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The Apprentice - (Mar 6th)
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The Z-Suite - (Mar 6th)
Come Dine With Me- South Africa - (Mar 6th)
The Tucker Carlson Show - (Mar 6th)
Piers Morgan Uncensored - (Mar 6th)
Tour de Fred- Northern Ireland - (Mar 6th)
Paradis City - (Mar 6th)
Make It At Market - (Mar 6th)
Ancient Aliens - (Mar 6th)
The Nature of Things - (Mar 6th)
Family Feud Canada - (Mar 6th)
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I wouldn't fancy a poke with that. The 26th film of the series, Carry on Dick marked the end of an era for a number of reasons. It would be the last appearance of Sid James, Hattie Jaques and Barbara Windsor, and the last to be scripted by Talbot Rothwell. As the title suggests, by this time the series had gone fully into innuendo mode, here they take the Dick Turpin legend and cloak it with sexual nudge nudges and wink winks. Character names are a riot, Reverend Flasher - Big Dick - Desmond Fancey (AKA: Dandy Desmond), Jock Strapp and Constable (ooh-err, it's all about the pronunciation - the rascals), thus it's all very low-brow for sure. It's great to have Sid James in a period set dual role again (as in Don't Lose Your Head), he's nicely restrained as Reverend Flasher and on the other side he's all throaty laughs and cheek as the randy dandy highwayman, Big Dick! Playing the usual sexy foil to James is Windsor in one of her more meaty roles in the series, though Peter Butterworth and Kenneth Connor are not given nearly enough material to make a telling mark. Great to see Kenny Williams given some pompous caricature to get his teeth into, even if - unlike James' characters, this double act with Jack Douglas does feel like a lazy retread from Carry on Don't Lose Your Head. Carry On Behind would follow this one, a decent enough film that with hindsight should have been the closure for the series. Carry on Dick tried to keep the rompy end up (ooh-err) for the series, a last hurrah grasping onto the historical/period pictures that proved so popular in the previous decade. It's not a fitting farewell for some major players, but some great gags and spirited performances ensure it doesn't disgrace itself in the eyes of the fans who liked a bit of sauce with their "Carry On" sandwich. 7/10
To be honest, I struggled with this a bit. It all centres on "Capt. Fancey" (Kenneth Williams) on the hunt for the legendary highwayman "Dick Turpin" - aka "Big Dick". Sadly, that's about the level of the rather crass and banal humour that pervades the rest of this pretty mediocre costume drama. The more "Carry On" films I watch, the more I do realise just how much Joan Sims contributed and here she shines as "Madame Desirée", but the rest of the cast seem content to take us down a rather childishly written path of stereotypes and slapstick and through a story that is a poor relation of "Doctor Syn" (1937). This franchise is reaching it's end now, the originality and playful humour of those made ten years ago has been replaced by an almost bawdy form of in-your-face comedy that really isn't anyone's finest work. Sorry, but I thought that this was quite poor.
The famous Pink Panther jewel has once again been stolen and Inspector Clouseau is called in to catch the thief. The Inspector is convinced that 'The Phantom' has returned and utilises all of his resources – himself and his Asian manservant – to reveal the identity of 'The Phantom'.
The discovery of a horse on the balcony of a neighbour’s apartment one winter’s night completely transforms the life of 10-year-old Mika, who embarks on a series of crazy adventures to save the horse before it’s too late.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
French military man Adrien Dufourquet gets an eight-day furlough to visit his fiancée, Agnès. But when he arrives in Paris, he learns that her late father's partner, museum curator Professor Catalan, has just been kidnapped by a group of Amazon tribesmen who have also stolen a priceless statue from the museum. Adrien and Agnès pursue the kidnappers to Brazil, where they learn that the statue is the key to a hidden Amazon treasure.
Engine Co. No. 1 is replacing faithful fire horse Old Smokey with a new engine, which Der Captain is very proud of. He soon gets a chance to test it, when his panicked wife calls; unfortunately, he's still learning how to use it. As he arrives, the ladder extends to its full range, with the Captain on top and most of the rungs missing.
The sinister Dr. Watt has an evil scheme going—he's kidnapping beautiful young women and turning them into mannequins to sell to local stores. Fortunately for him, Detective Sergeant Bung is on the case, and he doesn't have a clue!
Amidst the French revolution, Citizen Robespierre is beheading the aristocracy! When word gets to England, noblemen Sir Rodney Ffing and Lord Darcy Pue take it upon themselves to aid their French counterparts. Sir Rodney is a master of disguise, and becomes 'The Black Fingernail' scourge of Camembert and Bidet, leaders of the French secret police.
Francis Bigger, a notorious charlatan who tours the country lecturing on the subject of mind over matter, slips off the platform in the middle of his performance and ends up in hospital under the care of Dr Tinkle. The hospital is about to enter a period of total chaos.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.