War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
The cast order is taken from the movie's opening credits. The final credits list the cast in order of appearance. The IMDB cast order is in order of appearance, i.e. the same as the movie's final credits.
She's got a dead fish where her heart should be. Ride the Pink Horse is directed by Robert Montgomery and adapted to screenplay by Ben Hecht and Charles Lederer from the novel of the same name written by Dorothy B. Hughes. Montgomery also stars and is supported by Wanda Hendrix, Thomas Gomez, Fred Clark, Andrea King and Art Smith. Music is by Frank Skinner and cinematography by Russell Metty. WWII Veteran Lucky Gagin (Montgomery) arrives in San Pablo during Fiesta time with the intention of blackmailing the man responsible for the death of his pal. 1947 was a super year for film noir as a film making style, it's also a year that still even today hides little nuggets awaiting evaluation by noir fans, Ride the Pink Horse is one such piece. It feels a bit daft to suggest it's under seen, given that Gomez was nominated for a best Supporting Actor Academy Award (deserved as well) and Montgomery had made waves this year with his gimmicky production of The Lady in the Lake, but it does scream out as being little known. The title is a curious starting point, it's a reference to the carousel run by Gomez's Pancho character, a title that doesn't exactly scream out that this is a feverish noir, but that is exactly what it is. This is very much a bedfellow for Carol Reed's superb Odd Man Out (also 1947), the air of fatalism hanging heavy throughout, a sort of other wordly vibe that hooks you in and holds you there yearning for the resolution of the tale. The setting is most interesting, that of a small Mexican town during its annual Fiesta celebrations. Yet as the locals indulge in frivolity and joy, Gagin (and us the viewers) are thrust into a shadowy claustrophobic world. The principal characters are suspiciously drawn, not so much Gagin - who is tough and downbeat and has a clear goal to aim for - but those who line up to hopefully aid him in some way. For the first half of the pic the makers keep the cards close to their chest, it's a nice move that ensures rewards await as the story shifts into a higher gear. Psychologically the piece is strong, led by Gagin who was already feeling alienated after the war effort, but now also finds himself in an environment doubly alien to him, an interesting juxtaposition cunning in its placement for character development. Many noir staples shine bright, the main villain with a handicap, potential femme fatale, the macguffin, carnival imagery (the key carousel - gigantic scary looking effigy) and on it goes. The look is terrific as Metty (Ivy/Crashout/Touch of Evil) and Montgomery bring much shadow play, the dalliances of slatted shadows and wooden beam crossbars further emphasising the imprisonment of Gagin at this life juncture. Montgomery proves a deft hand at directing a potent scene, here his piece de resistance is a violent assault shot through the carousel while it is in motion, it's the high point of technical noir work in a film that has a lot of such. Very well performed in amongst the moral ambiguity, Ride the Pink Horse is very much recommended to those interested in film noir. As a character piece with visual treats, and as a fascinating psychological study, this one score high. 8/10
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.