alter ego that can turn trust, love and tranquility into terror. Terrified for her child's safety, Slim flees with her daughter. Relentless in his pursuit and enlisting the aid of lethal henchmen, Mitch continually stalks the prey that was once his family.