I really can't do justice to just how thoroughly entertaining a film 'French Exit' is. It had me roaring and cackling with laughter, totally enchanted by its irreverence and good humour. You feel as if you're watching a great piece of classic theatre, where silly rich white people bumble around in fancy rooms, unaware that they're revealing, with their silly irrelevant lives, just how strange and beautiful life and love and sadness and happiness can be. Michelle Pfeiffer's tremendous central performance, full of camp and acid and sadness, would be enough of a reason to see 'French Exit', but it's all the more rewarding for how complete an experience it is. The ridiculous and the surreal are employed for the purpose for which they are always at their best - to make us laugh at how silly life can be, and sigh at the truth that, no matter what, we want to keep living regardless. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-french-exit-a-farcical-and-ridiculous-delight
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I find surreal comedy one of the most challenging subgenres to appreciate. In my experience, the humor must be pitch-perfect in order for me to actually laugh throughout the runtime of a purposefully absurd film. In addition to this, I need to feel some sort of connection with the protagonist(s). Otherwise, I'll struggle to truly enjoy the fun inside all the chaos. I've never seen a movie by Azazel Jacobs (The Lovers, Terri), who brings the same screenwriter of the latter film, Patrick deWitt. Michelle Pfeiffer delivers a phenomenal performance, showing tremendous emotional range and an acting experience that allows her to seamlessly navigate any script thrown at her. Ultimately, Pfeiffer proves that she still has what it takes to lead the biggest movies of each year. Unfortunately, I found French Exit an incredibly tough film to enjoy. From the remaining disappointing performances - Lucas Hedges is frustratingly annoying in this role - to the lack of interest in the overall narrative, it's one of those movies that either the viewers connect with immediately, or it's not going to be an easy watch. Surreal comedy implies a nonsensical screenplay, which might trigger some people to dislike it from the get-go. It's an extremely specific type of humor that doesn't usually reach big groups of people. Azazel Jacobs brings Patrick deWitt's screenplay to the screen with remarkable commitment, but in the end, it's a slow, stretched-out film with not that many laughs to offer. Rating: C-
In late 19th-century Sicily, the noble Uzeda family—whose lineage dates back to the ancient viceroys that ruled those lands—fights to preserve its waning power in the face of the newly unified Italian regime.
Beth, Calvin, and their son Conrad are living in the aftermath of the death of the other son. Conrad is overcome by grief and misplaced guilt to the extent of a suicide attempt. He is in therapy. Beth had always preferred his brother and is having difficulty being supportive to Conrad. Calvin is trapped between the two trying to hold the family together.
Charts the troubled teenage years of students Yūichi Hasumi and Shūsuke Hoshino, exploring the shifting and complex power dynamics of their relationship against the backdrop of Yūichi's love for the dreamy and abstract music of pop star Lily Chou-Chou.
Karsten Aslaksen, chief engineer of a large chemical company, disappears without trace. His married lover, a successful politician named Vibeke Farang, approaches private investigator Varg Veum to track him down discreetly.
The adventures of a blind, gambling masseur and master swordsman. Zatoichi targets a yakuza-controlled village, because war with a neighbouring town's smaller gang is brewing.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Mame Dennis, a progressive and independent woman of the 1920s, is left to care for her nephew Patrick after his wealthy father dies. Conflict ensues when the executor of the father's estate objects to the aunt's lifestyle and tries to force her to send Patrick to prep school.
A group of Anglican nuns, led by Sister Clodagh, are sent to a mountain in the Himalayas. The climate in the region is hostile and the nuns are housed in an odd old palace. They work to establish a school and a hospital, but slowly their focus shifts. Sister Ruth falls for a government worker, Mr. Dean, and begins to question her vow of celibacy. As Sister Ruth obsesses over Mr. Dean, Sister Clodagh becomes immersed in her own memories of love.
After being dumped by his model girlfriend, aspiring writer Quincy Watson quits his job and is inspired to pen the ultimate how-to book on breaking up. When it becomes a smash bestseller, he starts giving his player cousin, Evan, choice tips on how to win the battle of the sexes. But when Evan's beautiful girlfriend Nikki gets wind of the plan, it's these players that end up getting played.
Everyone's favorite lazy, lasagna loving, Monday hating orange tabby leaves his exciting star of a popular comic strip world for the real one. But as the novelty wears thin, Garfield begins looking for a way back before his strip is permanently cancelled.
A young hapless couple's devotion for each other is tested through harsh times of war as they are forced to negate patriotism and dependability to their families and nations, for a length of a lifetime before during and after the war. This movie is not a colorfull. About 5 years later, this movie was shot again wtih same actors and actresses (except for Selda Alkor).