War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
Flight Risk 2025 - Movies (Mar 28th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
I wouldn't fancy a poke with that. The 26th film of the series, Carry on Dick marked the end of an era for a number of reasons. It would be the last appearance of Sid James, Hattie Jaques and Barbara Windsor, and the last to be scripted by Talbot Rothwell. As the title suggests, by this time the series had gone fully into innuendo mode, here they take the Dick Turpin legend and cloak it with sexual nudge nudges and wink winks. Character names are a riot, Reverend Flasher - Big Dick - Desmond Fancey (AKA: Dandy Desmond), Jock Strapp and Constable (ooh-err, it's all about the pronunciation - the rascals), thus it's all very low-brow for sure. It's great to have Sid James in a period set dual role again (as in Don't Lose Your Head), he's nicely restrained as Reverend Flasher and on the other side he's all throaty laughs and cheek as the randy dandy highwayman, Big Dick! Playing the usual sexy foil to James is Windsor in one of her more meaty roles in the series, though Peter Butterworth and Kenneth Connor are not given nearly enough material to make a telling mark. Great to see Kenny Williams given some pompous caricature to get his teeth into, even if - unlike James' characters, this double act with Jack Douglas does feel like a lazy retread from Carry on Don't Lose Your Head. Carry On Behind would follow this one, a decent enough film that with hindsight should have been the closure for the series. Carry on Dick tried to keep the rompy end up (ooh-err) for the series, a last hurrah grasping onto the historical/period pictures that proved so popular in the previous decade. It's not a fitting farewell for some major players, but some great gags and spirited performances ensure it doesn't disgrace itself in the eyes of the fans who liked a bit of sauce with their "Carry On" sandwich. 7/10
To be honest, I struggled with this a bit. It all centres on "Capt. Fancey" (Kenneth Williams) on the hunt for the legendary highwayman "Dick Turpin" - aka "Big Dick". Sadly, that's about the level of the rather crass and banal humour that pervades the rest of this pretty mediocre costume drama. The more "Carry On" films I watch, the more I do realise just how much Joan Sims contributed and here she shines as "Madame Desirée", but the rest of the cast seem content to take us down a rather childishly written path of stereotypes and slapstick and through a story that is a poor relation of "Doctor Syn" (1937). This franchise is reaching it's end now, the originality and playful humour of those made ten years ago has been replaced by an almost bawdy form of in-your-face comedy that really isn't anyone's finest work. Sorry, but I thought that this was quite poor.
Comedy in five acts by Beaumarchais, filmed by Marcel Bluwal in studio and on location. The cast, in accordance with Marcel Bluwal's wishes, is in keeping with the age and character of the characters, to give it rhythm. At once "a comic baroque play, a bourgeois drama, a chansonnier's number, a social satire, a farce and a very pretty love story" according to Marcel Bluwal, it can also be summed up, according to Beaumarchais, as "the most bantering of intrigues".
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
Childlike Englishman, Mr. Bean, is an incompetent watchman at the Royal National Gallery. After the museum's board of directors' attempt to have him fired is blocked by the chairman, who has taken a liking to Bean, they send him to Los Angeles to act as their ambassador for the unveiling of a historic painting to humiliate him. Fooled, Mr. Bean must now successfully unveil the painting or risk his and a hapless Los Angeles curator's termination.
Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical musicians.
During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.
With the help of an irreverent young sidekick, a bank robber gets his old gang back together to organise a daring new heist.
Shattered illusions are hard to repair - especially for a good-hearted zebra named Stripes who's spent his life on a Kentucky farm amidst the sorely mistaken notion that he's a debonair thoroughbred. Once he faces the fact that his stark stripes mark him as different, he decides he'll race anyway. And with help from the young girl who raised him, he just might end up in the winner's circle.
Bank robber Graham Dorsey spends a few hours with beautiful widow Amanda Starbuck, in which time his gang takes part in a disastrous holdup. Learning of his comrades' demise, Dorsey goes on the lam. Believing her short-term lover was killed by the law, Amanda decides to make the most of having had a liaison with the supposedly deceased desperado by writing a book about him. Much to his confusion, the still-living Dorsey watches as his name becomes legendary.
Mario, a young philanderer, receives 13 antique chairs in a bad state by inheritance and decides to sell off them to get some money. Afterwards he gets to know that one of them contains documents worth a lot of money. So he begins an adventurous trip to regain possession of the chair. On the way he meets many strange people who would like to help or to swindle him.
An accountant who is creative with his firm's books uses the money to fund a romantic spree.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.