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I really can't do justice to just how thoroughly entertaining a film 'French Exit' is. It had me roaring and cackling with laughter, totally enchanted by its irreverence and good humour. You feel as if you're watching a great piece of classic theatre, where silly rich white people bumble around in fancy rooms, unaware that they're revealing, with their silly irrelevant lives, just how strange and beautiful life and love and sadness and happiness can be. Michelle Pfeiffer's tremendous central performance, full of camp and acid and sadness, would be enough of a reason to see 'French Exit', but it's all the more rewarding for how complete an experience it is. The ridiculous and the surreal are employed for the purpose for which they are always at their best - to make us laugh at how silly life can be, and sigh at the truth that, no matter what, we want to keep living regardless. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-french-exit-a-farcical-and-ridiculous-delight
If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com I find surreal comedy one of the most challenging subgenres to appreciate. In my experience, the humor must be pitch-perfect in order for me to actually laugh throughout the runtime of a purposefully absurd film. In addition to this, I need to feel some sort of connection with the protagonist(s). Otherwise, I'll struggle to truly enjoy the fun inside all the chaos. I've never seen a movie by Azazel Jacobs (The Lovers, Terri), who brings the same screenwriter of the latter film, Patrick deWitt. Michelle Pfeiffer delivers a phenomenal performance, showing tremendous emotional range and an acting experience that allows her to seamlessly navigate any script thrown at her. Ultimately, Pfeiffer proves that she still has what it takes to lead the biggest movies of each year. Unfortunately, I found French Exit an incredibly tough film to enjoy. From the remaining disappointing performances - Lucas Hedges is frustratingly annoying in this role - to the lack of interest in the overall narrative, it's one of those movies that either the viewers connect with immediately, or it's not going to be an easy watch. Surreal comedy implies a nonsensical screenplay, which might trigger some people to dislike it from the get-go. It's an extremely specific type of humor that doesn't usually reach big groups of people. Azazel Jacobs brings Patrick deWitt's screenplay to the screen with remarkable commitment, but in the end, it's a slow, stretched-out film with not that many laughs to offer. Rating: C-
On an otherwise normal day, Étienne, a happily married man and a good father, sees something that stops him dead in his tracks: a gorgeous woman in a billowing red dress. Long after she has left his vision, her memory continues to haunt his mind. He falls instantly in love with her and tries everything to get to know her better. Helping Étienne snare his elusive lady in red are his three bumbling buddies, which all have secret affairs and/or cheat on their wives.
In this enchantingly cracked fairy tale, the beautiful Princess Buttercup and the dashing Westley must overcome staggering odds to find happiness amid six-fingered swordsmen, murderous princes, Sicilians and rodents of unusual size. But even death can't stop these true lovebirds from triumphing.
Wounded to the brink of death and suffering from amnesia, Jason Bourne is rescued at sea by a fisherman. With nothing to go on but a Swiss bank account number, he starts to reconstruct his life, but finds that many people he encounters want him dead. However, Bourne realizes that he has the combat and mental skills of a world-class spy—but who does he work for?
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns. Information from the reporter stirs a new set of memories, and Bourne must finally uncover his dark past while dodging The Company's best efforts to eradicate him.
Seven British children bury their mother and hide her death, until their long-lost father returns.
Bored with the limited and tedious nature of provincial life in 19th-century France, the fierce and sensual Emma Bovary finds herself in calamitous debt and pursues scandalous sexual liaisons with absolute abandon. However, when her volatile lifestyle catches up to her, the lives of everyone around her are endangered.
A brash and precocious ten-year-old comes to Paris for a whirlwind weekend with her rakish uncle.
Romain, 31, a fashion photographer with terminal cancer, elects to die alone, preparing others to live past him rather than prolong the inevitable with chemotherapy or be smothered in sympathy by those who know him.
Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.