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Edmond O'Brien is one of my favourite actors of the period, and if you need any startling evidence of why, just check out his performance here in Rudolph Mate's heartily original noir-shocker, 'D.O.A.'. Another great reason to check the film out, the Polish-born director, made a smooth transition from being a great cinematographer, and this is probably his most shining triumph helming a picture. If you have ever wondered why 'film noir' has been considered such a consistently rewarding and enthralling body of cinematic work, like the earlier 'Pre-Code' era, check this one out, and others of its ilk. A sheerly delightful film that holds up well today. Though I haven't checked its 80's remake out, I'm not too curious about it, other than the slight curiosity from its notoriety of it being the film in which Dennis Quaid and Meg Ryan met and eventually decided to marry. Other than that, I'm more than content simply watching this.
"I was to report a murder"... "Whose?"..."Mine!"... Edmond O'Brien is cracking in this dark and atmospherically paced thriller about a man who discovers that he has been deliberately poisoned by luminous toxin and may only have a few hours/days/weeks left to live. He can't understand who would want to do this and sets out to find the culprits. Much of the story is recounted via his "deathbed" explanation to an unbelieving police squad room and it is superbly directed (by Rudolph Maté) with loads of twist and turns in the plot; a tension-building score and more than one potential candidate for villain. Pamela Britton "Paula" is also great as his albatross-like girlfriend who would long since have driven me to bathe in a tub of uranium and the rest of the cast, especially a truly sinister Neville Brand as "Chester" keep us interested right til the death...
Slick lawyer Thomas Farrell has made a career of defending mobsters in trials. It's not until he meets a lovely showgirl at a mob party that he realizes that there's more to life than winning trials. Farrell tries to quit the racket, but mob boss Rico Angelo threatens to hurt the showgirl if Farrell leaves him.
Pursued by the big-time gambler he robbed, John Muller assumes a new identity—with unfortunate results.
An insurance man wishing for a more exciting life becomes wrapped up in the affairs of an imprisoned embezzler, his model girlfriend, and a violent private investigator.
Rick Mason is the no-good lowdown rat who tries to capitalize on postwar patriotism and grief. He finagles a war widow into giving up her savings for a nonexistent memorial. When Mason falls in love with the widow he has pangs of conscience, but he reckons without his con-artist boss, who tends to bolster his arguments with muscle and bullets.
After surviving a murder attempt, an auto magnate goes into hiding so his wife can pay for the crime.
Kleptomaniac Dorothy Lyons is paroled from prison into the custody of her sister June, secretary to "reform" politician Frank Jansen. Ben Grace, associate of crime boss Sol "Solly" Caspar, sees this as a way to smear Jansen's campaign. Seductive Dorothy will do anything to get what she wants, which includes having a good time with Ben- whom June is now in love with.
A Serbian émigré in Manhattan believes that, because of an ancient curse, any physical intimacy with the man she loves will turn her into a feline predator.
United States Federal agent Rigby travels to the Central American island Carlotta to investigate a stolen aircraft engines smuggling racket.
Angered that her sister Celia has stolen her fiance, Dell Faring kills her and allows Celia's husband David, knocked out in an argument with Celia, to take the blame and end up on death row. Later Dell, finding out that David's young daughter Susan was witness to the crime and is undergoing psychiatric treatment, plans to eliminate her before her memory returns.
