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Family Feud Canada - (Feb 20th)
The 11th Hour with Stephanie Ruhle - (Feb 20th)
Green Eyed Killers - (Feb 20th)
On Cinema - (Feb 20th)
Tyler Perrys Sistas - (Feb 20th)
Conspirators - (Feb 20th)
The Chase - (Feb 20th)
Vince - (Feb 20th)
Gogglebox Australia - (Feb 20th)
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Australia on Fire- Climate Emergency - (Feb 20th)
The Family Business- New Orleans - (Feb 20th)
Ozark Law - (Feb 20th)
Dateline- Secrets Uncovered - (Feb 20th)
The Chief - (Feb 20th)
Storyville - (Feb 20th)
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Tribunal Justice - (Feb 20th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
You are worse than blood poisoning! Night Editor is directed by Henry Levin and adapted to screenplay by Hal Smith from the radio program of the same name - by Hal Burdick - and the short story, Inside Story, written by Scott Littleton. It stars William Gargan, Janis Carter, Jeff Donnell, Coulter Irwin and Charles D. Brown. Cinematography is by Burnett Guffey and Philip Tannura, and music is credited to Mischa Bakaleinikoff, though it's believed that Mario Castelnuovo-Tedesco did the work. "You are just no good for me. We both add up to zero" A raging "B" pic out of Columbia? Absolutely! This is something of a film noir lovers delight. There is no getting away from the fact it has one of those endings that has proved to be divisive, so how it stacks up for first time viewers now may make or break your opinion of it... Story finds copper Tony Cochrane (Gargan) having a love affair with viper like Jill Merrill (Carter), this in spite of the fact he has a gorgeous loving wife and a son who worships him. During one of the illicit couple's love trysts they witness a violent murder, and fearing scandal Cochrane fails to uphold the law. From such decisions does life often spiral out of control... Okies. So we got hot and sweaty scenes, flashbacks, wet streets lit by lamps, alleyways, barely lighted rooms - particularly the station offices - symbolic and metaphorical sequences (oh my those crashing waves), but it's the barbed dialogue, the blend of sex and violence, and a femme fatale of considerable greatness, that ultimately makes this soar. Personally I hate the ending, but as stated before, I do know noir lovers who find it cheeky and enjoyable. Yet even with my irritation at the finale - and of Carter's hair style (which pushes Phyllis Dietrichson for most unflattering look), there's just so much good here for noir lovers not to enjoy greatly. 7.5/10
Jeff Bailey seems to be a mundane gas station owner in remote Bridgeport, California. He is dating local girl Ann Miller and lives a quiet life. But Jeff has a secret past, and when a mysterious stranger arrives in town, Jeff is forced to return to the dark world he had tried to escape.
Dennis O'Keefe plays a GI who falls in love with Mara Lane in postwar Rome. Lane kills her boss, forcing her to flee the law. O'Keefe goes along for the ride so that he won't be knocked off by Lane's husband. Just when it looks as though O'Keefe is willing to go to any lengths to protect the woman he loves, he discovers that she frankly isn't worth it.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
When his boss is killed, Detroit cop Axel Foley finds evidence that the murderer had ties to a California amusement park called Wonder World. Returning to sunny Beverly Hills once more, Foley reunites with Detective Billy Rosewood to solve the case. Along with Billy's new partner, Detective Jon Flint, they discover that Wonder World is being used as a front for a massive counterfeiting ring.
Crooked cop Torrente gets out of jail in the year 2018 to find a different Spain from the one he knew.
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story. When he discovers the body of a stranger who looks similar to him, Locke assumes the dead man's identity. However, he soon finds out that the man was an arms dealer, leading Locke into dangerous situations. Aided by a beautiful woman, Locke attempts to avoid both the police and criminals out to get him.
When investigative reporter Irwin "Fletch" Fletcher goes undercover to write a piece on the drug trade at a local beach, he's approached by wealthy businessman Alan Stanwyk, who offers him $50,000 to murder him. With sarcastic wit and a knack for disguises, Fletch sets out to uncover Stanwyk's story.
A reporter on a visit to his hometown hears of dangerous conditions at the local coal mine, and proceeds to investigate.
It's a deadly play for power when a Mafia chieftain's top gun goes straight and threatens to testify against the big boss and his cruel, nationwide network of crime. The picture, which was shot in a semi-documentary style, was inspired by the Kefauver investigations of 1950-51.