Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
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Love and Hip Hop Atlanta - (Feb 26th)
Highway Thru Hell - (Feb 26th)
Rocky Mountain Wreckers - (Feb 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
Beyond the Gates - (Feb 26th)
Win or Lose - (Feb 26th)
Wildcard Kitchen - (Feb 26th)
WWE NXT - (Feb 26th)
FBI - (Feb 26th)
7 Little Johnstons - (Feb 26th)
Kitchen Nightmares - (Feb 26th)
The Rookie - (Feb 26th)
Road Rage - (Feb 26th)
Renovation Aloha - (Feb 26th)
The Perfect Storm, I just love it so much. "The fog's just lifting, you throw off your bow line, you throw off your stern-you head out to South Chanel past Rocky Neck...Ten Pound Island, past Niles Pond where I skated as a kid-and you blow your air horn and throw a wave to the lighthouse keepers kid on Thatcher's Island - then the birds show up, black backs and herring gulls, big dump ducks - the sun hits you, head North, open up to 12, you're steaming now, the guys are busy, you're in charge - you know what? You're a god damn sword boat captain, is there anything better in the world?" Ordinarily I would write a review that is fair minded and as honest as I can call it, something that hopefully would interest the readers either side of the fence. But here with The Perfect Storm I just want to write why I love this particular picture, and what a most divisive picture it has turned out to be. I'm aware of the complaints about the movie, even the ones from the family of the real Captain Billy Tyne {played by Alpha Male regular George Clooney}, but as an entertaining spectacle with huge slices of emotional fortitude, The Perfect Storm will forever be hitting my spots. The character build up is just wonderful, people with things to prove, fractured and blossoming romances, loyalties on the line, grudges carried over from previous encounters, the lives of sea fishermen fully formed in the films first quarter. Then there is a sequence as George Clooney says the monologue that I have opened this review with, beautifully recited, but it's the emotion in Linda Greenlaw's face (Mary Elizabeth Mastrantonio) as she watches and listens to him speak it, just wonderful. Then the boys go out to see, heading off into dangerous waters to hopefully make a killing in the fish market, tensions run high, accidents happen, heroes are born and rivalries quickly overturned, but the boys must go further if they are to corner the market, the Grand Banks are evil at this time of year. A three pronged hostile weather front is heading their way, they are, as Linda tells Billy on the radio, heading into the belly of the monster, and what a monster it is. Here the makers excel, director Wolfgang Petersen, his cinematographer John Seale and his S/E maestro John Frazier do literally put me right there in a amongst the waves and derringdo bravado. Then it's the final couple of reels, the emotional mangler, even a spiritual coda that is hated by so many can't make me dislike the film any less, and I'll wager right here and now that as funeral eulogies go, few if any have been delivered with as much heartbreaking emotion as the one read by Mastrantonio here. All of which is backed by a truly involving score by James Horner, shades of Braveheart's emotional swirls in there. It's a personal opinion you know, but The Perfect Storm is a magnificent film that I enjoy three times a year, every year, and nobody will ever be able to take that away from me. "There's no goodbyes Christina, only love," damn straight! 9/10
I recently watched this for the second time, many years after my initial viewing. I confess I didn't always give it my full attention, not just because I had seen it once but also because the plot isn't very subtle, and careful viewing isn't necessary. The dialogue is realistic and well done, but the characters seem a bit stereotypical. You have the grizzled captain whose skills and luck seem to be in decline, a gentle giant with an ex-wife and a kid, a young man desperately in love, the newcomer ready to pick a fight with one of the above and a ladies man who I think was creole, but I am not sure. So the plot bumps along and the special effects of huge waves and wind works to build suspense, only partly successfully. There are subplots also: the meteorologists with their eyes widening as the perfect storm develops, a yacht crew of three and the Coast Guard rescuers who try to save them, and a female ship captain who in real life wrote the book all this is based on. The film is entertaining enough, in its undemanding way, but I can safely say I don’t expect to watch it for a third time. There were a few cliche moments and moments of melodrama. But it is watchable, especially if it is your first time.
Paul Atreides, a brilliant and gifted young man born into a great destiny beyond his understanding, must travel to the most dangerous planet in the universe to ensure the future of his family and his people. As malevolent forces explode into conflict over the planet's exclusive supply of the most precious resource in existence-a commodity capable of unlocking humanity's greatest potential-only those who can conquer their fear will survive.
After her mother's death, six-year-old Frida is sent to her uncle's family to live with them in the countryside. But Frida finds it hard to forget her mother and adapt to her new life.
In addition to the two-part television version of the film, a shorter version was installed to show the film, entitled “Sherlock Holmes in the 20th Century.” In this installation version, in particular, the entire plot of the story “Bruce-Partington Drawings” was deleted. A film version was released before the premiere of the full (two-part) television version of the film.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones and, when the snow falls, it is gray. Their destination is the warmer south, although they don't know what, if anything, awaits them there.
Erica returns to her hometown for her parents funeral and her childhood friend murdered
An international oil drilling company hires private investigator Varg Veum to find their missing systems designer, Arne Samuelsen. Varg discovers the headless body of a woman jammed into the fridge in Arne's apartment - and is promptly knocked unconscious. When he wakes up the body is gone and the Police has arrived.
Private eye Varg Veum is on a routine mission searching for his client Jonas Andresen's stolen car. The car is found having been used in a brutal robbery and not long after that the client himself turns up dead.
The story of an Icelandic man and his slow descent into madness. Along his journey he meets Dagný, the initial cause of his breakdown. Other people he meets in the asylum have been committed for various reasons, such as signing cheques for Adolf Hitler and, believing themselves to be writing songs for the Beatles and telepathically transmitting to the band.
Remu grew up in modest conditions. He dropped out from schoold during his teen age years and is making career as a small time criminal. His family's destiny is about to come true, and it's going to be the usual: jail, alcoholism and violent death. After learning about rock music Remu learns to play drums and pushes himself into different bands. His first time in jails interrupts his music career, but after being released he starts his own band; Hurriganes.
A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
Coral Atkins, a British soap star of the 1970s, becomes deeply affected by the plight of children from troubled homes. Against considerable odds, Coral harnesses her celebrity to launch a crusade to establish her own home to care for the children. Based on the memoirs of Coral Atkins.