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Incredible film-making, bravo for real classics. What a truly lavish and gorgeous film this is, thematically it pulls the emotions in different directions, and as a story it's as sharp as a tack. Boasting a quite incredible performance from Charles Laughton as the tragic bell ringer Quasimodo (no nomination Academy, are you flipping sure?), and sets that are simply out of this world, this film to me defines classic cinema. Into the mix we get a radiant Maureen O'Hara as Esmeralda who lights up the screen in every scene she is in, it's a very special performance in view of it being her first lead US turn. However, really the film's triumph lies with its script, a very aware piece of writing encompassing political goings on and the corruption of the church set around the hunchback's tragic love. The make up of Laughton leaves an indelible image when brought into focus with the great detail of the surroundings, and the score is mightily appropriate. All in all this film cost 2 Million Dollars for RKO Studios, one of their most expensive outlays, but they were rewarded in spades as the film was a monster success and here in the modern day age of cinema the film still stands up as a benchmark for great movie making. 9/10
The is a wonderfully evocative version of the timeless Victor Hugo story of love, desire, cruelty and brutality in 1490's Paris. Charles Laughton turns in a tour de force performance as the physically and mentally disabled "Quasimodo" who is feared, loathed and ridiculed by the local population. When a wandering gypsy girl "Esmerelda" (quite possibly Maureen O'Hara's best ever performance) is found guilty of murder he rescues her and gives her sanctuary in the high bell tower of Notre Dame cathedral. Here she is easy prey for the already infatuated "Frollo" - superby depicted by Sir Cedric Hardwicke. What follows is the stuff of great literature adapted with adroit skill and sympathy by Sonya Levein (screenplay) and directed by William Dieterie. The use of light and shadow, Alfred Newman's nimble score and an authentic set (recreated in California) make this by far the best rendering of this story on film.
Juliana tells the story of a little girl who dresses like a boy to join a gang that her brother is in. The story shows the reality of young kids that join gangs.
Rémy and Mélanie live next door to each other in Paris but have never met. The two thirty-year-old Parisians search for connections online, but never have much success. Falling deeper into loneliness and depression, both decide to start attending regular therapy. With the help of their therapists, they uncover the real roots of their issues, and find that the connection they were both searching for is much closer than they thought.
Emperor Francis Joseph I is about to arrive in Prague, and among those who came to Stromovka to welcome him is Veronika Pavlitová. She wants to submit a request for clemency for her imprisoned father to the emperor, because she is barely able to support herself and her siblings on the meager salary of a seamstress. By chance, the girl meets Božena Němcová, whom she admires immensely. She becomes her friend and confidant for a while. However, police director Paümann, who has been following Božena Němcová for a long time, takes advantage of the naivety of the young girl. Veronika, in her simple-mindedness, tells him many things. Only later will she understand how she was abused.
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
Taking place in real time, elementary school teacher Emily organizes a mixer of like-minded women, but an altercation between a woman from Emily’s past and the group leads to a volatile chain of events.
The story of an impossible love: doctor Emil Codrescu is reunited 20 years later with Adela, the one he had only known as a young girl. The two fall in love, but circumstances and hesitation prevent them from getting closer.
A psychologist connects her missing brother to the strange case of a mysterious little girl believed to be Sadako reincarnated.
