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There was really no intrigue in _The Glass House_ which is missing a pretty fundamental step when you're making a mystery/thriller. _Final rating:★½: - Boring/disappointing. Avoid where possible._
***Sad drama with Leelee Sobieski and Stellan Skarsgård switches to thriller*** A suddenly orphaned teen girl (Leelee Sobieski) & her little brother start a new life in Malibu with their guardians (Stellan Skarsgård & Diane Lane), who might not be the caring friends of their parents they seem to be. Bruce Dern is on hand as a lawyer. “The Glass House” (2001) starts as a melancholic drama with the general plot, setting and tone of “Poison Ivy” (1992), but without the lethal Lolita angle. It eventually morphs into a suspense/thriller à la “Enough” (2002), just don’t expect Leelee to change into Rambo, like J-Lo. Sobieski as protagonist Ruby is one-dimensionally sullen, which fits the situation, but it gives a lifeless vibe to the proceedings. Some critics claim the last act is predictable, but it's really not, excepting the fact that two people ultimately square off (which is obvious from the beginning). I'd cite examples but don't want to give away spoilers. The film runs 1 hour, 46 minutes, and was shot in Malibu & that general area of Los Angeles. GRADE: B-
The Glass House is one of those movies that might not blow you away but keeps you intrigued with its unsettling vibe. The cold, modern house perfectly mirrors the eerie atmosphere, creating an unsettling backdrop for the story. The cinematography uses this to its advantage, making the environment feel as much a part of the tension as the characters themselves. Leelee Sobieski delivers a standout performance, convincingly portraying her character’s growth and determination amidst the unfolding mystery. Stellan Skarsgård adds another layer with his chilling yet restrained presence, keeping you on edge even when the story feels familiar. Sure, the plot leans toward predictable territory, which seems to be a sticking point for critics, but the film’s strength lies in how it teases the possibility of different outcomes. Even if the ending plays it safe, the journey there has enough intrigue to hold your attention. It’s not groundbreaking, but it’s a solid thriller with good acting, a cold and unsettling tone, and just enough tension to make it worth a watch. If you’re in the mood for something straightforward yet atmospheric, it’s a decent pick.
Once a promising writer, John Hayson now gets by on the odd writing job. Hayson tries to right old wrongs and get his life back on track. However, life has other plans, and he realizes that the past is best laid to rest or it might haunt you forever. He soon finds himself embroiled in a nightmarish brew of deceit, passion and murder.
‘Sissy’ is a short drama set in a secondary school, where two sisters with a fraught relationship, feisty Millie who is 16 and goody goody Chloe who is 12, wait to be seen by the headteacher for very different reasons.
Wealthy writer Stephen Byrne tries to seduce the family maid, but when she resists, he kills her. Long jealous of his brother John, Stephen does his best to pin the blame for the murder on his sibling. Also affected by Stephen's arrogant dementia is his long-suffering wife Marjorie.
Surya, a courageous man who was raised in the slums, fights for the rights of the poor and befriends Deva, who hires him as his commander and changes his life completely.
A mysterious love triangle leads to a tragic shooting. Months later, eight members of a MySpace-esque chat room are being gruesomely murdered in the privacy of their own homes.
When a gunman opens fire on a crowded city bus in San Francisco, Detective Dave Evans is killed, along with the man he'd been following in relation to a murder. Evans' partner, Sgt. Jake Martin, becomes obsessed with solving the case.
A provocative and edgy radio host must play a dangerous game of cat and mouse with a mysterious caller who's kidnapped his family and is threatening to blow up the whole station.
Young urban couple Ed and Sarah are set to begin a new life when they move from London into an isolated borders Scottish farmhouse. After falling in love with the 19th century Castle Farm and seeing its potential as a fixer-upper they are anxious to get started on the renovations. In bed on their first night Sarah thinks she can hear noises in the darkness but Ed is disbelieving saying it’s her imagination playing tricks. Persisting in her fear they are not alone in the house, she forces Ed to investigate. When he doesn’t return after a scarily long period, she goes downstairs to investigate only to be confronted by a welcoming committee of masked intruders. As she desperately searches for Ed, a terrifying game of cat and mouse ensues with the mysterious assailants. But what do they want and what horrors do they have planned for the two newcomers?
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
Ruthless silver miner, turned oil prospector, Daniel Plainview, moves to oil-rich California. Using his son to project a trustworthy, family-man image, Plainview cons local landowners into selling him their valuable properties for a pittance. However, local preacher Eli Sunday suspects Plainview's motives and intentions, starting a slow-burning feud that threatens both their lives.