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Just like the first film, this one also takes you to a very special journey you can never forget. The honesty of the characters and how relatable they are is what made the first film so charming and unique applies to this film too. These two films have a very special place in my heart. Would I watch it again? Absolutely! Would I make my friends watch it? Definitely.
Well hats off to John Madden for managing to reassemble the cast from the first film from four years earlier, and for securing the sparing services of Richard Gere but I'm afraid the rest of this is all a poor cousin. With the hotel now more successful, "Sonny" (Dev Patel) and "Mrs. Donnelly" (Dame Maggie Smith) are in the USA trying to seek funding for them to expand, and to buy the former women's palace for their next venture. Returning, and expecting an inspector to come and evaluate their business they greet the arrival of writer "Chambers" (Gere) and of new guest "Lavinia" (Tamsin Greig) in slightly different manners - and that's the first mistake for "Sonny"! The first film had a freshness to it, they (and we) were are all exploring a new life with new opportunities in a new bustling city: this is a much less joyful affair. Everyone appears to be looking towards the end; the characters are much flatter and slightly more depressed. The mischievous characterisations from Ronald Pickup and Celia Imrie have entered a rather uninteresting cul-de-sac. Familial discord between Sonny, his fiancée and his mother is all just a bit too convoluted and the story just, frankly, runs out of steam. Patel exudes charisma, he does way more to carry this than any of others and in the end comes up with quite a decent bit of dancing too. It's colourful and it's doesn't hang about, but Dame Maggie, in particular, has lost much of her curmudgeonly charm and Dame Judi really rather simpers through the film with little of the spark we saw before. To be honest, I'm not really sure the first film really merited a sequel at all. This one is really not very memorable and Richard Gere's character adds very little indeed.
When a famous Bollywood actor visits a small village for a film's shoot, a poor hairdresser's claim that they were once childhood friends soon makes him the centre of attention.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
A manager of an orphanage in India is sent to Copenhagen, Denmark, where he discovers a life-altering family secret.
Ishaan Awasthi is an eight-year-old whose world is filled with wonders that no one else seems to appreciate. Colours, fish, dogs, and kites don't seem important to the adults, who are much more interested in things like homework, marks, and neatness. Ishaan cannot seem to get anything right in class; he is then sent to boarding school, where his life changes forever.
After his entire department is outsourced, an American novelty products salesman heads to India to train his replacement.
Taking an experimental approach to the relationship between the written text and moving image, Mani Kaul has a series of texts read aloud in voice-overs (poetry, essays, and stories), while the characters within the texts walk through real or imaginary landscapes.
A light hearted romantic-road comedy produced by Big Band Story in association with the French TV network TF1. The film had its world premiere in Festival de la Fiction TV, La Rochelle. The film stars popular French TV stars Rayane Bensetti, Lucie Lucas, Cécile Rebboah & Xavier Robic.
Four ordinary women, inflicted by silly societal norms, have to steal, lie, cheat and hide in order to lead the lives that they rightfully deserve.
